The Canterbury Pilgrimage, late 15th century, (1843).Artist: Henry Shaw
The Canterbury Pilgrimage, late 15th century, (1843). A 19th-century version of Chaucer's pilgrims from a manuscript of Lydgate's Storie of Thebes. Illustration from Dresses and Decorations of the Middle Ages from the Seventh to the Seventeenth Centuries, by Henry Shaw, (London, 1843).
© The Print Collector / Heritage-Images
15th Century, 19th Century, Animal, Animals, Arts, Avenue, Canterbury Tales, Century, Chaucer, Christian, Christianity, City, City Walls, Color, Colour, Country, Dress, England, English, Fifteenth Century, Geoffrey, Geoffrey Chaucer, Guy, Henry, Henry Shaw, Horse, Horseman, Horsemen, Horses, John, John Lidgate, John Lydgate, Lane, Lidgate, Literature, Location, Lydgate, Male, Man, Manuscript, Mediaeval, Medieval, Men, Middle Ages, Nineteenth Century, People, Pilgrim, Pilgrimage, Priest, Print Collector1, Religion, Religious, Rider, Riding, Road, Shaw, Street, The Canterbury Tales, The Print Collector, Travel, Traveller, Wall, Walled City
Medieval stone mosaic, (1898). Creator: Unknown
Medieval stone mosaic, (1898). 'Figs 1-8: Engraved stone-flags from the old cathedral at St. Omer, 13th century (ground brown, interior design of horse and horseman filled up with red). Figs 9 and 10: Mosaic floors of burnt clay, enamelled, from a collection at Dresden (black and red centres with white edging) 13th century. Figs 11 and 12: Mosaic floors of burnt clay, enamelled, from the cloister-church Colombe-les-Sens (red, black and yellow), 12th century. Figs 13 and 14: Mosaic floors of burnt clay, enamelled, from the abbey-church at St. Denis (red, black and yellow), 12th century. Figs 15 and 16: Mosaic floors of burnt clay, enamelled, from the old abbey-church at Pontigny, 12th century (yellow, red and black on green ground). Figs 17-23: Enamelled clay-tiles from St. Pierre-sur-Dive, 12th century (yellow and black-brown). Figs 24 and 25: Enamelled clay-tiles from the church at Bloxham, 13th century (red and yellow). Figs 26 and 27: Enamelled clay-tiles from Beddington-Church in Surrey, 15th century (red and yellow). Fig 28: Engraved clay-tiles from the town-hall at Ravensburg (natural colour without glazing), 14th century. Fig 29: Engraved clay-tiles from a patrician house ibid., 14th century. Fig 30: Clay-tiles with deepened ground, natural colour without glazing, 14th century, from the church at Gaildorf. Fig 31: Clay-tiles with deepened ground and relief-figures from the cloister at Alpirsbach, 12th century. Plate 38 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
© The Print Collector/Heritage Images
Kay Khusraw Marches to Gudarz's Rescue. (Manuscript illumination from the epic Shahname by Ferdowsi. Artist: Iranian master
Kay Khusraw Marches to Gudarz's Rescue. (Manuscript illumination from the epic Shahname by Ferdowsi. Found in the collection of The David Collection.
© Fine Art Images
Allegory And Literature, Army, Book Of Kings, Chosrau, Chosroes, Chosrou, Ferdowsi, Fine Art Images, Firdawsi, Gudarz, Horse, Horseback, Horseman, Horses, Iranian Master, Islamic Art, Kai Khosrow, Kay Khusraw, Key Khosrow, Khosrau, Khosrow, Khusraw, Manuscript Illumination, Mythology, Persia, Persian Miniature, Rider, Shah Nama, Shahname, Shahnameh, Watercolour And Ink On Paper, Xosrov