Illuminate Collection (page 9)

Nocturne - Amsterdam in Snow, 1882, (1904). Artist: James Abbott McNeill Whistler
Nocturne - Amsterdam in Snow, 1882, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Venice, c1870, (1904). Artist: James Abbott McNeill Whistler
Venice, c1870, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Advertisement for Bleriot headlamps, c1905. Artist: Philippe Chapellier
Advertisement for Bleriot headlamps, c1905

Illuminated Text From The Pilgrims progress, c1920. Artist: Marta Bowerley
Illuminated Text From The Pilgrims progress, c1920. An illuminated page taken from John Bunyans The Pilgrims Progress. An English nonconformist preacher and writer

Will O the Wisp, c19th century

Old Embankment at Bruges, c1890 Artist: Victor Olivier Gilsoul
Old Embankment at Bruges, c1890. From The Studio Volume 41. [London Offices of the Studio, London, 1907]

The Word, c1922. Artist: Frederick Cayley Robinson
The Word, c1922. From The Studio Volume 83. [London Offices of the Studio, London, 1922]

A Dinner Table at Night, 1884. Artist: John Singer Sargent
A Dinner Table at Night, 1884. Painting held in Museum of Fine Art, San Francisco. From The Studio Volume 90. [London Offices of the Studio, London, 1925]

Snow Scene Evening, c1901. Artist: Henri Eugene Le Sidaner
Snow Scene Evening, c1901. From The Studio Volume 27. [London Offices of the Studio, London, 1902-3]

Working and Watching, c1899. Artist: Frederick George Cotman
Working and Watching, c1899. From The Studio Volume 47. [London Offices of the Studio, London, 1909]

1930s interior with contemporary lighting, 1930. From The Studio Volume 99. [London Offices of the Studio, London, 1930]

A Thames Regatta, c1919. Artist: CRW Nevinson
A Thames Regatta, c1919. From The Studio Volume 78, [London Offices of the Studio, London, 1919-20]

Nocturne c1924. Artist: Edgar L Pattison
Nocturne c1924. From The Studio Volume 87. [London Offices of the Studio, London, 1924]

The Procession Into The Abbey, 1937. Queen Elizabeths procession moving along the Nave of Westminster Abbey, followed by the procession of her husband King George VI, on the day of their coronation

Circulating area of Piccadilly Circus Station, 1929. The station was opened on 10 March 1906 and was designed by Charles Henry Holden (1875-1960)

Lamplight, 1929. Artist: Wanda Hazel Gag
Lamplight, 1929. From The Studio Volume 98 [London Offices of the Studio, London, 1929.]

Living Room by Michael Dawn, 1936. From The Studio Volume 112 [London Offices of the Studio, London, 1936.]

Martinez Campos, (1831-1900), 1920s
Martinez Campos, the autonomist and reformist parties held a demonstration of sympathy in favour of General Martinez Campos on the 27th of December 1895

The Old Steine Gardens, Brighton, Sussex, c1940

Street at Saverne, 19th century (1904). Artist: James Abbott McNeill Whistler
Street at Saverne, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Two Monuments of London, advert for the Hotel Cecil, 1925. Artist: W Welsh
Two Monuments of London, advert for the Hotel Cecil, 1925. Cleopatras Needle on the Embankmen in the foreground. A print from The Sphere, 23rd November 1925

Advert for Hillman motor cars, 1936. A print from The Sketch, Christmas, 1936

St Peter, 1519 (1849). Artist: A Bisson
St Peter, 1519 (1849). A 19th century version based on an original 16th century wood engraving held by the Bibliotheque Royal

St Pauls Cathedral on Thanksgiving Day, 1872. A print from The Illustrated London News, (9 March 1872). Hand-coloured later

Ancient and Modern in Holborn, c1900-1940

The Grand Canal of Tottenham Court Road. c1900-1940

The Palais Lumineux (Luminous Palace), Paris Universal Exposition, 1900. Artist: Ewald Thiel
The Palais Lumineux (Luminous Palace), Paris Universal Exposition, 1900

St Pauls Cathedral illuminated for Thanksgiving Day, London, 1900. Illustration from The Life and Times of Queen Victoria by Robert Wilson, Volume IV, (Cassell and Company, London, Paris, New York)

Scribe or copyist, 15th century, (1870). An engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Initial letter L, (1870). An engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

The Trenches of Noulette, France, 1915, (1926). Artist: Michel
The Trenches of Noulette, France, 1915, (1926). A French patrol returns to the trenches at night while a flare illuminates no mans land

The Alexander Hall in the Winter Palace in Saint Petersburg, 1839. Artist: Aleksandr Bryullov
The Alexander Hall in the Winter Palace in Saint Petersburg, 1839. Briullov, Alexander Pavlovich (1798-1877)

Concert in Sanssouci, (Study), 1850s. Artist: Adolph Menzel
Concert in Sanssouci, (Study), 1850s. Menzel, Adolph Friedrich, von (1815-1905). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Madonna of the Annunciation, c1304-1344. Artist: Simone Martini
Madonna of the Annunciation, c1304-1344. Panel of diptych, located in the collection at, State Hermitage Muesum, St Petersburg

The Annunciation and Two Saints, 1333. Artist: Simone Martini
The Annunciation and Two Saints, 1333. The altarpiece was executed between 1329 and 1333 for the chapel of Sant Ansano of the Cathedral in Siena by Simone Martini and his brother-in-law Lippo Memmi

Maesta, 1315. Artist: Simone Martini
Maesta, 1315. A fresco in the Palazzo Pubblico, Siena, Italy

The Annunciation and Two Saints, (detail), 1333. Artist: Simone Martini
The Annunciation and Two Saints, (detail), 1333. From the collection of the Galleria degli Uffizi, Florence

The Potato Eaters, 1885. Artist: Vincent van Gogh
The Potato Eaters, 1885. From the Van Gogh Museum, Amsterdam

The Knight of the Cart (Sir Lancelot), 1344. From Le roman of Lancelot du Lac (The Story of Lancelot of the Lake), based on the tale of Arthurian legend by Chretien de Troyes (active 1160-1191)

Jardins de Paris ( Paris Parks ), 1920. Artist: Charles-Lucien Leandre
Jardins de Paris ( Paris Parks ), 1920. From the Musee du Louvre, Paris

Chapel of the Carmelites, Paris, 1783. Above the altar, an angel reveals the Sacred Heart pierced with a sword (representing God the Son)

The Powerful Hand, 19th century. Popular French religious print showing a hand with a nail wound (stigmata), Jesus, the all-seeing eye of God, and holy justice represented by the balance and the sword

Christ Pantocrator, c1310-c1320. Image from the cupola of the Church of Christ in Chora (Kariye Museum), Istanbul, Turkey

Doubting Thomas, 1634. Artist: Rembrandt Harmensz van Rijn
Doubting Thomas, 1634. Picture illustrating episode related in the in St Johns Gospel (Ch20, vs19-29) where the Apostle Thomas puts his hand in the wound in the risen Saviours side as he doubts what

Gas lighting, 1814. Fig. 1: Samuel Cleggs (1781-1861) gas apparatus (1808). Fig. 7: B Cooks gas apparatus. Figs 8&9: Furnace for producing tar as a gas by-product. From Encyclopaedia Londinensis

Davys electric egg, 1883. Invented in 1809, it produced intense light from a voltaic arc between the points of two carbon rods

La Salle des Illusions, Paris, September 1900. Illustration showing the electrical illuminations in the Hall of Illusions at the International Exhibition

The Illuminations at the International Inventions Exhibition, 8th August 1885. Artist: Riddle and Couchman
The Illuminations at the International Inventions Exhibition, 8th August 1885. Showing the large firework display that took place during the exhibition

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