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John Bull Collection (page 3)

Background imageJohn Bull Collection: Egyptian Bonds, 1882. Artist: Joseph Swain

Egyptian Bonds, 1882. Artist: Joseph Swain
Egyptian Bonds, 1882. John Bull represents the British Navy, and is tied to a small French sailor. At the right of the cartoon is Arabi Pasha who was generally viewed as the representative of a

Background imageJohn Bull Collection: Hold On!, 1882. Artist: Joseph Swain

Hold On!, 1882. Artist: Joseph Swain
Hold On!, 1882. John Bull and a sailor struggle to manage a recalcitrant Egyptian crocodile. Lord Granville, the Liberal Foreign Secretary

Background imageJohn Bull Collection: A Tiff, 1881. Artist: Joseph Swain

A Tiff, 1881. Artist: Joseph Swain
A Tiff, 1881. John Bull, the representative of the British people, is at odds with Madame France in this cartoon. This illustrates a dispute between the governments of the two countries after Frances

Background imageJohn Bull Collection: Measurable Distance, 1881. Artist: Joseph Swain

Measurable Distance, 1881. Artist: Joseph Swain
Measurable Distance, 1881. Mr John Bull, the representative of the British people is the owner of the ship which the pilot, Prime Minister Gladstone, is attempting to steer into safe harbour

Background imageJohn Bull Collection: The Irrepressible Nigger!, 1881. Artist: Joseph Swain

The Irrepressible Nigger!, 1881. Artist: Joseph Swain
The Irrepressible Nigger!, 1881. John Bull, the representative of the British people, is being asked by King Coffee for the return of his state umbrella

Background imageJohn Bull Collection: Mending the Lesson, 1873. Artist: Joseph Swain

Mending the Lesson, 1873. Artist: Joseph Swain
Mending the Lesson, 1873. A skinny Britannia tells John Bull to beware of handing out too much charity to the needy. This relates to the serious famine blighting the lives of the inhabitants of

Background imageJohn Bull Collection: Humble Pie, 1872. Artist: Joseph Swain

Humble Pie, 1872. Artist: Joseph Swain
Humble Pie, 1872. Mr Bull, the representative of the British people, is presented with a second humble pie by Mr Gladstone in his waiters outfit

Background imageJohn Bull Collection: Pity the Poor Garotters!, 1872

Pity the Poor Garotters!, 1872. A ruffian is howling even before the first blow. Watching is John Bull and assorted policemen. This relates to a new wave of garrotting

Background imageJohn Bull Collection: The Loving Cup, 1872. Artist: Joseph Swain

The Loving Cup, 1872. Artist: Joseph Swain
The Loving Cup, 1872. Mr Bull shares a Loving Cup with Colombia. This cartoon relates to the ongoing Alabama dispute, brewing since the end of the American Civil War

Background imageJohn Bull Collection: Prosperous John, 1872. Artist: Joseph Swain

Prosperous John, 1872. Artist: Joseph Swain
Prosperous John, 1872. John Bull is the representative of the British people and the people are being raided of their earnings through income tax. He also represents the national purse

Background imageJohn Bull Collection: Jeremy Diddlowe, 1872. Artist: Joseph Swain

Jeremy Diddlowe, 1872. Artist: Joseph Swain
Jeremy Diddlowe, 1872. Robert Lowe, Gladstones Chancellor of the Exchequer, is depicted as Jeremy Diddlowe. He is presenting John Bull, the representative of the British people, with twopence

Background imageJohn Bull Collection: A Still Bigger Claimant, 1872. Artist: Joseph Swain

A Still Bigger Claimant, 1872. Artist: Joseph Swain
A Still Bigger Claimant, 1872. John Bull, the representative of the British people, is dwarfed by a huge American claim. The claim is being inflated by the representative of the American

Background imageJohn Bull Collection: All in the Downs, 1871. Artist: Joseph Swain

All in the Downs, 1871. Artist: Joseph Swain
All in the Downs, 1871. Edward Cardwell, Liberal Secretary for War during the period 1868-1874 is on the right facing a stout John Bull

Background imageJohn Bull Collection: Following a Bad Lead, 1870. Artist: Joseph Swain

Following a Bad Lead, 1870. Artist: Joseph Swain
Following a Bad Lead, 1870. John Bull exclaims Hullo, Gentlemen! Two Revokes! You ll Lose the game by Tricks John Bull, the representative of the British people

Background imageJohn Bull Collection: Six of One and Half-a-Dozen of The Other, 1870. Artist: Joseph Swain

Six of One and Half-a-Dozen of The Other, 1870. Artist: Joseph Swain
Six of One and Half-a-Dozen of The Other!, 1870. John Bull, the representative of the British people, sits majestically in the centre, with Napoleon III of France to his left

Background imageJohn Bull Collection: Obstructives, 1870. Artist: Joseph Swain

Obstructives, 1870. Artist: Joseph Swain
Obstructives, 1870. In the doorway of the school, a variety of Ministers and Nonconformists argue, whilst Mr Punch tells Policeman Bull that this prevents the two working-class children from entering

Background imageJohn Bull Collection: The Three R s; Or, Better Late Than Never, 1870. Artist: Joseph Swain

The Three R s; Or, Better Late Than Never, 1870. Artist: Joseph Swain
The Three R s; Or, Better Late Than Never, 1870. In February 1870 Forster introduced his Elementary Education Bill in Parliament

Background imageJohn Bull Collection: Great Boon to Our Household Guards, 1870. Artist: Joseph Swain

Great Boon to Our Household Guards, 1870. Artist: Joseph Swain
Great Boon to Our Household Guards, 1870. This cartoon refers specifically to the Metropolitan force, set up originally in 1829

Background imageJohn Bull Collection: Remember!, 1888. Artist: Joseph Swain

Remember!, 1888. Artist: Joseph Swain
Remember!, 1888. John Bull, the representative of the British people, looks at a map to find out the location of Suakin (Sudan)

Background imageJohn Bull Collection: Barbarians at Play, 1888

Barbarians at Play, 1888. John Bull recommends that if football is to be a young mans chosen sport, then let it be the game of gentlemen. From Punch, or the London Charivari, November 3, 1888

Background imageJohn Bull Collection: The Drowsy Pointsman, 1876. Artist: Joseph Swain

The Drowsy Pointsman, 1876. Artist: Joseph Swain
The Drowsy Pointsman, 1876. John Bull, the representative of the British people, prods a dozing Disraeli, now the Earl of Beaconsfield. This cartoon highlights two very topical stories

Background imageJohn Bull Collection: Keeping the Ring, 1876. Artist: Joseph Swain

Keeping the Ring, 1876. Artist: Joseph Swain
Keeping the Ring, 1876. Turkey, brandishing a sword, is beset on all sides by the dogs of war, Servia, Montenegro, Herzegovina and Bosnia

Background imageJohn Bull Collection: A Voice from the Clouds, 1875. Artist: Joseph Swain

A Voice from the Clouds, 1875. Artist: Joseph Swain
A Voice from the Clouds, 1875. John Bull, the representative of the British people, stands up to his thighs in flood water, surrounded by the wreckage of household furniture

Background imageJohn Bull Collection: The Flag of Freedom, 1875. Artist: Joseph Swain

The Flag of Freedom, 1875. Artist: Joseph Swain
The Flag of Freedom, 1875. An escaped slave clings to Britains flagpole as John Bull argues the toss with the First Lord of the Admiralty, G Ward Hunt

Background imageJohn Bull Collection: Loss and Gain, 1875. Artist: Joseph Swain

Loss and Gain, 1875. Artist: Joseph Swain
Loss and Gain, 1875. John Bull, the representative of the British people, stands with Mr Punch on the coast of Ireland and looks into the gloom

Background imageJohn Bull Collection: Home-(Rule)-Opathy, 1874. Artist: Joseph Swain

Home-(Rule)-Opathy, 1874. Artist: Joseph Swain
Home-(Rule)-Opathy, 1874. Mr Isaac Butt, the moderate leader of the Irish Home Rule Party opens a box labelled Home Rule. Ireland sits by her small fire with her meagre possessions on a stool beside

Background imageJohn Bull Collection: Bob and The Bobby, Or Only His Fun, 1869. Artist: Joseph Swain

Bob and The Bobby, Or Only His Fun, 1869. Artist: Joseph Swain
Bob and The Bobby, Or Only His Fun, 1869. Robert Lowe, the Chancellor of the Exchequer, had proposed devaluing the sovereign by one per cent

Background imageJohn Bull Collection: Humble Pie (?), 1869. Artist: John Tenniel

Humble Pie (?), 1869. Artist: John Tenniel
Humble Pie (?), 1869. After the American Civil War, the US government claimed compensation was due from Britain in respect of the damage done by the Alabama

Background imageJohn Bull Collection: Our Siamese Twins, 1869. Artist: John Tenniel

Our Siamese Twins, 1869. Artist: John Tenniel
Our Siamese Twins, 1869. Mr Gladstone was the new Prime Minister following 1868s late General Election. One of his first acts was to start preparing for the disestablishment of the Irish Church

Background imageJohn Bull Collection: The Reform Bill, 1866. Frantic Excitement!!!, 1866. Artist: John Tenniel

The Reform Bill, 1866. Frantic Excitement!!!, 1866. Artist: John Tenniel
The Reform Bill, 1866. Frantic Excitement!!!, 1866. Mr and Mrs John Bull, representing the people of Britain, doze over their newspapers which, without exception

Background imageJohn Bull Collection: Rebellion Had Bad Luck, 1865. Artist: John Tenniel

Rebellion Had Bad Luck, 1865. Artist: John Tenniel
Rebellion Had Bad Luck, 1865. An Irish Fenian activist is kicked out of the country by John Bull. This was a time when the Fenians, funded and supplemented with men from the Irish Americans

Background imageJohn Bull Collection: Fenians In A Fix, 1865. Artist: John Tenniel

Fenians In A Fix, 1865. Artist: John Tenniel
Fenians In A Fix, 1865. His Riverance remarks; Ah, Thin, Mr Bull, if the Boys had Listened to Me, they d have been out of that Ontirely. Two mutinous Fenians are clamped in the stocks

Background imageJohn Bull Collection: The Golden Wedding; or, Fifty Years Jubilee of Peace, 1865. Artist: John Tenniel

The Golden Wedding; or, Fifty Years Jubilee of Peace, 1865. Artist: John Tenniel
The Golden Wedding; or, Fifty Years Jubilee of Peace, 1865. This Jubilee is celebrated by Punch and shows, left to right, John Bull, Napoleon III, France and Britannia

Background imageJohn Bull Collection: The Election Budget, 1865. Artist: John Tenniel

The Election Budget, 1865. Artist: John Tenniel
The Election Budget, 1865. Gladstone exclaims I Think, Mr Bull, We may now Reckon on Your Support! Gladstone gives John Bull some pennies and his wife a packet of tea

Background imageJohn Bull Collection: Colonists and Convicts 1864. Artist: John Tenniel

Colonists and Convicts 1864. Artist: John Tenniel
Colonists and Convicts, 1864. Australian Colonist says: Now, Mr. Bull! Don t shoot any more of your Rubbish here, or I shall Quarrel

Background imageJohn Bull Collection: English Assassin Painted by France, 1864. Artist: John Tenniel

English Assassin Painted by France, 1864. Artist: John Tenniel
English Assassin Painted by France, 1864. The distance between France and Britain at this time is illustrated by the comment made by M Le Verrier

Background imageJohn Bull Collection: Our Danish Difficulty, 1864. Artist: John Tenniel

Our Danish Difficulty, 1864. Artist: John Tenniel
Our Danish Difficulty, 1864. Here we see John Bull with the Danish Princess of Wales on one side, and Princess Victoria, daughter-in-law of the King of Prussia, on the other

Background imageJohn Bull Collection: John Bulls Neutrality, 1863. Artist: John Tenniel

John Bulls Neutrality, 1863. Artist: John Tenniel
John Bulls Neutrality, 1863. Look Here, Boys, I Don t Care Twopence For Your Noise, But If You Throw Stones At My Windows, I Must Thrash You Both

Background imageJohn Bull Collection: The Derby 1863 - Portrait of The Winner, 1863. Artist: John Tenniel

The Derby 1863 - Portrait of The Winner, 1863. Artist: John Tenniel
The Derby 1863 - Portrait of The Winner, 1863. A topical cartoon from Punch. Palmerston, trainer of the British people, welcomes home the Derby winner

Background imageJohn Bull Collection: A Growl for Poland, 1863. Artist: John Tenniel

A Growl for Poland, 1863. Artist: John Tenniel
A Growl For Poland, 1863. Mr. Bull. Ah, Old Dog - You d Like To Have Another Run At That Bear, Wouldn t You; But You Won t This Time

Background imageJohn Bull Collection: Home Intervention, 1862

Home Intervention, 1862. Britannia says: My Poor, Brave Children! At Least I May Intervene Here! Britannia arrives at the home of a Lancashire mill worker with supplies for his family provided by

Background imageJohn Bull Collection: Sawney Stops The Way, 1862

Sawney Stops The Way, 1862. A Bill was presented to parliament which would give the Metropolitan Board of Works the authority to embank the River Thames from Westminster to Blackfriars

Background imageJohn Bull Collection: A Sensible Move. 1860

A Sensible Move. 1860. Napoleon III giving John Bull, the representative of the British people, the key to the door of France, remarking There, M sieur Bool! No more nonsense about Passports

Background imageJohn Bull Collection: Corn versus Chaff, 1860

Corn versus Chaff, 1860. John Bull represents the agricultural worker in the heat of the day working to gather the harvest so that the people may be fed through the coming winter

Background imageJohn Bull Collection: An Uncommonly Civil War, 1860

An Uncommonly Civil War, 1860. Mr Bull says: Allow me, my Dear Emperor, to Introduce your Notice these Beautiful Diamonds!

Background imageJohn Bull Collection: The Boy for our Money, 1860

The Boy for our Money, 1860. Diz says: Better let me Carry it for yer, Sir!. John Bull replies: Never again! I Tried you Before

Background imageJohn Bull Collection: The Gladstone Pill, 1860

The Gladstone Pill, 1860. Dr Gl-dst-ne says: There, Mr Bull-Swallow it at once, and it will Relieve your Chest Directly. Mr Gladstones 1860 Budget had increased direct taxation once again

Background imageJohn Bull Collection: Master Bull and his Dentist, 1861

Master Bull and his Dentist, 1861. Master Bull sits in the dentists chair crying, while being handed a coin by the dentist



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