James Mcneill Collection (page 4)

A Venetian Canal, c1880. Artist: James Abbott McNeill Whistler
A Venetian Canal, c1880. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

The Blue Girl, c1874. Artist: James Abbott McNeill Whistler
The Blue Girl, c1874. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

Harmony in Blue and Silver: Beaching The Boat, Etretat, c1897. Artist: James Abbott McNeill Whistler
Harmony in Blue and Silver: Beaching The Boat, Etretat, c1897. Held in The Harvard Art Museums, Massachusetts. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

The Smiths Yard, 1895. Artist: James Abbott McNeill Whistler
The Smiths Yard, 1895. From The Studio Volume 95. [London Offices of the Studio, London, 1928]

Little Nude, c1888. Artist: James Abbott McNeill Whistler
Little Nude, c1888. From The Studio Volume 65. [London Offices of the Studio, London, 1915]

Nocturne: Blue and Gold - Old Battersea Bridge, c1872-5. Artist: James Abbott McNeill Whistler
Nocturne: Blue and Gold - Old Battersea Bridge, c1872-5. Painting housed in the Tate, London. [The Offices of the Studio, London & New York, 1944]

Portrait of Whistler, 1880 (1903-1904). Artist: Paul Adolphe Rajon
Portrait of Whistler, 1880 (1903-1904). A portrait of the artist James Abbott McNeill Whistler (1834-1903). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

Sunset: Venice, c1880 (1903-1904). Artist: James Abbott McNeill Whistler
Sunset: Venice, c1880 (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

The Sea Shore, c1880 (1902). Artist: James Abbott McNeill Whistler
The Sea Shore, c1880 (1902). From The Studio Volume 25 [The Offices of the Studio Ltd. London, 1902.]

A study, from the sketch in watercolour by J McNeill Whistler, c1880s (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

La Vieille aux Loques, 1858 (1903-1904). Artist: James Abbott McNeill Whistler
La Vieille aux Loques, 1858 (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

On the Sea-Shore, c1883 (1903-1904). Artist: James Abbott McNeill Whistler
On the Sea-Shore, c1883 (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

Baby Leyland, 1895 (1903-1904). Artist: James Abbott McNeill Whistler
Baby Leyland, 1895 (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

Nocturne Trafalgar Square Chelsea Snow, 1876 (1903-1904). Artist: James Abbott McNeill Whistler
Nocturne Trafalgar Square Chelsea Snow, 1876 (1903-1904). Painting held in the Freer Gallery of Art, Washington DC, USA. From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

The Pool of London, 1859, (1904). Artist: James Abbott McNeill Whistler
The Pool of London, 1859. From The Connoisseur Vol. X [Otto Limited, London, 1904.]

The Salute, c1854-1903, (1906-7). Artist: James Abbott McNeill Whistler
The Salute, From The Studio Volume 39 [London Offices of the Studio, London, 1906-7.]

Old Hungerford Bridge, 1861, (1903). Artist: James Abbott McNeill Whistler
Old Hungerford Bridge, 1861. After an etching by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Adam and Eve: Old Chelsea, 1879, (1903). Artist: James Abbott McNeill Whistler
Adam and Eve: Old Chelsea, 1879. After an etching by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

On a Venetian Canal, c1854-1903, (1903). Artist: James Abbott McNeill Whistler
On a Venetian Canal. After a drawing in pastel by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Portrait Study in Pastel, c19th century, (1903). Artist: James Abbott McNeill Whistler
Portrait Study in Pastel, c19th century. After a pastel study by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Studies of James McNeill Whistler, c1886. (1903). Artist: Mortimer Luddington Menpes
Studies of James McNeill Whistler, c1886. After a dry-point by Mortimer Luddington Menpes (1855-1938). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Symphony in White, No. 2: The Little White Girl, (1864-65), 1937
Symphony in White, No. 2: The Little White Girl. A portrait of Whistlers mistress Joanna Jo Hiffernan (ca1843 after 1903). After a work by James Abbott McNeill Whistler (1834 -1903)

James McNeill Whistler, American-born British artist, 1878 (1956). A Vanity Fair Cartoon. A print from People, a volume about the origin and early history of many things, common and less common

Nocturne: Palaces, c1879 (1904). Artist: James Abbott McNeill Whistler
Nocturne: Palaces, c1879 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Old Putney Bridge, 1879 (1904). Artist: James Abbott McNeill Whistler
Old Putney Bridge, 1879 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Large Pool, 1879 (1904). Artist: James Abbott McNeill Whistler
The Large Pool, 1879 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Battersea Bridge, London, 19th century (1904). Artist: James Abbott McNeill Whistler
Battersea Bridge, London, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Henry Irving (1838-1905) as Philip of Spain, 19th century (1904). Artist: James Abbott McNeill Whistler
Henry Irving (1838-1905) as Philip of Spain, 19th century (1904). First trial proof etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London)

Lord Wolseley, 19th century (1904). Artist: James Abbott McNeill Whistler
Lord Wolseley, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Temple Bar, 19th century (1904). Artist: James Abbott McNeill Whistler
Temple Bar, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

A sketch from Billingsgate, 19th century (1904). Artist: James Abbott McNeill Whistler
A sketch from Billingsgate, 19th century (1904). Second state etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Dam Wood, c1875 (1904). Artist: James Abbott McNeill Whistler
The Dam Wood, c1875 (1904). First proof etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Two Ships, 19th century (1904). Artist: James Abbott McNeill Whistler
Two Ships, 19th century (1904). Second state etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Steamboats off the Tower, 1875 (1904). Artist: James Abbott McNeill Whistler
Steamboats off the Tower, 1875 (1904). Etching.. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Child on a Couch, 19th century (1904). Artist: James Abbott McNeill Whistler
Child on a Couch, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Swinburne, 19th century (1904). Artist: James Abbott McNeill Whistler
Swinburne, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Model, Lying Down, c1864 (1904). Artist: James Abbott McNeill Whistler
The Model, Lying Down, c1864 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Tillie, a Model, 1873 (1904). Artist: James Abbott McNeill Whistler
Tillie, a Model, 1873 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Moreby Hall, c1883 (1904). Artist: James Abbott McNeill Whistler
Moreby Hall, c1883 (1904). Watercolour. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Maude, Seated, 19th century (1904). Artist: James Abbott McNeill Whistler
Maude, Seated, 19th century (1904). First state etching with full face. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Maude, Standing, 1873 (1904). Artist: James Abbott McNeill Whistler
Maude, Standing, 1873 (1904). Trial proof with light tippet. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Velvet Dress, 1873 (1904). Artist: James Abbott McNeill Whistler
The Velvet Dress, 1873 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Whistlers Mother, 19th century (1904). Artist: James Abbott McNeill Whistler
Whistlers Mother, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Model Resting, 19th century (1904). Artist: James Abbott McNeill Whistler
The Model Resting, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Weary, 1863 (1904). Artist: James Abbott McNeill Whistler
Weary, 1863 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Amsterdam, 19th century (1904). Artist: James Abbott McNeill Whistler
Amsterdam, 19th century (1904). Early state etching, drawn from the Tolhuis restaurant. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

The Little Forge, c1860 (1904). Artist: James Abbott McNeill Whistler
The Little Forge, c1860 (1904). Etching. An early proof before a monogram. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Millbank, c1860 (1904). Artist: James Abbott McNeill Whistler
Millbank, c1860 (1904). Etching. A unique impression with the word not added. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

All Professionally Made to Order for Quick Shipping