Hogarth Collection (page 8)

Frontispiece to the Terrae Filius, 1808, (1827). Creator: Thomas Cook
Frontispiece to the Terrae Filius, 1808, (1827). The terrae filius, (son of the soil), was a satirical orator who spoke at public ceremonies at the University of Oxford

Trade card of goldsmith Ellis Gamble, 1720s, (1827). Creator: Thomas Cook
Trade card of goldsmith Ellis Gamble, 1720s, (1827). Ellis Gamble: Goldsmith, at the Golden Angel in Cranbourn-Street, Leicester-Fields. Makes, Buys and Sells all sorts of Plate, Rings & Jewells etc

Daniel Lock, Esq. 1808, (1827). Creator: Thomas Cook
Daniel Lock, Esq. 1808, (1827). Portrait of British architect and artist Daniel Lock (1681-1754), Governor of the Foundling Hospital in London, and founder of the Lock Hospital

Hogarth, c1741, (1809). Creator: Thomas Cook
Hogarth, c1741, (1809). Portrait of English artist and satirical printmaker William Hogarth (1697-1764). Engraving after the terraccotta bust made c1741 by Louis Francois Roubiliac

The Lecture, 1808, (1827). Creator: Thomas Cook
The Lecture, 1808, (1827). A group of Oxford scholars listen to William Fisher, Registrar of the University. Engraving after Scholars at a lecture of 1736 by Hogarth

Paul Before Felix, 1807, (1827). Creator: Thomas Cook
Paul Before Felix, 1807, (1827). Biblical scene: Paul the Apostle stands trial before Marcus Antonius Felix, the Roman procurator of Judea

Sigismunda, 1808, (1827). Creator: Thomas Cook
Sigismunda, 1808, (1827). Engraved from the Etching made by Mr Basire, under the immediate direction of Mr Hogarth. After Sigismunda Mourning over the Heart of Guiscardo

The Works of William Hogarth, Vol II, 1827. Creator: Unknown
The Works of William Hogarth, 1827. Title page of " The Works of William Hogarth; Containing One Hundred and Fifty-eight Engravings, by Mr. Cooke and Mr

Christopher Columbus cracking the egg, 1753. Creator: William Hogarth
Christopher Columbus cracking the egg, 1753. Christopher Columbus demonstrates how an egg can be made to stand upright on a table

Marriage A La Mode - Death of the Earl, 1745, (1830s). Creator: TE Nicholson
Marriage A La Mode - Death of the Earl, 1745, (1830s). Silvertongue has escorted the countess to the Turks Head bagnio. Her husband the Earl follows

The Laughing Audience, 1733, (1830s). Creator: Unknown
The Laughing Audience, 1733, (1830s). Scene in a theatre: men and women flirting (above), and the audience reacts to the play (below). Metal spikes separate them from the orchestra pit. [Jones & Co

The Lecture, 1736, (1830s). Creator: Unknown
The Lecture, 1736, (1830s). A group of Oxford scholars listen to William Fisher, Registrar of the University. Facsimile of Scholars at a lecture. [Jones & Co. Finsbury Square, London]

Interior of a Weavers Workshop, 1747, (1925). Creator: William Hogarth
Interior of a Weavers Workshop, 1747, (1925). Plate 8 of 12 plot-linked engravings created by William Hogarth in 1747 for series Industry and Idleness. Plate 1 The Fellow Prentices at their Looms

On The Road To Tyburn, 1747, (1925). Creator: William Hogarth
On The Road To Tyburn, 1747, (1925). The Idle Prentice Executed at Tyburn Plate 11 from Industry and Idleness - 12 plot-linked engravings created by William Hogarth, 1747

Covent Garden at Mid-Day, 1738, (1925). Creator: William Hogarth
Covent Garden at Mid-Day, 1738, (1925). William Hogarths Noon (Four Times of The Day) sets the lives of the English working classes against the aristocracy

City Feast, 1747, (1925). Creator: William Hogarth
City Feast, 1747, (1925). Plate 8 of 12 plot-linked engravings created by William Hogarth in 1747 for series Industry and Idleness. The Industrious Prentice grown rich, & Sheriff of London

St. Jamess Street, 18th century, (1925). Creator: Unknown
St. Jamess Street, 18th century, (1925). Engraving after Plate 4 of William Hogarths A Rakes Progress of 1735, Arrested for Debt

The Committee, 1725, (early 19th century). Creator: T Cooke
The Committee, 1725, (early 19th century). Print after The Committee; The quacks of government who sate at Th unguarded helm of state

Hogarths House, (c1878). Creator: Unknown
Hogarths House, (c1878). House of the painter William Hogarth (1697-1764) in the village of Chiswick, (now part of greater London)

Southwark Fair. (After Hogarths Picture), (c1878). Creator: Unknown
Southwark Fair. (After Hogarths Picture), (c1878). After Southwark Fair, 1733, by William Hogarth. A rowdy crowd is enjoying the festivities in Borough High Street, near St George the Martyr, London

An Invitation Card by Hogarth, (1881). Creator: Unknown
An Invitation Card by Hogarth, (1881). Card with drawing of a plate, knife and fork by William Hogarth (1697-1764), inviting a friend to dinner

William Hogarths tomb, c1793. Creator: Unknown
William Hogarths tomb, c1793. Wm. Hogarths Tomb in Chiswick Churchyard Middx. The tomb of British painter William Hogarth (1697-1764) in St Nicholass churchyard, Chiswick, (west London)

Henry Fielding, (1919). Fielding (1707-1754) was an English novelist and dramatist. From an engraving after the pen-and-ink sketch by William Hogarth

The March of the Guards Towards Scotland, 1745, (1920). Artist: Luke Sullivan
The March of the Guards Towards Scotland, 1745, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Southwark Fair, 1733, (1920). Artist: William Hogarth
Southwark Fair, 1733, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

The Rakes Progress - The Levee, 1720-1735, (1920). Artist: William Hogarth
The Rakes Progress - The Level, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

The Idle Prentice Executed at Tyburn (From the Industry and Idleness Series), 1747, (1920)
The Idle Prentice Executed at Tyburn (From the Industry and Idleness Series), 1747, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd

Ticket for the London Hospital showing Christ and the disciples, c1825

Leicester Square, Westminster, London, c1805. Artist: Samuel Rawle
Leicester Square, Westminster, London, c1805. View showing No 30 Leicester Square, the home of William Hogarth from 1733 until his death in 1764

William Hogarths tomb in St Nicholas churchyard, Chiswick, Hounslow, London, c1820

Richs Glory or his Triumphant Entry into Covent-Garden, 1732. Scene of John Richs triumphant entry into Covent Garden with a procession of performers and props passing through the piazza

Plate IV of A Rakes Progress, 1735. Artist: William Hogarth
Plate IV of A Rakes Progress, 1735. The rake, Tom Rakewell, being arrested as he alights from his sedan chair. Forked lightning can be seen in the sky. On the left is a Bow Street officer

The Man of Taste, 1731. Burlington Gate, surmounted by a statue of William Kent brandishing a palette. Standing on a scaffold below, whitewashing the front, is Alexander Pope

An emblematic print on the South Sea, 1800. Artist: Thomas Cook
An emblematic print on the South Sea, 1800. Bottom: the Monument, which has been dedicated to the destruction of the City by the South Sea Bubble. Top left: figures in the corner of a theatre

Design for a shop-bill, 1799. Artist: M Merigot
Design for a shop-bill, 1799. The interior of an artists studio or work-shop. A youthful male figure is holding a painting showing a bearded figure

The battle of the pictures; a bidders ticket for Hogarths auction of 19 paintings, 1744. The building on the left is the auction house; the building on the right is Hogarths studio

The five orders of perriwigs 1761. Artist: William Hogarth
The five orders of perriwigs 1761. A satire linking the cult of Vitruvius (which deduces laws of composition and canons of beauty from the measurements of ancient columns and statues)

The March to Finchley, 1761. Artist
The March to Finchley, or A representation of the march of the guards towards Scotland in the year 1745, 1761. The Tottenham Court turnpike at the intersection with Euston Road

The Good Samaritan, 1772. Artist: Simon Francois Ravenet
The Good Samaritan, 1772. The Samaritan pours oil onto the mans wound. Behind the Samaritan a dog licks its wounds. In the distance are two of the men who did not stop to help

The Pool of Bethesda, 1772
Christ healing a man at the pool of Bethesda, who has not been able to walk for 38 years. On the left a group of ill people wait for their turn in the miraculous waters

The Jacobites journal, 1774. Artist: William Hogarth
The Jacobites journal, 1774. A monk pulling down or pointing to his eye pulls along an ass with London Evening Post coming out of his mouth. Two Scottish figures sit on the ass

The Grand Triumvirate or Champions of Liberty... 1763. Three portraits, from left to right: Wilkes, in frame with Cap of Liberty; the Earl of Bute, in frame with thistles, Hogarth in frame with dog

William Hogarth, 1762. Artist: Paul Sandby
William Hogarth, 1762. The scene satirises William Hogarth and his line of beauty. He is seen precariously balanced at the top of the structure with a variety of other figures beneath

The Reward of Cruelty, plate IV from The Four Stages of Cruelty, 1833. Artist
The Reward of Cruelty, plate IV from The Four Stages of Cruelty, 1833; showing Tom Nero, having been hanged for murder and undergoing dissection theatre

The idle prentice returned from sea... plate VII of Industry and Idleness 1833
The idle prentice returned from sea, and in a garret with a prostitute, plate VII of Industry and Idleness, 1833; the apprentice

Morning, plate I from Times of Day, 1738. Artist: William Hogarth
Morning, plate I from Times of Day, 1738. Scene in Covent Garden, London early on a winter morning. A small fire burns in the foreground. A stall-keeper is seated on a basket

Elephant Inn, Fenchurch Street, London, c1815. Artist: Vowles
View of the Elephant Inn, Fenchurch Street, London, c1815. For some years this was the residence of William Hogarth and was one of the few houses that escaped the Great Fire of London in 1666

The painters march from Finchly... 1753. Artist: Paul Sandby
The painters march from Finchly, dedicated to the King of ye Gypsies as an encourager of Art &c, 1753. Hogarth, accompanied by a woman who points to a pair of horns over his head, flees from a village

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