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The Annunciation, c1438-1445, (c1900-1920). Artist: Fra AngelicoThe Annunciation, c1438-1445, (c1900-1920). A print after the fresco in the Museo di San Marco dell Angelico, Florence, from Art History and Literature Illustrations, by Jessie Noakes, Virtue and Co
The Jousts of St Inglevert, France, 1470-1475, (c1900-1920). Artist: Master of the Harley FroissartThe Jousts of St Inglevere, (c1900-1920). Jousting scene with ornate tents: knights in armour with lances parade across the field, while the audience looks
The Adoration of the Mystic Lamb, The Ghent Altarpiece, 1432, (c1900-1920). Artist: Jan van EyckThe Adoration of the Mystic Lamb, The Ghent Altarpiece, 1432, (c1900-1920). A print after the lower half of the central panel in the St Bavo Cathedral, Ghent
Old London Bridge, about 1630, (c1900-1920). A print after a model constructed by John B Thorpe, from Art History and Literature Illustrations, by Jessie Noakes, Virtue and Co, (London, c1900-1920)
The New Learning, c1910, (c1900-1920). Artist: Frank Cadogan CowperThe New Learning, c1910, (c1900-1920). Erasmus (right) and Thomas More visit the children of Henry VII at Greenwich in 1499. The boy in the centre is the future King Henry VIII
Early railway Coaches, the Liverpool and Manchester Railway, England, 1831, (c1900-1920). The first steam locomotives with three different classes of railway travel
Page of illustrated text from the Luttrell Psalter, c1300-c1340, (c1900-1920). Latin text with stylised floral decoration and mythical beasts
St Francis Preaching to the Birds, 1297-1299, (c1900-1920). A print after a fresco in San Francesco Upper Church, Assisi, Italy, from Art History and Literature Illustrations, by Jessie Noakes
A city taken by assault by the Assyrians, c1853, (c1900-1920). A 19th-century drawing of a bas-relief in the British Museum from the Assyrian empire (c7th century BC)
Assault on the City of Lachish, 700-692 BC, (c1900-1920). Artist: Sir Austen Henry LayardAssault on the City of Lachish, 700-692 BC, (c1900-1920). A print after a 19th-century drawing from Layards Monuments of Nineveh
Assyrians moving a winged bull, c7th century BC, (c1900-1920). Artist: Sir Austen Henry LayardAssyrians moving a winged bull, c7th century BC, (c1900-1920). A print after a 19th-century drawing from Layards Monuments of Nineveh
Scene from the Book of the Dead of Any, Egyptian, c1275 BC, (c1900-1920). In the centre are the scales used for weighing the heart, attended by Anubis, the jackal-headed god of embalming
King Henry VIII, c1538-1547, (c1900-1920). A print after a painting in the Royal Collection, Windsor Castle, from Art History and Literature Illustrations, by Jessie Noakes, Virtue and Co, (London)
Reaping, carrying, and carting, c1300-1340, (c1900-1920). Scenes from the Luttrell Psalter. A print from Art History and Literature Illustrations, by Jessie Noakes, Virtue and Co, (London, c1900-1920)
Ploughing, sowing, and harrowing, c1300-1340, (c1900-1920). Scenes from the Luttrell Psalter. A print from Art History and Literature Illustrations, by Jessie Noakes, Virtue and Co, (London)
Old Cheapside, about 1580, (c1900-1920). A print showing the City of London, after a model constructed by John B Thorpe, from Art History and Literature Illustrations, by Jessie Noakes
The Tower of London with London Bridge, c1500, (c1900-1920). Charles, Duke of Orleans can be seen writing inside the Tower of London, and also at a window and in the courtyard, sending a letter
The Departure of St Ursula from Basel, before 1489, (c1900-1920). Artist: Hans MemlingThe Departure of St Ursula from Basel, before 1489, (c1900-1920). A print after a panel in the Shrine of St Ursula in the Hospital of St John, Bruges, from Art History and Literature Illustrations
Primavera, c1478, (c1900-1920). A print after the painting in the Uffizi Gallery, Florence, from Art History and Literature Illustrations, by Jessie Noakes, Virtue and Co, (London, c1900-1920)