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Framed Pictures, Canvas Prints
Posters & Jigsaws since 2004
 

Injury Gallery

Available as Framed Prints, Photos, Wall Art and Gift Items

Choose from 325 pictures in our Injury collection for your Wall Art or Photo Gift. Popular choices include Framed Prints, Canvas Prints, Posters and Jigsaw Puzzles. All professionally made for quick delivery.


Featured Print

'Creelman, just after Dismounting from Horse...', Spanish-American War, 4 July 1898, (1899)

'Creelman, just after Dismounting from Horse...', Spanish-American War, 4 July 1898, (1899). 'Creelman, just after Dismounting from Horse which had Carried him from Hospital, Eleven Miles away, July 4th: Last Picture I Took in Cuba'. While a war correspondent for the "New York Journal", Canadian-American writer James Creelman (1859-1915) 'started off for El Caney, where he distinguished himself by very foolhardy work and reckless bravery; it was he who pulled down the Spanish flag from the block-house.' Creelman was permitted by the U.S. general in command to join the charge on a blockhouse occupied by Spanish troops. Advancing with US troops, and seeing the Spanish flag lying on the ground, Creelman seized it, feeling that the "Journal" should be the first to capture the enemy flag. He waved it in front of Spanish soldiers who responded with gunfire, wounding him in the arm and back. From "The Little I saw of Cuba" by Burr McIntosh, with photographs by the author. (In 1898, American actor and journalist William Burr McIntosh went to Cuba to cover the Spanish-American War for "Leslie's Weekly" as a reporter and photographer). [F. Tennyson Neely, London & New York, 1899]

© The Print Collector/Heritage Images

Featured Print

'The Ladder of Good Progress', First World War, c1914, (c1920). Creator: Unknown

'The Ladder of Good Progress', First World War, c1914, (c1920). 'There never was a war in which the wounded were handled so perfectly. The above shows at a glance the general scheme followed, connecting the turmoil of the Continental battlefield with the calm of the British homeland.' Illustrated idealised diagram indicating the stages of medical treatment following a soldier's injury on the battlefield: First Aid on field; nearest cover; ambulance wagon; dressing station; clearing hospital; ambulance train; base hospital; hospital ship; home hospital; convalescent home'. From "The Great World War - A History" Volume II, edited by Frank A Mumby. [The Gresham Publishing Company Ltd, London, c1920]

© The Print Collector/Heritage Images

Featured Print

'Angelica tends the Wounds of Medor', c1757, (1928). Artist: Giovanni Battista Tiepolo

'Angelica tends the Wounds of Medor', c1757, (1928). 'Angelica staunching the wounds of Medor'. Pen with wash on white paper. Design for a fresco in the Villa Valmarana near Vicenza, Italy. Victoria & Albert Museum, London. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770), worked not only in Italy, but also in Germany and Spain. He was commissioned to carry out frescoes in churches and palaces, and was elected President of the Academy of Padua. As well as his large-scale majestic works, he also produced etchings and oil paintings, and is widely regarded as one of the most important artists of the period. Illustration from The Drawings of Giovanni Battista Tiepolo, Volume I, by Detlev Baron Von Hadeln. [The Pegasus Press, Paris, 1928]

© The Print Collector / Heritage-Images