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View near Limehouse Bridge, London, looking down the River Thames, 1751
Callisto in her retirement, 1778. Creator: Richard EarlomCallisto in her retirement, 1778
Miranda (Shakespeare, The Tempest, Act 1, Scene 2), 1784. Creator: Caroline WatsonMiranda (Shakespeare, The Tempest, Act 1, Scene 2), 1784
Shepherds in Arcadia, 1789. Creators: Thomas Kirk, John Boydell, Josiah BoydellShepherds in Arcadia, 1789
The Infant Shakespeare Attended by Nature and the Passions, published 1799
The King George Disabled... 1753. Creator: John BoydellThe King George Disabled... 1753
View of the church Santi Giovanni e Paolo in Venice, 1749. Creator: Thomas BowlesView of the church Santi Giovanni e Paolo in Venice, 1749. A View of the Place [Piazza] & Church of St. John & St. Paul at Venice, & near them the Monastery of St
View of the interior of the Temple Church in London, 1750. Creator: AnonView of the interior of the Temple Church in London, 1750. Church built by the Knights Templar as their English headquarters, consecrated in 1185
View of the village of Shepperton, 1752. Creator: John BoydellView of the village of Shepperton, 1752. In the foreground, a cargo boat is pulled by five horses
Hamlet, Horatio, Marcellus and the Ghost, 1796. Creator: Robert ThewHamlet, Horatio, Marcellus and the Ghost, 1796. Scene from Shakespeare's Hamlet, Prince of Denmark, Act I, Scene IV, The Platform before the Palace of Elsineur: Hamlet
The Witches Appear to Macbeth and Banquo, 1798. Creator: James CaldwallThe Witches Appear to Macbeth and Banquo, 1798. Shakspeare, Macbeth, Act I, Scene III
Sigismonda, published June 4, 1795. Creator: Benjamin SmithSigismonda, published June 4, 1795. The weeping princess presses to her breast the heart of her lover Guiscardo, which his murderers have sent to her in a goblet
Figure holding a sword with their back hunched (after one of Boydell's Shakespear... ca. 1800-1899. Creator: Anon)Figure holding a sword with their back hunched (after one of Boydell's Shakespeare), ca. 1800-1899
View of Ratcliff, n.d. Creator: John BoydellView of Ratcliff, n.d
Fragment Entitled "William Penns Treaty with the Indians", England, c. 1785Fragment Entitled " William Penns Treaty with the Indians", England, c. 1785. Quaker leader Penn in a meeting with Native Americans
Edward the Martyr, 1773. Creator: Andrea CasaliEdward the Martyr, 1773
Joseph interpreting the dreams of Pharoahs chief butler and baker, 1766. Formerly said to be after Jusepe de Ribera
Guercino Self-Portrait, 1790-99. Creator: Francesco BartolozziGuercino Self-Portrait, 1790-99
Virgin and Child, 1775. Creator: UnknownVirgin and Child, 1775
The Prodigal Son (Houghton Gallery), 1781. Creator: Simon Francois RavenetThe Prodigal Son (Houghton Gallery), 1781. After Salvator Rosa
Three Soldiers, 1766-67. Creator: Richard EarlomThree Soldiers, 1766-67. After Salvator Rosa
Head in Profile of Prodigal Son, 1766. Creator: Richard EarlomHead in Profile of Prodigal Son, 1766. After Salvator Rosa
Girl and Pigs, 1783. Creator: Richard EarlomGirl and Pigs, 1783. After Thomas Gainsborough
Seaport with Sailors Loading Merchandise, 1774. Creator: Richard EarlomSeaport with Sailors Loading Merchandise, 1774. After Claude Lorrain
Landscape with Figures, 1774. Creator: Richard EarlomLandscape with Figures, 1774. After Claude Lorrain
Rape of Europa, 1776. Creator: Richard EarlomRape of Europa, 1776. After Claude Lorrain
Landscape with Cupid and Psyche, 1776. Creator: Richard EarlomLandscape with Cupid and Psyche, 1776. After Claude Lorrain
Christ Summoning Peter and Andrew, 1776. Creator: Richard EarlomChrist Summoning Peter and Andrew, 1776. Matthew 4:18. After Claude Lorrain
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton
Joseph Interpreting the Dreams of Pharoahs Butler and Baker, 1766
King Lear, 1783. Creator: William SharpKing Lear, 1783
The Virgin in prayer, looking at the sleeping infant Christ, in an oval frame, after Reni, 1765
Gunhilda accused of adultery, 1760. Creator: Simon Francois RavenetGunhilda accused of adultery, 1760. [Gunhilda, Empress of Germany, daughter of Canute King of England, having been accused of adultery and treated as guilty by the Emperor, is defended by her Page
Dogs and Still Life, 1778. Creators: Pierre-Charles Canot, Joseph FaringtonDogs and Still Life, 1778
Portrait of Helena Fourment, with a young page behind her, 1782
A Blacksmiths Shop, August 25, 1771. Creator: Richard EarlomA Blacksmiths Shop, August 25, 1771
The Virgin seated with the infant Christ sleeping in her lap, Saint Elizabeth at right, an oval composition, after Reni, 1776
The Circumcision of Christ, a group of men and women surrounding him, an angel in the foreground, after Reni, 1765
Garrick Speaking the Jubilee Ode, 1784. Creator: Caroline WatsonGarrick Speaking the Jubilee Ode, 1784
Bacchus accompanied by a Bacchante and a faun, 1768. Creators: Carlo FaucciBacchus accompanied by a Bacchante and a faun, 1768
Liber Veritatis: No. 7, An Island Scene of a Mountainous Country with Cattle, 1774
Liber Veritatis: No. 145, A Landscape, with Figures, Simon brought before Priam, 1776
Liber Veritatis: No. 133, A Landscape, with Cattle, and the Angel Comforting Hagar, 1776
Liber Veritatis: No. 138, A View of the Sea, with Christ Preaching on the Mount (the water below may probably be intended for the Sea of Tiberius), 1776
Liber Veritatis: No. 89, View of a Mountainous Extended Country, 1775. Creator: Richard EarlomLiber Veritatis: No. 89, View of a Mountainous Extended Country, 1775
Liber Veritatis: No. 68, A Landscape at Sunset with Fishermen Drawing a Net, 1774
Liber Veritatis: No. 200, A View on the Sea Shore, with the Story of Jesus, 1777. CreatorLiber Veritatis: No. 200, A View on the Sea Shore, with the Story of Jesus, 1777
Liber Veritatis: No. 135, A Landscape, with Buildings, Mercury Stealing Admetuss Cattle from Apollo, 1776
Liber Veritatis: No. 108, Landscape with Satyrs and Nymphs Dancing, 1775. CreatorLiber Veritatis: No. 108, Landscape with Satyrs and Nymphs Dancing, 1775
Alderman Boydell, (1720-1804), 1830. Creator: UnknownAlderman Boydell, (1720-1804), 1830. John Boydell (1720-1804) 18th-century British publisher noted for his reproductions of engravings. From " Biographical Illustrations", by Alfred Howard
A Night Scene, 1809, (1827). Creator: Thomas CookA Night Scene, 1809, (1827). A man, looking dishevelled and the worse for wear, is brought home by constables as a dog barks at his feet
A View Near Mold, c1752. Artist: John BoydellA View Near Mold, c1752. Rural scene in Flintshire, Wales
View of the Tower of London with boats and passengers on the River Thames, 1751. ArtistView of the Tower of London with boats and passengers on the River Thames, 1751
View of the Tower of London with boats on the River Thames, 1751. Artist: John BoydellView of the Tower of London with boats on the River Thames, 1751
View of boats on the River Thames near Woolwich, Kent, 1750. Artist: John BoydellView of boats on the River Thames near Woolwich, Kent, 1750
New Palace Yard, Palace of Westminster, London, c1750. Artist: John BoydellNew Palace Yard, Palace of Westminster, London, c1750. View showing the entrance to Westminster Hall with figures and traffic on the street
The Treasury and the canal in St Jamess Park, Westminster, London, 1755. ArtistThe Treasury and the canal in St Jamess Park, Westminster, London, 1755
Alderman John Boydell, 1801. Artist: Sir William BeecheyAlderman John Boydell, 1801. Boydell (1720-1804) was Alderman, Sheriff and Lord Mayor of London. An engraver by profession he made the first major bequest to the Guildhall collection
Beeston Castle in Cheshire, 1747. Artist: John BoydellBeeston Castle in Cheshire, 1747. View of the castle with figures, sheep and cattle in the foreground
Blackwall, Poplar, London, 1750. Artist: John BoydellBlackwall, Poplar, London, 1750. View of Blackwall, looking towards Greenwich, with ships, boats and barges on the Thames
Interior view of Temple Church, City of London, 1750. With figures and a description beneath
View of London Bridge looking north from St Olaves Stairs in 1751, (1830). ArtistView of London Bridge looking north from St Olaves Stairs in 1751, (1830). Showing water vessels on the River Thames
The Monster broke loose or, a peep into the Shakespeare-Gallery, 1791. Alderman John Boydell, wearing a greedy expression
View of Hammersmith with water craft on the River Thames, Hammersmith, 1752. ArtistView of Hammersmith, London with water vehicles on the River Thames, 1752
The Chelsea Water Works, London, 1752. Artist: John BoydellThe Chelsea Water Works, London, 1752. People including women with large hooped skirts stroll in front of the waterworks. At left is a water barrel on a cart
Mr Smiths house at Battersea, London, c1755. Artist: John BoydellMr Smiths house at Battersea, London, c1755. The house of a Mr Smith, looking up the River Thames, with sailing boats and cargo vessels on the river. The buildings are reflected in the water
Artists in front of the Royal Academy, Somerset House, London, 1797Titianus redivivius; or the seven wise men consulting the new Venetian oracle. - A scene in ye Academic Grove, No.1, 1797; scene showing artists in front of the Royal Academy at Somerset House in
Macbeth, the three witches and Hecate, 1805. Artist: John BoydellMacbeth, the three witches and Hecate, 1805. Act IV, Scene I of Macbeth by William Shakespeare
Macbeth and Banquo encounter the three witches on the heath, 1805. Artist: John BoydellMacbeth and Banquo encounter the three witches on the heath, 1805. Act I, Scene III of Macbeth by William Shakespeare
Othello. Act 4. Scene 2. An Apartment in the Castle. Desdemona & Othello, 1801. Artist: Andrew MichelOthello. Act 4. Scene 2. An Apartment in the Castle. Desdemona & Othello, 1801. After R. K. Porter. From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]
As You Like It. Act 4. Scene 3. Forest of Arden, - Rosalind, Celia & Oliver, 1798. Artist: WC WilsonAs You Like It. Act 4. Scene 3. Forest of Arden, - Rosalind, Celia & Oliver, 1798. After Robert Smirke (1753?1845). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J
As You Like It. Act 2. Scene 6. Orlando & Adam, 1798. Artist: George NobleAs You Like It. Act 2. Scene 6. Orlando & Adam, 1798. After Robert Smirke (1753-1845). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]
Second part of King Henry VI. Act 2. Scene 2. York, Salisbury & Warwick, 1795. Artist: Anker SmithSecond part of King Henry VI. Act 2. Scene 2. York, Salisbury & Warwick, 1795. After William Hamilton (1751-1801). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J
Winters Tale. Act II. Scene I, 1793. Artist: James FittlerWinters Tale. Act II. Scene I, 1793. After William Hamilton (1751-1801). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]
King Richard III. Act 3. Scene 4. A Room in the Tower - Gloucester, Buckingham, Stanley, Hastings & Artist: Anker SmithKing Richard III. Act 3. Scene 4. A Room in the Tower - Gloucester, Buckingham, Stanley, Hastings & c, 1799. After Richard Westall (1765-1836)
Measure for Measure. Act 2. Scene 4. Angelo and Isabella, 1797. Artist: WC WilsonMeasure for Measure. Act 2. Scene 4. Angelo and Isabella, 1797. After Robert Smirke (1753-1845). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]
Comedy of Errors Act 4 Scene 4. Antipholis of Ephesus, Dromio, Courtezan & c, 1798. Artist: James StowComedy of Errors Act 4 Scene 4. Antipholis of Ephesus, Dromio, Courtezan & c, 1798. After Francis Wheatley (1747-1801). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J
King Henry VIII. Act 3. Scene 2. Wolsey, Duke of Norfolk, Suffolk & c, 1796. Artist: WC WilsonKing Henry VIII. Act 3. Scene 2. Wolsey, Duke of Norfolk, Suffolk & c, 1796. After Richard Westall (1765-1836). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J
King Lear. Act III. Scene IV, 1792. Artist: Luigi SchiavonettiKing Lear. Act III. Scene IV, 1792. After Robert Smirke (1753-1845). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]
First part of King Henry VI. Act 5. Scene 4. Joan la Pucelle & Fiends, 1795. Artist: Anker SmithFirst part of King Henry VI. Act 5. Scene 4. Joan la Pucelle & Fiends, 1795. After William Hamilton (1751-1801). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J
First part of King Henry VI. Act 2 Scene 5. Mortimer;Plantagenet, & c, 1800. Artist: Andrew GrayFirst part of King Henry VI. Act 2 Scene 5. Mortimer; Plantagenet, & c, 1800. James Northcote (1746-1831). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]
Cymbeline. Act 2 Scene 2. A Bedchamber. Imogen in Bed. Jachimo, 1795. Artist: James StowCymbeline. Act 2 Scene 2. A Bedchamber. Imogen in Bed. Jachimo, 1795. After Richard Westall (1765-1836). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]
Third Part of King Henry VI. Act 3. Scene 2. King Edward, Gloucester, Clarence & Lady Elizabeth Gre ArtistThird Part of King Henry VI. Act 3. Scene 2. King Edward, Gloucester, Clarence & Lady Elizabeth Grey, 1795. After William Hamilton (1751-1801)
Woolwich Dockyard from the Thames, c1750, (1912). Artists: Unknown, John BoydellWoolwich Dockyard from the Thames, c1750, (1912). From London - South of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1912]
