Jesus Christ Collection (page 96)

Church of the Nativity, Bethlehem, c1900. From Journey in All Lands - Palestine. [Realistic Travels, London, Cape Town, Bombay, Melbourne, Toronto, c1900]

Madonna and Child with St. John the Baptist, 1903. Artist: Antonio Solario
Madonna and Child with St. John the Baptist, 1903. From The Burlington Magazine for Connoisseurs, Volume 1 - March to May 1903. [The Burlington Magazine, Limited, London, 1903]

Jesus Before Pontius Pilate, c1455, (1939). Artist: Jean Fouquet
Jesus Before Pontius Pilate, c1455, (1939). In all four gospel accounts, Pilate lobbies for Jesus to be spared his eventual fate of execution, and acquiesces only when the crowd refuses to relent

The Adoration of the Magi, c1455, (1939). Artist: Jean Fouquet
The Adoration of the Magi, c1455, (1939). The illustration is part of the manuscript Livre d heures d Etienne Chevalier by Jean Fouquet

The Virgin and Child crowned by two Angels, 1518, (1906). Artist: Albrecht Durer
The Virgin and Child crowned by two Angels, 1518, (1906). From The Engravings of Albert Durer, by Lionel Cust. [Seeley and Co. Limited, London, 1906]

The Madonna with the Monkey, c1498, (1906). Artist: Albrecht Durer
The Madonna with the Monkey, c1498, (1906). From The Engravings of Albert Durer, by Lionel Cust. [Seeley and Co. Limited, London, 1906]

Head of Christ, c1480 (1945). Artist: Leonardo da Vinci
Head of Christ, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of the Infant Jesus - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). Artist: Leonardo da Vinci
Head of the Infant Jesus - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Madonna and Child with a Bowl of Fruit, 1478 (1945). Artist: Leonardo da Vinci
The Madonna and Child with a Bowl of Fruit, 1478 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Madonna and Child and other Studies, c1469 (1945). Artist: Leonardo da Vinci
The Madonna and Child and other Studies, c1469 (1945). The drawing is held by the Royal Library, Windsor. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Madonna and Child with the Infant St. John and an Angel, c1475 (1945). Artist: Leonardo da Vinci
Madonna and Child with the Infant St. John and an Angel, c1475 (1945). The drawing is held by the Ashmolean Museum, Oxford. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Studies of a Madonna and Child, c1475 (1945). Artist: Leonardo da Vinci
Three Studies of a Madonna and Child, c1475 (1945). The drawing is held by the British Museum, London. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Studies of the Madonna and Child with a Cat and Three Studies of the Child, 1475-1481 (1945). The drawing is held by the British Museum, London. From The Drawings of Leonardo da Vinci

Madonna and Child with a Cat, 1478-1480 (1945). Artist: Leonardo da Vinci
Madonna and Child with a Cat, 1478-1480 (1945). The drawing is held by the Galleria degli Uffizi, Florence. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Madonna and Child with a Cat, 1478-1481 (1945). Artist: Leonardo da Vinci
Madonna and Child with a Cat, 1478-1481 (1945). The drawing is held by the British Museum, London. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Madonna and Child with a Cat, 1478-1481 (1945). Artist: Leonardo da Vinci
Madonna and Child with a Cat, 1478-1481 (1945). The drawing is held by the British Museum, London. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Madonna and Child with a Cat, c1475 (1945). Artist: Leonardo da Vinci
Madonna and Child with a Cat, c1475 (1945). The drawing is part of the Arthur Hungerford Pollens collection, London. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Jesus Y El Centurio De Cafarnaun, (Jesus and the Centurion), 1571, (c1934). Artist: Paolo Veronese
Jesus Y El Centurio De Cafarnaun, (Jesus and the Centurion), 1571, (c1934). From the Book of Matthew, the encounter between two groups of characters

El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Artist: Raphael
El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Christ Carrying the Cross to his crucifixion, at the moment when he falls, his mother kneels in agony, and devotion

Noli Me Tangere, 1523-1524, (c1934). Artist: Correggio
Noli Me Tangere, 1523-1524, (c1934). On a road, in the shade of a tree, Christ reveals himself to Mary Magdalene, raising an arm

La Adoracion de Los Reyes, (Adoration of the Magi), 1485-1500, (c1934). Artist: Hieronymus Bosch
La Adoracion de Los Reyes, (Adoration of the Magi), 1485-1500, (c1934). A triptych panel by Hieronymus Bosch, executed around 1485-1500. Detail of the central panel with the Magi

La Fuente De La Vida, (The Fountain of Grace), 1430-1455, (c1934). Artist: Jan van Eyck
La Fuente De La Vida, (The Fountain of Grace), 1430-1455, (c1934). A theological allegory responding to a point of medieval

Cristo En Brazos Del Padre Eterno, (Christ in Arms of the Eternal Father), 1577, (c1934). Artist: El Greco
Cristo En Brazos Del Padre Eterno, (Christ in Arms of the Eternal Father), 1577, (c1934). El Greco painted his only version of the Trinity, with the semi-nude corpse of Christ being supported

Cristo Llorado Por Un Angel, (Dead Christ she Supported by an Angel), 1646-1652, (c1934). Artist: Alonso Cano
Cristo Llorado Por Un Angel, (Dead Christ Supported by an Angel), 1646-1652, (c1934). A meditation on the death of Christ

Ecce-Homo, 1660 - 1670, (c1934). Artist: Bartolome Esteban Murillo
Ecce-Homo, 1660 - 1670, (c1934). Ecce homo (behold the man), are the Latin words used by Pontius Pilate when he presented Jesus Christ, bound and crowned with thorns

El Divino Pastor, (The Good Shepherd), 1660, (c1934) Artist: Bartolome Esteban Murillo
El Divino Pastor, (The Good Shepherd), 1660, (c1934). The image of the Good Shepherd was seen as a figure of Christ who saves and cares for his sheep, also an allegory of the Eucharist

La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). Artist: Bartolome Esteban Murillo
La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). A tender domestic scene showing Virgin Mary winding a skein of thread and watching the Christ Child

Jesus y Juan El Bautista Ninos, (Jesus and John the Baptist, children), 1670, (c1934). The infant Christ holds a shell for his cousin John to drink

La Coronacion de la Virgen, (Coronation of the Virgin ), 1635-1648, (c1934). Artist: Diego Velasquez
La Coronacion de la Virgen, (Coronation of the Virgin ), 1635-1648, (c1934). Probably commissioned for the oratory of the court of Elisabeth of France

The Madonna Del Cardellino, 1505-1506, (1911). Artist: Raphael
The Madonna Del Cardellino, 1505-1506, (1911). The Madonna del cardellino or Madonna of the Goldfinch is a painting by the Italian renaissance artist Raphael (1483-1520)

The Adoration of the Magi, late 19th century, (1912). Artist: Robert Anning Bell
The Adoration of the Magi, late 19th century, (1912). The Adoration of the Magi, is the name traditionally given to the subject in the Nativity when the three Magi, represented as kings

Interior of Monreale Cathedral, Sicily, Italy, 1927. Artist: Eugen Poppel
Interior of Monreale Cathedral, Sicily, Italy, 1927. The 12th-century cathedral of Santa Maria la Nuova is a blend of Arab

The Virgin and Child with Saints, 1435, (1909). Artist: Pisanello
The Virgin and Child with Saints, 1435, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

The Agony in the Garden, c1458, (1909). Artist: Andrea Mantegna
The Agony in the Garden, c1458, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

The Virgin and Child with Saints and Donor, 1510, (1909). Artist: Gerard David
The Virgin and Child with Saints and Donor, 1510, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

The Virgin with Donors, c1630. Artist: Anthony van Dyck
The Virgin with Donors, c1630. Painting held in the Musee du Louvre, Paris. From The Connoisseur Volume XLI. [The Connoisseur Ltd. London, 1915]

The Virgin and St. Anne Teaching The Infant Saviour To Walk, c1470. Of Flemish origin. From The Connoisseur Volume 104. [Otto Limited, London, 1939]

Medallion from the Church of St. Mary and All Saints, 1925. From The Studio Volume 90. [London Offices of the Studio, London, 1925]

Design for A Christmas Carol, c1898. Artist: James Allan Duncan
Design for A Christmas Carol, c1898. From The Studio Volume 15. [London Offices of the Studio, London, 1898-9]

The Last Supper, 1898. Artist: Henry Holiday
The Last Supper, 1898. The opus sectile reredos of the east wall of St Chads Church, Kirkby. From The Studio Volume 46. [London Offices of the Studio, London, 1909]

There Was No Room At The Inn, 1935. Artist: Edward Stott
There Was No Room At The Inn, 1935. After the painting by Edward Stott, A.R.A. From Modern Masterpieces Part 19. [George Newnes Ltd, London, 1935]

The Virgin and Child, c1496-9. Artist: Giovanni Battista Cima da Conegliano
The Virgin and Child, c1496-9. Painting housed in The National Gallery, London. From The Studio Volume 122. [The Studio Ltd, London, 1941]

The Virgin and Child, c1493-9. Artist: Giovanni Antonio Boltraffio
The Virgin and Child, c1493-9. Painting housed in The National Gallery, London. From The Studio Volume 122. [The Studio Ltd, London, 1941]

Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Drawn in black chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

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