mail_outline sales@mediastorehouse.com
Lady Meux, c1882, (1904). Artist: James Abbott McNeill WhistlerLa Vieille Aux Loques, c1858, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]
La Vieille Aux Loques, c1858, (1904). Artist: James Abbott McNeill WhistlerLa Vieille Aux Loques, c1858, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]
St. Paul s, c1884, (1904). Artist: James Abbott McNeill WhistlerSt. Paul s, c1884, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]
Street at Saverne, 1858, (1903). Artist: James Abbott McNeill WhistlerStreet at Saverne, 1858, (1903). From The Pall Mall Magazine Volume XXXI, edited by George R. Halkett. [Editorial and Publishing Offices, London, 1903]
The Old Marble Hall, Venice, c1904. Artist: Thomas Robert WayThe Old Marble Hall, Venice, c1904. After James McNeil Whistler (1834-1903). From The Studio Volume 32. [London Offices of the Studio, London, 1904]
Bead Stringers, Venice, c1904. Artist: Thomas Robert WayBead Stringers, Venice, c1904. After James McNeil Whistler (1834-1903). From The Studio Volume 32. [London Offices of the Studio, London, 1904]
The Whistler Memorial Exhibition, Boston, 1904. The Whistler Memorial Exhibition, Boston opened, 23rd February 1904, in the Copley Hall, Boston. From The Studio Volume 31
Rose and Pink, The Mothers Siesta, c1875. Artist: James Abbott McNeill WhistlerRose and Pink, The Mothers Siesta, c1875. From The Studio Volume 71. [London Offices of the Studio, London, 1917]
A Venetian Canal, c1880. Artist: James Abbott McNeill WhistlerA Venetian Canal, c1880. From The Studio Volume 31. [London Offices of the Studio, London, 1904]
The Blue Girl, c1874. Artist: James Abbott McNeill WhistlerThe Blue Girl, c1874. From The Studio Volume 31. [London Offices of the Studio, London, 1904]
Harmony in Blue and Silver: Beaching The Boat, Etretat, c1897. Artist: James Abbott McNeill WhistlerHarmony in Blue and Silver: Beaching The Boat, Etretat, c1897. Held in The Harvard Art Museums, Massachusetts. From The Studio Volume 49. [London Offices of the Studio, London, 1910]
The Smiths Yard, 1895. Artist: James Abbott McNeill WhistlerThe Smiths Yard, 1895. From The Studio Volume 95. [London Offices of the Studio, London, 1928]
Little Nude, c1888. Artist: James Abbott McNeill WhistlerLittle Nude, c1888. From The Studio Volume 65. [London Offices of the Studio, London, 1915]
Nocturne: Blue and Gold - Old Battersea Bridge, c1872-5. Artist: James Abbott McNeill WhistlerNocturne: Blue and Gold - Old Battersea Bridge, c1872-5. Painting housed in the Tate, London. [The Offices of the Studio, London & New York, 1944]
Portrait of Whistler, 1880 (1903-1904). Artist: Paul Adolphe RajonPortrait of Whistler, 1880 (1903-1904). A portrait of the artist James Abbott McNeill Whistler (1834-1903). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]
Sunset: Venice, c1880 (1903-1904). Artist: James Abbott McNeill WhistlerSunset: Venice, c1880 (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]
The Sea Shore, c1880 (1902). Artist: James Abbott McNeill WhistlerThe Sea Shore, c1880 (1902). From The Studio Volume 25 [The Offices of the Studio Ltd. London, 1902.]
A study, from the sketch in watercolour by J McNeill Whistler, c1880s (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]
La Vieille aux Loques, 1858 (1903-1904). Artist: James Abbott McNeill WhistlerLa Vieille aux Loques, 1858 (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]
On the Sea-Shore, c1883 (1903-1904). Artist: James Abbott McNeill WhistlerOn the Sea-Shore, c1883 (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]
Baby Leyland, 1895 (1903-1904). Artist: James Abbott McNeill WhistlerBaby Leyland, 1895 (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]
Nocturne Trafalgar Square Chelsea Snow, 1876 (1903-1904). Artist: James Abbott McNeill WhistlerNocturne Trafalgar Square Chelsea Snow, 1876 (1903-1904). Painting held in the Freer Gallery of Art, Washington DC, USA. From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]
The Pool of London, 1859, (1904). Artist: James Abbott McNeill WhistlerThe Pool of London, 1859. From The Connoisseur Vol. X [Otto Limited, London, 1904.]
The Salute, c1854-1903, (1906-7). Artist: James Abbott McNeill WhistlerThe Salute, From The Studio Volume 39 [London Offices of the Studio, London, 1906-7.]
Old Hungerford Bridge, 1861, (1903). Artist: James Abbott McNeill WhistlerOld Hungerford Bridge, 1861. After an etching by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]
Adam and Eve: Old Chelsea, 1879, (1903). Artist: James Abbott McNeill WhistlerAdam and Eve: Old Chelsea, 1879. After an etching by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]
On a Venetian Canal, c1854-1903, (1903). Artist: James Abbott McNeill WhistlerOn a Venetian Canal. After a drawing in pastel by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]
Portrait Study in Pastel, c19th century, (1903). Artist: James Abbott McNeill WhistlerPortrait Study in Pastel, c19th century. After a pastel study by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]
Studies of James McNeill Whistler, c1886. (1903). Artist: Mortimer Luddington MenpesStudies of James McNeill Whistler, c1886. After a dry-point by Mortimer Luddington Menpes (1855-1938). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]
Symphony in White, No. 2: The Little White Girl, (1864-65), 1937Symphony in White, No. 2: The Little White Girl. A portrait of Whistlers mistress Joanna Jo Hiffernan (ca1843 after 1903). After a work by James Abbott McNeill Whistler (1834 -1903)
James McNeill Whistler, American-born British artist, 1878 (1956). A Vanity Fair Cartoon. A print from People, a volume about the origin and early history of many things, common and less common
Nocturne: Palaces, c1879 (1904). Artist: James Abbott McNeill WhistlerNocturne: Palaces, c1879 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
Old Putney Bridge, 1879 (1904). Artist: James Abbott McNeill WhistlerOld Putney Bridge, 1879 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
The Large Pool, 1879 (1904). Artist: James Abbott McNeill WhistlerThe Large Pool, 1879 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
Battersea Bridge, London, 19th century (1904). Artist: James Abbott McNeill WhistlerBattersea Bridge, London, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
Henry Irving (1838-1905) as Philip of Spain, 19th century (1904). Artist: James Abbott McNeill WhistlerHenry Irving (1838-1905) as Philip of Spain, 19th century (1904). First trial proof etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London)
Lord Wolseley, 19th century (1904). Artist: James Abbott McNeill WhistlerLord Wolseley, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
Temple Bar, 19th century (1904). Artist: James Abbott McNeill WhistlerTemple Bar, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
A sketch from Billingsgate, 19th century (1904). Artist: James Abbott McNeill WhistlerA sketch from Billingsgate, 19th century (1904). Second state etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
The Dam Wood, c1875 (1904). Artist: James Abbott McNeill WhistlerThe Dam Wood, c1875 (1904). First proof etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
Two Ships, 19th century (1904). Artist: James Abbott McNeill WhistlerTwo Ships, 19th century (1904). Second state etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
Steamboats off the Tower, 1875 (1904). Artist: James Abbott McNeill WhistlerSteamboats off the Tower, 1875 (1904). Etching.. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
Child on a Couch, 19th century (1904). Artist: James Abbott McNeill WhistlerChild on a Couch, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
Swinburne, 19th century (1904). Artist: James Abbott McNeill WhistlerSwinburne, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
The Model, Lying Down, c1864 (1904). Artist: James Abbott McNeill WhistlerThe Model, Lying Down, c1864 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
Tillie, a Model, 1873 (1904). Artist: James Abbott McNeill WhistlerTillie, a Model, 1873 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
Moreby Hall, c1883 (1904). Artist: James Abbott McNeill WhistlerMoreby Hall, c1883 (1904). Watercolour. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
Maude, Seated, 19th century (1904). Artist: James Abbott McNeill WhistlerMaude, Seated, 19th century (1904). First state etching with full face. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)