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South side of St Pauls Cathedral, London, 1765. Artist: James MaltonView of the south side of St Pauls Cathedral, London, 1765; with a street scene including horse drawn carriages
Exeter Change, 1817. Artist: Henry MeyerExeter Change, 1817. Shows tigers in a cage, probably in crosss menagerie, which was housed in Exeter Change, Westminster, London. A boy is holding up a small child at the cage
King George IV riding through Hyde Park, London, 1831. Artist: Matthew DubourgKing George IV riding through Hyde Park, London, 1831. By-standers watch as the king rides past in his carriage
The Spirit. Thou comest in such a questionable Shape, 1845. Artist: James ScottThe Spirit. Thou comest in such a questionable Shape, 1845. A man entering his house, the worse for drink after attending the anniversary dinner of the Moralization
The Man. I pray you know me when we meet again, 1840. Artist: James ScottThe Man. I pray you know me when we meet again, 1840. Man being bade farewell by his wife as he leaves home to attend the anniversary dinner of the Moralization
Pillars of the Constitution: Three o Clock and a Cloudy Morning, 1809. Richard Sheridan, the famous playwright and Whig politician and the Charles Howard, Duke of Norfolk
The Minister endeavouring to eke out Dr Pr-ty---ns Bisho-prick, 1787. ArtistThe Minister endeavouring to eke out Dr Pr-ty---ns Bisho-prick, 1787. William Pitt holding up the dome of St Pauls Cathedral which he is about to place over the central tower of Lincoln Cathedral; Dr
The Atlas of the Landed Interest, 1784. Thomas Powys, MP for Northamptonshire, carries a large bale representing the interests of the landowners
Anacreonticks in full Song, 1801. Artist: James GillrayAnacreonticks in full Song, 1801. A scene of drunkenness and excess; the man in the foreground smoking a pipe has extremely swollen legs, a result of gout, associated with heavy drinking
The Monster broke loose or, a peep into the Shakespeare-Gallery, 1791. Alderman John Boydell, wearing a greedy expression
A macarony alderman and his rib, c1770. Artist: James CaldwallA macarony alderman and his rib, c1770. A fat alderman with an elaborate wig strolls with a woman, presumably his wife, as in the Biblical creation of Eve from Adams rib
James Bentley, Treasurer of St. Bartholomews Hospital, 1848. Full-length portrait of a man wearing a dark suit and holding a document in one hand
My Great Grandmother, portrait of a child, 1865. Artist: James ArcherMy Great Grandmother, portrait of a child, 1865. A young girl is dressed in an elaborate costume, making her seem slightly older than her age
Sir James Shaw. 1834. Artist: Mary Martha PearsonSir James Shaw. 1834. Full length portrait showing him holding a letter in his right hand
View of James Sadlers balloon over Mermaid Gardens, Hackney, London, 1811. ArtistView of James Sadlers balloon over Mermaid Gardens, Hackney, London, 1811. The balloon contains James Sadler and Captain Paget
Montague House wall, British Museum, London, 1852. Artist: James FindlayPart of the wall of Montague House, London, 1852. Montague House, the original home of the British Museum, had been demolished in the 1840s. Also depicts guards standing at their sentry-boxes
A meeting of umbrellas, 1782. Artist: James GillrayA meeting of umbrellas, 1782; showing three men holding umbrellas meeting and having difficulty in passing. The umbrella, only recently introduced for men, was an object of derision
Cockney Sportsmen, London, 1800. Artist: James GillrayCockney Sportsmen, London, 1800. View of a young city gent advancing towards the carcass of a horse beset by many crows. His gun which is reversed, goes off peppering the posterior of his fat friend
The bottomless-Pitt, Pitt making a speech, London, 1792The bottomless-Pitt; showing William Pitt, exaggeratedly attenuated below the waist, making a speech before the table of the House of Commons, London, 1792
George III feeding himself on guineas, London, 1787Monstrous craws, at a new coalition feast, London, 1787; showing King George III, Queen Charlotte and the Prince of Wales seated outside the treasury round a bowl of guineas
The giant-factotum amusing himself - William Pitt, 1797. Artist: James GillrayThe giant-factotum amusing himself, 1797; showing William Pitt bestriding the Speakers chair in the House of Commons, towering high above the galleries, playing cup and ball with the globe
Clerkenwell Green, Finsbury, London, 1796. Artist: James WalkerView of the Middlesex Sessions House on Clerkenwell Green, Finsbury, London, 1796; with figures and horse drawn carriages
St Swithin London Stone, London, 1831. Artist: James TingleA view of St Swithin London Stone, London, 1831, with figures and a horse and cart on the street
Temple Bar, London, 1799. Artist: James NeagleView of the west side of Temple Bar, with a sign for the Star Printing Office on the left, London, 1799
St Mary Aldermanbury, London, 1778Scene of George Roach, Robert Elliott and James Gould stealing the leaden coffin of WT Aston, in the vault of St Mary Aldermanbury, London, 1778
St Lawrence Jewry, London, c1830. Artist: James TingleView of St Lawrence Jewry from Guildhall Yard, London, c1830; with a street scene
Royal Mail Coaches at Lad Lane, London, 1831. Artist: F RosenbergView of Royal Mail coaches preparing to start out for the west of England from the Swan with Two Necks Inn, Lad Lane, London, 1831
View of the south front of the Bank of England, City of London, 1814; with figures
Gunpowder Alley, London, c1850. Artist: James FindlayGunpowder Alley, London, c1850. Corner of Gunpowder Alley and Goldsmith Row, with figures
Cambridge Telegraph, Fetter Lane, London, c1830. Artist: George HuntCambridge Telegraph, Fetter Lane, London, c1830. View of the Cambridge Telegraph, starting from the White Horse Tavern which has a large lantern above the door
Lauries premises, Fleet Street, London, c1820. Artist: James FindlayView of no 53 Fleet Street, London, 1820; with figures looking in window of Lauries premises
Howes and Hart, Fleet Street, London, c1820. Artist: James FindlayView of no 60 Fleet Street, London, c1820: with figures outside premises of Howes and Hart
nos 103-104 Fleet Street, London, c1820. Artist: James FindlayView of nos 103 and 104 Fleet Street, London, c1820: with premises of Sunday Times and Metropolitan and Provincial Defence Association
Raymonds City Pie House, Fleet Street, London, c1820. Artist: James FindlayView of no 184 Fleet Street, London, c1820: with figures outside premises of Raymonds City Pie House
Albion House and the entrance to the Princesss Theatre, Oxford Street, Westminster, London, c1840
Custom House, London, 1800. Artist: William WattsView of the Custom House from the quay with figures outside, London, 1800
Admiralty, Whitehall, Westminster, London, 1796. ArtistAdmiralty, Whitehall, Westminster, London, 1796. View with figures and a horse-drawn cart outside
City election candidates of 1812. A View of the Starting Post and List of the Horses and their Riders who Started for the City Plate October 5th 1812
Counsellor OP - Defender of our Theatric Liberties, 1809. Artist: James GillrayCounsellor OP - Defender of our Theatric Liberties, 1809. shows Counsellor Clifford standing outside the east front of the new Covent Garden theatre which is in flames
Theatrical Mendicants, Relieved... 1809. Artist: James GillrayTheatrical Mendicants, Relieved... 1809. John Kemble, with his brother Charles and his sister Sarah Siddons in tears, begging outside Northumberland House and receiving a draft for 10, 000 pounds
Patriotic-Petitions on the Convention, 1808. Artist: James GillrayPatriotic-Petitions on the Convention, 1808. Four scenes: top left The Cockney Petition; top right The Westminster Petition; bottom left The Chelmsford Petition; bottom right The Middlesex Petition
No Popery or Newgate Reformer... 1780. A villainous looking man, believed to be Ned Dennis, wearing a No Popery favour in his hat, holds a cudgel raised to his left
The village barber, 1772. Artist: James BrethertonThe village barber, 1772. View of a barber, holding a lancet in one hand, a razor in the other and carrying a shaving dish under one arm
The Fish-Street macaroni, 1772. Artist: James BrethertonThe Fish-Street macaroni, 1772. View of a man, dressed in the mode of a macaroni, standing near an entrance to a tea garden. A macaroni was a British dandy who affected continental fashions
A masquerade scene, Kensington Gardens, 1772. Artist: James BrethertonA masquerade scene, Kensington Gardens, 1772. A sailor, heavily disguised as a rotund lady, follows a slim young woman along a walk
St Brides Avenue, London, 1829. Artist: James TingleView of St Brides Avenue with figures and a horse drawn carriage. Shop fronts include Charles Tilts publisher and booksellers, and the premises of Pitman and Ashfield
Christs Hospital, London, 1812. Artist: James LambertView of Christs Hospital, formerly part of Greyfriars Monastery, London, 1812. A group of figures stands in the courtyard in front of the hospital
Christs Hospital, London, 1784. Artist: James RecordView of Christs Hospital school playground, London, 1784; with school children playing
