Jean Antoine Watteau Collection (page 2)

The Country Dance. Creators: Jean-Antoine Watteau, Unknown
The Country Dance

The French Comedians, ca. 1720. Creator: Jean-Antoine Watteau
The French Comedians, ca. 1720

Design for a dining-room wall, France, (1928). Creator: Unknown
Design for a dining-room wall, France, (1928). About 1715-1720...Ascribed to Claude Gillot [1673-1722, born in Paris]...known as [Jean-Antoine] Watteaus teacher. After a water-colour

The Clothes are Italian, 1715-16. Creator: Jean Antoine Watteau (French, 1684-1721)
The Clothes are Italian, 1715-16. Dressed as stock characters of the Italian commedia dell arte, an improvisational form of comic theatre

The Clothes are Italian, 1715-1716. Creator: Jean Antoine Watteau (French, 1684-1721)
The Clothes are Italian, 1715-1716. The Comedie Italienne, the Italian commedia dell arte, took up residence in Paris in the mid-17th century

Study for The Romancer (Le Conteur), c. 1716. Creator: Jean Antoine Watteau (French
Study for " The Romancer" (Le Conteur), c. 1716. Music and the theater were prime sources of inspiration for Watteau; his red chalk studies of musicians pulsate with life

Four studies of female heads, early 18th century, (1943). Creator: Jean-Antoine Watteau
Four studies of female heads, early 18th century, (1943). Drawing in the British Museum, London. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings)

Nude with Right Arm Raised, 1717-1718, (1943). Creator: Jean-Antoine Watteau
Nude with Right Arm Raised, 1717-1718, (1943). Female figure, possibly holding a child. Drawing in the Louvre Museum, Paris

Drawing in Three Chalks, early 18th century, (1908). Creator: Unknown
Drawing in Three Chalks, early 18th century, (1908). Study of female heads. From " The Burlington Magazine for Connoisseurs", Volume XIII - April - September 1908

L Enseigne de Gersaint (fragment), 1720-1721, (1937). Artist: Jean-Antoine Watteau
L Enseigne de Gersaint (fragment), 1720-1721, (1937). From Verve - Vol.1, No. 1, December 1937. [Verve, France, 1937]

Italian Comedians, c1720. Artist: Jean-Antoine Watteau
Italian Comedians, c1720. The painting is part of the Kress Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

L Indifferent, c1717, (1911). Artist: Jean-Antoine Watteau
L Indifferent, c1717, (1911). Painting held at the Musee du Louvre, Paris. From The French Genius by Haldane Macfall. [T. C. and E. C. Jack, London and Edinburgh, 1911]

The Fountain, c18th century, (1911). Artist: Jean-Antoine Watteau
The Fountain, c18th century, (1911). From The French Genius by Haldane Macfall. [T. C. and E. C. Jack, London and Edinburgh, 1911]

A Fete Champetre, (Pastoral Gathering), 18th century, (1910). Artist: Jean-Antoine Watteau
A Fete Champetre, (Pastoral Gathering), 18th century, (1910). The Fete champetre was a popular form of entertainment in the 18th century, taking the form of a garden party

The Embarkation for the Island of Cytherea, 1717, (1912). Artist: Jean-Antoine Watteau
The Embarkaton for the Island of Cytherea, 1717, (1912). Painting held at the Louvre, Paris. From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

L Escarpolette, c1710. Artist: Jean-Antoine Watteau
L Escarpolette, c1710. From The Studio Volume 48. [London Offices of the Studio, London, 1909-10]

Les Plaisirs du Bal (Le Bal Champetre), c1717. Artist: Jean-Antoine Watteau
Les Plaisirs du Bal (Le Bal Champetre), c1717. Painting held at Dulwich Picture Gallery, London. From The Connoisseur Volume LXXXIX. [The Connoisseur Ltd, London, 1932]

Scene Pastorale, c1710. Artist: Jean-Antoine Watteau
Scene Pastorale, c1710. From The Studio Volume 48. [London Offices of the Studio, London, 1909-10]

Fetes Venitiennes, 1718-1719. Artist: Jean-Antoine Watteau
Fetes Venitiennes, 1718-1719. Painting housed in the National Galleries Scotland. From The Worlds Greatest Paintings, edited by T. Leman Hare. [Odhams Press Ltd, London, 1934]

Portrait of a Man on Crutches, c1710 (1958). Red chalk on white paper. Likely a portrait of Watteaus friend, the journalist Antoine de la Roque

Les Graces au Tombeau de Watteau, c1720-1770 (1924) Artist: Francois Boucher
Les Graces au Tombeau de Watteau, c1720-1770 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London

Figure, c1700-1720, (1924). Artist: Jean-Antoine Watteau
Figure, c1700-1720, (1924). Illustration from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, (John Lane, the Bodley Head Limited, London, 1924)

Fetes Venitiennes, c1718, (1938). Artist: Jean-Antoine Watteau
Fetes Venitiennes, c1718. Painting housed in the Scottish National Gallery, Edinburgh. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

Camp Scene, c17th century, (1909) Artist: Jean-Antoine Watteau
Camp Scene, c17th century. After an original work by Jean-Antoine Watteau (Antoine Watteau) (1684-1721). From The Connoisseur, Vol. XXIII by [Otto Limited, London, 1909]

A study in Sanguine, 1913. Artist: Jean-Antoine Watteau
A study in Sanguine, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Study of a young woman, 1913. Artist: Jean-Antoine Watteau
Study of a young woman, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Study of a head, 1913. Artist: Jean-Antoine Watteau
Study of a head, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Man in 18th-century French costume, (1885). Artist: Jean-Antoine Watteau
Man in 18th-century French costume, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Man In French Costume, (1885). Artist: Jean-Antoine Watteau
Man In French Costume, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

French Costume, (1885). Artist: Jean-Antoine Watteau
French Costume, (1885). A woman holds up her voluminous skirts. Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Peasant Costume, (1885). Artist: Jean-Antoine Watteau
Peasant Costume, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Infantry Marching, (1885). Artist: Jean-Antoine Watteau
Infantry Marching, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Dance at the River, c1720-1730. Artist: Pierre-Antoine Quillard
Dance at the River, c1720-1730. Quillard, Pierre-Antoine (1701-1733). Found in the collection of the State Hermitage, St. Petersburg

Actors of the Comedie Francaise, 1711-1712. Artist: Jean-Antoine Watteau
Actors of the Comedie Francaise, 1711-1712. Found in the collection of the State Hermitage, St Petersburg

Watteau Study by Fresnoys Rules, 1831. Artist: JMW Turner
Watteau Study by Fresnoys Rules, 1831. Turners tribute to the 18th century French painter Jean-Antoine Watteau. From the Tate collection, London

Gilles - Pierrot, 1718-1719. Artist: Jean-Antoine Watteau
Gilles - Pierrot, 1718-1719. Pierrot (Pedrolino in the original Italian Commedia dell Arte), the naive, unsuccessful lover, played in a baggy white satin suit and whitened, unmasked face

The Pleasure of Love, sketch, 18th century. Artist: Jean-Antoine Watteau
The Pleasure of Love, sketch, 18th century. From the collection of the Chicago Art Institute, Chicago, U.S.A

Studies of a flute-player and two women, 1717. Artist: Jean-Antoine Watteau
Studies of a flute-player and two women, 1717. From the collection of the British Museum, London, United Kingdom

The Adventuress, c1717. Artist: Jean-Antoine Watteau
The Adventuress, c1717. From the collection of the Musee des Beaux-Arts, Troyes, France

Mezzetin, 1718-1720. Artist: Jean-Antoine Watteau
Mezzetin (half-measure), 1718-1720. Mezzetin, a stock character of the commedia dell arte, the improvisational theater form of Italian origin

Woman sitting and turned towards the right, c1716. Artist: Jean-Antoine Watteau
Woman sitting and turned towards the right, c1716. From the collection of the Morgan Library, New York, U.S.A

The Indifferent One, 1717. Artist: Jean-Antoine Watteau
The Indifferent One, 1717. From the collection of the Louvre Museum, Paris, France

Study of a woman seen from the back by Jean-Antoine Watteau, 1716-1718. Artist: Jean-Antoine Watteau
Study of a woman seen from the back by Jean-Antoine Watteau, 1716-1718. This study is drawn from a live model. Watteau has used his favourite combination of black, red and white chalks

The Holy Family (Rest on the Flight into Egypt), 1719. Artist: Jean-Antoine Watteau
The Holy Family (Rest on the Flight into Egypt), 1719. Watteau, Jean Antoine (1684-1721). Found in the collection of the State Hermitage, St. Petersburg

Actor of the Comedie Italienne (Crispin), early 20th century. Artist: Jean-Antoine Watteau
Actor of the Comedie Italienne (Crispin), early 20th century. Watteau, Jean Antoine (1684-1721). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Bivouac, c1710. Artist: Jean-Antoine Watteau
Bivouac, c1710. Watteau, Jean Antoine (1684-1721). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

A Capricious Woman (La Boudeuse), 1718. Artist: Jean-Antoine Watteau
A Capricious Woman (La Boudeuse), 1718. Watteau, Jean Antoine (1684-1721). Found in the collection of the State Hermitage, St. Petersburg

A Satire on Physicians, c1708. Artist: Jean-Antoine Watteau
A Satire on Physicians, c1708. Watteau, Jean Antoine (1684-1721). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

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