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James Bretherton Collection

Background imageJames Bretherton Collection: A Riding-House, published 1780. Creator: Unknown

A Riding-House, published 1780. Creator: Unknown
A Riding-House, published 1780. Men learning to ride horses. A short man on the right, about to mount his horse, has been identified as Captain Grose

Background imageJames Bretherton Collection: A Game at Chess, 1780. Creator: James Bretherton

A Game at Chess, 1780. Creator: James Bretherton
A Game at Chess, 1780

Background imageJames Bretherton Collection: Newmarket: A Shot at a Hawk, August 1, 1801. Creator: James Bretherton

Newmarket: A Shot at a Hawk, August 1, 1801. Creator: James Bretherton
Newmarket: A Shot at a Hawk, August 1, 1801

Background imageJames Bretherton Collection: Newmarket: A Shot at a Pigeon, August 1, 1801. Creator: James Bretherton

Newmarket: A Shot at a Pigeon, August 1, 1801. Creator: James Bretherton
Newmarket: A Shot at a Pigeon, August 1, 1801

Background imageJames Bretherton Collection: Man in a fur hat holding a musket, looking upwards; after Giovanni Battista Piazzetta, 1770-1780

Man in a fur hat holding a musket, looking upwards; after Giovanni Battista Piazzetta, 1770-1780
Man in a fur hat holding a musket, looking upwards; after Giovanni Battista Piazzetta, 1770-80

Background imageJames Bretherton Collection: Concerto Spirituale, March 23, 1773. Creator: James Bretherton

Concerto Spirituale, March 23, 1773. Creator: James Bretherton
Concerto Spirituale, March 23, 1773

Background imageJames Bretherton Collection: The Atlas of the Landed Interest, February 18, 1784. Creator: James Sayers

The Atlas of the Landed Interest, February 18, 1784. Creator: James Sayers
The Atlas of the Landed Interest, February 18, 1784

Background imageJames Bretherton Collection: A Trip to Scarborough, March 3, 1783. Creator: James Bretherton

A Trip to Scarborough, March 3, 1783. Creator: James Bretherton
A Trip to Scarborough, March 3, 1783

Background imageJames Bretherton Collection: The Rat Catcher, second half 18th century. Creator: James Bretherton

The Rat Catcher, second half 18th century. Creator: James Bretherton
The Rat Catcher, second half 18th century. After Rembrandt

Background imageJames Bretherton Collection: The Three Trees, c. 1770-1844. Creator: James Bretherton (British, 1844)

The Three Trees, c. 1770-1844. Creator: James Bretherton (British, 1844)
The Three Trees, c. 1770-1844

Background imageJames Bretherton Collection: Thomas Allen, (1542-1632), 1830. Creator: Unknown

Thomas Allen, (1542-1632), 1830. Creator: Unknown
Thomas Allen, (1542-1632), 1830. Thomas Allen (1542-1632) English mathematician and astrologer, educated at Trinity College, Oxford. After an engraving by James Bretherton

Background imageJames Bretherton Collection: The village barber, 1772. Artist: James Bretherton

The village barber, 1772. Artist: James Bretherton
The village barber, 1772. View of a barber, holding a lancet in one hand, a razor in the other and carrying a shaving dish under one arm

Background imageJames Bretherton Collection: The Fish-Street macaroni, 1772. Artist: James Bretherton

The Fish-Street macaroni, 1772. Artist: James Bretherton
The Fish-Street macaroni, 1772. View of a man, dressed in the mode of a macaroni, standing near an entrance to a tea garden. A macaroni was a British dandy who affected continental fashions

Background imageJames Bretherton Collection: A masquerade scene, Kensington Gardens, 1772. Artist: James Bretherton

A masquerade scene, Kensington Gardens, 1772. Artist: James Bretherton
A masquerade scene, Kensington Gardens, 1772. A sailor, heavily disguised as a rotund lady, follows a slim young woman along a walk

Background imageJames Bretherton Collection: The St Jamess Macaroni, 1772. Artist: James Bretherton

The St Jamess Macaroni, 1772. Artist: James Bretherton
The St Jamess Macaroni, 1772; a man in profile to our left. His costume includes an immense knot at the back of his head, and horizontal curls over his ears

Background imageJames Bretherton Collection: The Houndsditch Macaroni, 1772. Artist: James Bretherton

The Houndsditch Macaroni, 1772. Artist: James Bretherton
The Houndsditch Macaroni, 1772; a man, dressed in the mode of the macaronies, stands with hands in pockets and tongue sticking out. A macaroni was a British dandy who affected continental fashions


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