Horse Collection (page 3)

The Movings, 1822. Creator: Louis Leopold Boilly
The Movings, 1822

A mounted man hunting birds with a falcon, early 18th century. Creator: Unknown
A mounted man hunting birds with a falcon, early 18th century

Mahantango Valley Farm, late 19th century. Creator: Unknown
Mahantango Valley Farm, late 19th century

Labourers, 1781. Creator: George Stubbs
Labourers, 1781

The Char-a-banc presented to Her Majesty by the King of the French, 1844. Queen Victoria and King Louis Philippe of France ride from the Queens Entrance at Windsor Castle to Twickenham

The Flemish Farrier, 1822. Creator: Theodore Gericault
The Flemish Farrier, 1822

Yoshiwara, Hidari Fuji, ca. 1834. ca. 1834. Creator: Ando Hiroshige
Yoshiwara, Hidari Fuji, ca. 1834

Mochizuki Station, ca. 1835. ca. 1835. Creator: Ando Hiroshige
Mochizuki Station, ca. 1835

Maharana Sarup Singh Inspects a Prize Stallion, 1845-46. Creator: Tara
Maharana Sarup Singh Inspects a Prize Stallion, 1845-46

Full Cry - Tom Clarke, Huntsman of the Old Berkshire, c1879. Creator: Unknown
Full Cry" - Tom Clarke, Huntsman of the Old Berkshire, c1879. The Old Berkshire Hunt in Oxfordshire dates back to 1830. From " The Book of the Horse", by S. Sidney

The Triumphal entrance of a Peck loaf into Grandchester, c1787. Creator: Unknown
The Triumphal entrance of a Peck loaf into Grandchester, c1787. Mr. Peck, his Man, Pony, and Dog. Mr. Peck, and his servant (clinging onto Pecks coat), returning to Grantchester from a shopping trip

Cart and Horse, 18th Century. Creator: Joseph Constantine Stadler (fl. 1780-1812)
Cart and Horse 18th Century (soft ground etching)

Carmarthen Quay, c1896. Artist: Hudson
Carmarthen Quay, c1896. From Pictorial England and Wales. [Cassell and Company, Limited, London, Paris & Melbourne, c1896]

Murat Leading The Cavalry at Jena, 14 October 1806, (1896). Joachim-Napoleon Murat (1767-1815) was a Marshal of France and Admiral of France under the reign of Napoleon

Street scene in Westminster, London, c1790. View showing the Adelphi Hotel and hatmakers shop window, and Nottingham manufacturers shop window

Devonshire Place and Wimpole Street, Marylebone, London, 1793. Artist: G Barratt
Devonshire Place and Wimpole Street, Marylebone, London, 1793

Nunhead, Camberwell, London, 1771
View near Nunhead in Camberwell, London, 1771; with a horse and cart crossing a ford in the road

Papa Chrysantheme at the New Circus. Artist: Toulouse-Lautrec, Henri, de (1864-1901)
Papa Chrysantheme at the New Circus. Found in the collection of Musee d Orsay, Paris

Victor Wild, 1911. From British Sports and Sportsmen Part 1. [British Sports and Sportsmen, London, 1911]

Diamond Jubilee, 1911. From British Sports and Sportsmen Part 1. [British Sports and Sportsmen, London, 1911]

Persimmon, 1911. From British Sports and Sportsmen Part 1. [British Sports and Sportsmen, London, 1911]

Ormonde, 1883-1904, (1911). From British Sports and Sportsmen Part 1. [British Sports and Sportsmen, London, 1911]

Queen Victoria at Osborne House, 1865 (1906). From Cassells History of England, Vol. VI. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1906]. (Colorised black and white print)

Spearmint, c1905 (c1910). Spearmint (1903-1924) was a British thoroughbred racehorse and a sire owned by Major Eustace Loder (1867-1914)

The Alpine Traveller, 1804. Artist: James Ward
The Alpine Traveller, 1804. After James Northcote (1746-1831). From The Connoisseur Volume XLII. [The Connoisseur Ltd. London, 1915]

The old entrance to London Bridge under the tower of St. Magnus, c1902, (1903). Artist: Hedley Fitton
The old entrance to London Bridge under the tower of St. Magnus, c1902, (1903). From The Pall Mall Magazine Volume XXXI, edited by George R. Halkett. [Editorial and Publishing Offices, London, 1903]

At the Festival, 1911. Artist: Joza Uprka
At the Festival, 1911. From The Studio Volume 69. [London Offices of the Studio, London, 1916-17]

Rot the beggar exclaims Romford, 1865. Artists: John Leech, Hablot Knight Browne
Rot the beggar exclaims Romford, 1865. From Mr. Facey Romfords Hounds, written by Robert Smith Surtees, illustrated by John Leech and H.K. Phiz Browne. [Bradbury, Evans & Co. London, 1865]

Captain Spurrier cut down by Romford, 1865. Artists: John Leech, Hablot Knight Browne
Captain Spurrier cut down by Romford, 1865. From Mr. Facey Romfords Hounds, written by Robert Smith Surtees, illustrated by John Leech and H.K. Phiz Browne. [Bradbury, Evans & Co. London, 1865]

Catherine the Great (1729-1796), Empress of Russia, 1937. Artist: Alexander K MacDonald
Catherine the Great (1729-1796), Empress of Russia. Portrait of Catherine II (1729-1796) who came to the throne in 1762. A German princess

Cattistock, 1899. Artist: CG
Cattistock, 1899. John Hargreaves on horseback in hunting clothes. Cartoon from Vanity Fair, 30th March 1899

Massacre in the boats off Cawnpore, 1857, (c1860). Massacre of British civilians in what is now known as Kanpur, India. Illustration from The History of the Indian Mutiny, by Charles Ball, Volume I

Droxford, Hampshire, 1905

Queen Mary visiting a Welsh colliery, 1935. A print from King Emperors Jubilee, 1910-1935, by FGH Salusbury, Daily Express Publications, London, 1935

Field Marshal Douglas Haig reviewing Canadian troops, Drocourt-Queant, 31 August 1918, (1926)
Field Marshal Douglas Haig reviewing Canadian troops, Drocourt-Queant, France, 31 August 1918. Two days later the Canadians attacked and broke through the German defences of the Drocourt-Queant Line

Mousquetaires Noirs, petite tenue, 1814-15. Artist: Eugene Titeux
Mousquetaires Noirs, petite tenue, 1814-15. Histoire de la Maison Militaire du Roi de 1814-1830, volume 2

Chasseurs a Cheval, (light cavalry), 1859. Artist: Auguste Raffet
Chasseurs a Cheval, (light cavalry), 1859. A depiction of French Military attire from the book Napoleon 1er et la Garde Imperiale, by Eugene Fieffe, 1859

Interior of a coal mine, 1862. Underground scene in a mine, showing a miner winning coal, while a wagon full of coal is being hauled along rails to the bottom of the pit shaft by a pony

Roman soldiers making a tortoise with their shields, 1605. This tactic of the Roman infantry was intended to protect the soldiers from projectiles

Entrance to Blisworth Tunnel, Grand Junction Canal, Northamptonshire, 1819. Artist: John Hassell
Entrance to Blisworth Tunnel, Grand Junction Canal, Northamptonshire, 1819. A Boat approaching the entrance to the great tunnel from the Blisworth end

Grand Junction Canal from Stow Hill near Upper Heyford, Northamptonshire, 1819. Artist: John Hassell
Grand Junction Canal from Stow Hill near Upper Heyford, Northamptonshire, 1819. A lime kiln can be seen in the centre of the picture

Ye Olde Boars Head, Middleton, Lancashire, 1939. From Old Inns - Second Series of 40. [W. D. & H. O. Wills, 1939]

The Jebel Zaghwan, c1890. Artist: Meunier
The Jebel Zaghwan, c1890. Jebel Zaghouan, a mountain in Tunisia. Illustration from The Universal Geography with Illustrations and Maps, Division XXI, (Virtue & Co Limited, London, c1890)

Nottingham market place, c1880. A print from Great Industries of Great Britain, Volume I, published by Cassell Petter and Galpin, (London, Paris, New York, c1880)

The Canterbury Pilgrimage, late 15th century, (1843). Artist: Henry Shaw
The Canterbury Pilgrimage, late 15th century, (1843). A 19th-century version of Chaucers pilgrims from a manuscript of Lydgates Storie of Thebes

The War in Schleswig: Danish prisoners on the road to Rendsburg after the Battle of Over-Selk, 1864. Creator: Unknown
The War in Schleswig: Danish prisoners on the road to Rendsburg after the Battle of Over-Selk - from a sketch by our special artist, 1864. 'No exact account can be given of the Danish loss

The War in Schleswig: Prussian field mail on its way from Rendsburg to the front, 1864. Creator: Unknown
The War in Schleswig: Prussian field mail on its way from Rendsburg to the front, 1864. From "Illustrated London News", 1864.

Opening of the Boulevard du Prince Eugène at Paris, by the Emperor, 1862. Creator: Unknown
Opening of the Boulevard du Prince Eugene at Paris, by the Emperor, 1862. '...the whole length of the via nova was ornamented with Venetian masts bearing very light-coloured silk banners

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