Holme Gallery
Available as Prints and Gift Items
Choose from 428 pictures in our Holme collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.

High Wycombe from the Marlow Road, c1802, (c1900). Creator: Unknown
Full Range of Prints and Gifts in Stock

I Make Myself Known to My Aunt. Etching from David Copperfield, c1840-1880, (1923). Artist: Hablot Knight Browne
Full Range of Prints and Gifts in Stock

Whitehall from Charing Cross, c1899, (c1900). Creator: Unknown
Full Range of Prints and Gifts in Stock

A kitchen arranged and equipped by Heal & Son, Ltd. of London, 1942
Full Range of Prints and Gifts in Stock

Views and crafts of Buckinghamshire, Womens Institute banner design, 1937, (1943)
Full Range of Prints and Gifts in Stock

Drusllwyn Castle, Caermarthenshire, (c1900). Creator: Unknown
Full Range of Prints and Gifts in Stock

Views and crafts of Buckinghamshire, Womens Institute banner design, 1937, (1943)
Views and crafts of Buckinghamshire, Women's Institute banner design, 1937, (1943). Page painted by a member of a Buckinghamshire Women's Institute, showing a lace-maker; a chair bodger'; wildlife; a Windsor wheel-back chair; Monk's Risborough; The Guildhall, High Wycombe; John Milton's cottage, Chalfont St Giles; beech trees; the Whiteleaf Cross at Prince's Risborough. From a book illuminated by members of Women's Institutes and presented to their Chairman, Lady Denman, June 1937'. The Women's Institute (WI) was formed in Britain 1915 to revitalise rural communities and encourage women to become more involved in producing food during the First World War. The organisation broadened its aims to provide women with educational opportunities, learn new skills, take part in a wide variety of activities and to campaign on social issues that matter to them and their communities. It is non-sectarian and non-party political, and is the largest voluntary women's organisation in the UK. Published in "Women's Institutes, by Cicely McCall. [Collins, London, 1943]
© The Print Collector/Heritage Images

Let Me Think of the Comfortable Family Dinners. 1862, (1923). Artist: Charles Edmund Brock
Full Range of Prints and Gifts in Stock

Tessa at Home. From George Eliots Romola, 1862-63, (1923). Artist: Frederic Leighton
Full Range of Prints and Gifts in Stock

Rosamond, Queen of the Lombards. c1850-1900, (1923). Artist: Frederick Augustus Sandys
Full Range of Prints and Gifts in Stock

Illustration for The Rubaiyat of Omar Khayyam, 1900. Artist: Edmund Joseph Sullivan
Full Range of Prints and Gifts in Stock

One of the Howling Derweeshes, Cairo, (c1900). Creator: Unknown
Full Range of Prints and Gifts in Stock

Let Me Think of the Comfortable Family Dinners. 1862, (1923). Artist: Charles Edmund Brock
Let Me Think of the Comfortable Family Dinners. 1862, (1923). Dreamthorp: a Book of Essays Written in the Country, had a running theme in an understanding that human finiteness contributes to our awareness of joy and beauty in the everyday. From Christmas, Alexander Smith's Essays, Dreamthorp. Pen and Wash Drawing, 1923. Alexander Smith (1830-1867) was a Scottish poet and essayist. From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme. [The Studio, Ltd. London, 1923]. (Colorised black and white print)
© The Print Collector

Arrival of the Hoy at Margate, 1808, (c1900). Creator: Unknown
Full Range of Prints and Gifts in Stock

R.P. Bonington'. Creator: Unknown
R.P. Bonington'. Portrait print of British artist Richard Parkes Bonington (1801-1828), after a painting made c1827-1830 by Margaret Carpenter, in the National Portrait Gallery in London. Bonington lived and worked in France, and made landscape paintings in watercolour, oils and lithography. From English water-colour with reproductions of drawings by eminent painters, edited by Charles Holme, published by The Studio Library, [c1900]
© The Print Collector / Heritage-Images