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Ja Collection (page 9)

Background imageJa Collection: Cart, Palermo, Sicily, c1923

Cart, Palermo, Sicily, c1923. A print from Countries of the World, Volume VI, edited by JA Hammerton, The Fleetway House, London, c1923

Background imageJa Collection: Mule with water kegs, Sicily, Italy, c1923. Artist: AW Cutler

Mule with water kegs, Sicily, Italy, c1923. Artist: AW Cutler
Mule with water kegs, Sicily, Italy, c1923. A print from Countries of the World, Volume VI, edited by JA Hammerton, The Fleetway House, London, c1923

Background imageJa Collection: Street scene, Taormina, Sicily, Italy, c1923

Street scene, Taormina, Sicily, Italy, c1923. A print from Countries of the World, Volume VI, edited by JA Hammerton, The Fleetway House, London, c1923

Background imageJa Collection: Piazza del Duomo (Cathedral Square), Catania, Sicily, Italy, c1923

Piazza del Duomo (Cathedral Square), Catania, Sicily, Italy, c1923. This monument is a fountain with an elephant, the symbol of the city

Background imageJa Collection: Banks of the Yenisei river, Siberia, USSR, c1923. Artist: D Carruthers

Banks of the Yenisei river, Siberia, USSR, c1923. Artist: D Carruthers
Banks of the Yenisei river, Siberia, USSR, c1923. The Yenisei is the longest of the three great rivers of Siberia and the largest river that flows into the Arctic Ocean

Background imageJa Collection: Map of Siberia, c1923

Map of Siberia, c1923. A print from Countries of the World, Volume VI, edited by JA Hammerton, The Fleetway House, London, c1923

Background imageJa Collection: The Emperor of Annam, Vietnam, 1922

The Emperor of Annam, Vietnam, 1922. As the Son of Heaven, the emperor is dressed in his ritual robes and holds in his hands the sacred rule, a tablet of wood

Background imageJa Collection: The making of a pot, Mendi, Papua New Guinea, 1922. Artist: Northcote Thomas

The making of a pot, Mendi, Papua New Guinea, 1922. Artist: Northcote Thomas
The making of a pot, Mendi, Papua New Guinea, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: An Armenian mother and her children, 1922. Artist: W Llewellyn Williams

An Armenian mother and her children, 1922. Artist: W Llewellyn Williams
An Armenian mother and her children, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: The Mullah of Mush, Armenia, 1922

The Mullah of Mush, Armenia, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Ashanti architecture, Ghana, 1922Artist: PA McCann

Ashanti architecture, Ghana, 1922Artist: PA McCann
Ashanti architecture, Ghana, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Medicine man, Australia, 1922. Artist: Spencer and Gillen

Medicine man, Australia, 1922. Artist: Spencer and Gillen
Medicine man, Australia, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: A dancer in Biskra, Algeria, 1922. Artist: Crete

A dancer in Biskra, Algeria, 1922. Artist: Crete
A dancer in Biskra, Algeria, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: A gaucho, Argentina, 1922

A gaucho, Argentina, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: King Archibong II of Gambia, Africa, 1922

King Archibong II of Gambia, Africa, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: King Basu Fondong of Cameroon, Africa, 1922

King Basu Fondong of Cameroon, Africa, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Basuto girl brides during a period of initiation into the adult tribal society, Lesotho, 1922

Basuto girl brides during a period of initiation into the adult tribal society, Lesotho, 1922
Basuto girl brides during a period of initiation into the adult tribal society, Lesotho, Africa, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past

Background imageJa Collection: A girl of the Tigre people, Africa, 1922

A girl of the Tigre people, Africa, 1922. The girl has thickly oiled and buttered hair. From Peoples of All Nations, Their Life Today and the Story of Their Past

Background imageJa Collection: The Annamese way of reaping and threshing rice, Annam, Vietnam, 1922

The Annamese way of reaping and threshing rice, Annam, Vietnam, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Prempeh, last of the Ashanti kings, Ghana, 1922. Artist: PA McCann

Prempeh, last of the Ashanti kings, Ghana, 1922. Artist: PA McCann
Prempeh, last of the Ashanti kings, Ghana, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Children skipping in the Grand Place, Bruges, Belgium, 1922. Artist: FC Davis

Children skipping in the Grand Place, Bruges, Belgium, 1922. Artist: FC Davis
Children skipping in the Grand Place, Bruges, Belgium, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Armenian Patriarch, leader of the oldest national christian church, 1922

Armenian Patriarch, leader of the oldest national christian church, 1922
An Armenian Patriarch, leader of the oldest national christian church, 1922. He stands for a national church established by the Armenian king, Tiridates, AD274

Background imageJa Collection: A Belgian milkwoman on her morning round, Belgium, 1922. Artist: Donald McLeish

A Belgian milkwoman on her morning round, Belgium, 1922. Artist: Donald McLeish
A Belgian milkwoman on her morning round, Belgium, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: The Deb Raja, acting head of the Buddhist Church of Bhutan, 1922. Artist: John Claude White

The Deb Raja, acting head of the Buddhist Church of Bhutan, 1922. Artist: John Claude White
The Deb Raja, acting head of the Buddhist Church of Bhutan, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Emperor Khai Dinh (1885-1925), 12th Emperor of the Nguyen Dynasty, Annam, Vietnam, 1922

Emperor Khai Dinh (1885-1925), 12th Emperor of the Nguyen Dynasty, Annam, Vietnam, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past

Background imageJa Collection: Three Aborigines from the coast tribes above Brisbane, Australia, 1922

Three Aborigines from the coast tribes above Brisbane, Australia, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Women tending young sugar canes in Jamaica, 1922

Women tending young sugar canes in Jamaica, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: A woman of the Beja Nile or Baggara people, Ethiopia, Africa, 1922

A woman of the Beja Nile or Baggara people, Ethiopia, Africa, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Cupping, wet and dry, as a therapeutic measure, Africa, 1922. Artist: FW Taylor

Cupping, wet and dry, as a therapeutic measure, Africa, 1922. Artist: FW Taylor
Cupping, wet and dry, as a therapeutic measure, Africa, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Mulatto girls of the Ouled Nails, Algeria, 1922. Artist: A Bougaut

Mulatto girls of the Ouled Nails, Algeria, 1922. Artist: A Bougaut
Mulatto girls of the Ouled Nails, Algeria, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Speared manatee, north-west Australia, 1922

Speared manatee, north-west Australia, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: A street barber and his client, Algeria, Africa, 1922. Artist: Donald McLeish

A street barber and his client, Algeria, Africa, 1922. Artist: Donald McLeish
A street barber and his client, Algeria, Africa, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: An Afridi lookout, Khyber and Kohat Pass, Pakistan and Afghanistan, 1922. Artist: Holmes & Co

An Afridi lookout, Khyber and Kohat Pass, Pakistan and Afghanistan, 1922. Artist: Holmes & Co
An Afridi lookout, Khyber and Kohat Pass, Pakistan and Afghanistan, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: An Afghan woman, 1922. Artist: Holmes & Co

An Afghan woman, 1922. Artist: Holmes & Co
An Afghan woman, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: A Nigerian girl dressed in her wedding finery, 1922. Artist: Northcote Thomas

A Nigerian girl dressed in her wedding finery, 1922. Artist: Northcote Thomas
A Nigerian girl dressed in her wedding finery, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: A wooden, horse-powered suger cane crushing mill, West Indies, 1922

A wooden, horse-powered suger cane crushing mill, West Indies, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Boys from Artemid, Armenia, 1922. Artist: Maynard Owen Williams

Boys from Artemid, Armenia, 1922. Artist: Maynard Owen Williams
Boys from Artemid, Armenia, 1922. These boys have just walked from Artemid to Van looking for guns. From Peoples of All Nations, Their Life Today and the Story of Their Past

Background imageJa Collection: A representation of the Mayflower, 1922

A representation of the Mayflower, 1922. From a model made by Goulding and Co, Plymouth. Also features an inset of a Puritan

Background imageJa Collection: A slave woman from Abyssinia (Ethiopia), 1922

A slave woman from Abyssinia (Ethiopia), 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Kenyan men playing cards, 1922

Kenyan men playing cards, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: A Gold Coast potter and her clay, Ghana, West Africa, 1922. Artist: PA McCann

A Gold Coast potter and her clay, Ghana, West Africa, 1922. Artist: PA McCann
A Gold Coast potter and her clay, Ghana, West Africa, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: A reed balsa sailing vessel, Bolivia, 1922

A reed balsa sailing vessel, Bolivia, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Men of the Never Never land, in totem attire, Australia, 1922. Artist: PJ MacMahon

Men of the Never Never land, in totem attire, Australia, 1922. Artist: PJ MacMahon
Men of the Never Never land, in totem attire, Australia, 1922. The tufted sticks rising from the heads of the men in the second row are in the nature of nurtunjas, or totem poles

Background imageJa Collection: Broom vendor, Rio de Janeiro, Brazil, 1922

Broom vendor, Rio de Janeiro, Brazil, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Patagonian indians, Argentina, 1922

Patagonian indians, Argentina, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Romany women, Albania, 1922. Artist: Underwood & Underwood

Romany women, Albania, 1922. Artist: Underwood & Underwood
Romany women, Albania, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: Algerian woman, 1922

Algerian woman, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageJa Collection: A woman from Harar in festival attire, Ethiopia, 1922

A woman from Harar in festival attire, Ethiopia, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire



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