Jealous Collection

Gorgin Leads Bishan Astray, Folio from a Shahnama (Book of Kings), between 1620 and 1623. Creator: Unknown
Gorgin Leads Bishan Astray, Folio from a Shahnama (Book of Kings), between 1620 and 1623

In a Fit of Jealousy Arai Tokichi Hurls a Rock at Ohana, c1875. Creator: Tsukioka Yoshitoshi
In a Fit of Jealousy Arai Tokichi Hurls a Rock at Ohana, c1875. From The Postal News, no. 601

C'est singulier... il ne me vient plus d'idées maintenant... 1844. Creator: Honore Daumier
C'est singulier... il ne me vient plus d'idees maintenant... 1844. C'est singulier...il ne me vient plus d'idees maintenant que lorsque je suis au bois de Boulogne et que je trotte

Atis and Galathea, 1761. Creator: Pompeo Batoni
Atis and Galathea, 1761

Cain Slaying Abel, 1715-1728. Creators: Paolo de Matteis, Luca Giordano
Cain Slaying Abel, 1715-1728

Drawing: Expressions of Emotion (Hate or Jealousy, Anger, Desire, Physical Pain), from... 1762/77. Creator: A. J
Drawing: Expressions of Emotion (Hate or Jealousy, Anger, Desire, Physical Pain), from Encyclopedie, 1762/77

Jealousy I, 1896, printed after 1906. Creator: Edvard Munch
Jealousy I, 1896, printed after 1906

Jealousy, 1914. Creator: Edvard Munch
Jealousy, 1914

Jealousy, 1896. Creator: Edvard Munch
Jealousy, 1896

Sano Jirozaemon Murdering a Courtesan, 1886. Creator: Tsukioka Yoshitoshi
Sano Jirozaemon Murdering a Courtesan, 1886. Series: A New Selection of Eastern Color Pictures

C'est singulier, il ne me vient plus d'idées maintenant.. 1844. Creator: Honore Daumier
C'est singulier, il ne me vient plus d'idees maintenant.. 1844. C'est singulier...il ne me vient plus d'idees maintenant que lorsque je suis au bois de Boulogne et que je trotte avec

Cain Killing Abel, 1524. Creator: Lucas van Leyden
Cain Killing Abel, 1524

Aha oe feii? (What! Are You Jealous?), 1894. Creator: Paul Gauguin
Aha oe feii? (What! Are You Jealous?), 1894

Jealousy, the Rival, 1803. Creator: Thomas Rowlandson
Jealousy, the Rival, 1803. Does not this drawing with its foreground arrangement of profoundly expressive figures become something greater than the subject might suggerst

Le triomphe de Minette. Creator: Geraud Vidal
Le triomphe de Minette. [Kittys triumph]

Brudermord (Cain and Abel), 1919. Creator: Lovis Corinth
Brudermord (Cain and Abel), 1919

Jealous Monster (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), December 8, 1778

Tea Rose: Jealousy, from the series Floral Beauties and Language of Flowers (N75) for Duke brand cigarettes, 1892

Mouvement Violent, Mouvement violent ou le coeur seroidit, La Jalousie (from Caracteres des passions, graves sur les desseins de l illustre Monsieur le Brun), 1695-1720

Conversation Between Rivals (Gespraech Zwischen Rivalen), 1907. Creator: Moritz Jung
Conversation Between Rivals (Gespraech Zwischen Rivalen), 1907

Brunetta and Phillis, a scene from The Spectator, painted by John Gilbert, 1844. The fair Phillis, dressed in the rich brocade, awaits with impatience the entrance of her rival

A Sulky, June 26, 1800. June 26, 1800. Creator: Thomas Rowlandson
A Sulky, June 26, 1800

The Corporal in Good Quarters, July 18, 1802. July 18, 1802. Creator: Thomas Rowlandson
The Corporal in Good Quarters, July 18, 1802

The Rivals, July 14, 1807. July 14, 1807. Creator: Thomas Rowlandson
The Rivals, July 14, 1807

The Ass, Jealous of the Attention the Dog Is Getting From His Master, Looks to Imitate Him by Jumping at the Masters Neck. From Hendrick van Alcmars Renard The Fox, 1650-75. Third state of four

St. Valentines Day or John Bull intercepting a Letter to his Wife, February 23, 1809

Christoph seized the manuscript book and the copy, (1907). Creator: Unknown
Christoph seized the manuscript book and the copy, (1907). As the young Bach sleeps, his older brother takes the music he has secretly been studying

And the King said, Divide the living child in two, mid-late 19th century. Creator
And the King said, Divide the living child in two, mid-late 19th century. Biblical scene, from 1 Kings 3: 25: And the king said, Divide the living child in two, and give half to the one

Wherefore she said unto Abraham, cast out this bondwoman and her son, 18th-19th century. " Wherefore she said unto Abraham, cast out this bondwoman and her son"

Jealousy, 1895. Artist: Edvard Munch
Jealousy, 1895. From the Rasmus Meyers Samlingen, Bergen, Norway

The Rival, 1891, (1965). Creator: Nikolai Alekseevich Kasatkin
The Rival, 1891, (1965). Two women using yokes to carry pails, watched by a man in the distance. Painting in the State Tretyakov Gallery, Moscow

Henry making love to Jane Seymour, 1897. Creator: John Leech
Henry making love to Jane Seymour, 1897. Jane sits demurely on the knee of an overweight King Henry VIII, watched from the door by another woman, possibly Queen Anne Boleyn

Jealous Monster, 1778. Artist: John Hamilton Mortimer
Jealous Monster, 1778. One of a series of six, showing monsters seducing or struggling with beautiful sea nymphs

Jealousy, 1835. Artist: George Cruikshank
Jealousy, 1835. A man seated at a table has his right fist on an anonymous letter and clutches his brow with his left hand

Partiality. Artist: Underwood & Underwood
Partiality. Stereoscopic card detail

The Green Eyed Monster, 1913. Artist: Casavant
The Green Eyed Monster, 1913. A print from Life, 20th March 1913

Sketch for the Jealous Husband in the Scuola Del Santo, c1510, (1937). Artist: Titian
Sketch for the Jealous Husband in the Scuola Del Santo, c1510, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Two Thrones, 1879 (1891). Artist: George du Maurier
Two Thrones, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch

The Virgin Longing, c19th century. Artist: AH Payne
The Virgin Longing, c19th century. Der Jungfrau Sehnsucht

Episodes of the Life of Famous Painters: Michelangelo, (c1900). Torrigiano, a jealous fellow student, breaks Michelangelos (1475-1564) nose

Jupiter, Juno and Io, 1710s. Artist: Jean-Marc Nattier
Jupiter, Juno and Io, 1710s. According to Greek Mythology, Zeus seduced Io, one of the priestesses of his wife, Hera, and changed her into a heifer in order to try to hide his act from Hera

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