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Henry Collection (#29)

Background imageHenry Collection: Siege, c1260, (1843). Artist: Henry Shaw

Siege, c1260, (1843). Artist: Henry Shaw
Siege, c1260, (1843). Copy of a manuscript illustration showing assailants, under cover of a kind of shed which has been moved by wheels up to the walls, undermining the tower

Background imageHenry Collection: Siege machine, c1260, (1843). Artist: Henry Shaw

Siege machine, c1260, (1843). Artist: Henry Shaw
Siege machine, c1260, (1843). Copy of a manuscript illustration showing soldiers using a machine to hurl stones at the walls of an enemy stronghold

Background imageHenry Collection: Initial letter Q, 13th century, (1843). Artist: Henry Shaw

Initial letter Q, 13th century, (1843). Artist: Henry Shaw
Initial letter Q, 13th century, (1843). Illustration from Dresses and Decorations of the Middle Ages from the Seventh to the Seventeenth Centuries, by Henry Shaw, (London, 1843)

Background imageHenry Collection: Knights fighting, c1260, (1843). Artist: Henry Shaw

Knights fighting, c1260, (1843). Artist: Henry Shaw
Knights fighting, c1260, (1843). Illustration from Dresses and Decorations of the Middle Ages from the Seventh to the Seventeenth Centuries, by Henry Shaw, (London, 1843)

Background imageHenry Collection: Coach, mid-late 15th century. Artist: Henry Shaw

Coach, mid-late 15th century. Artist: Henry Shaw
Coach, mid-late 15th century. Copy of a woodcut showing a carriage which appears to be covered with figured silk, supported upon brass rods

Background imageHenry Collection: Initial letter L, (1843). Artist: Henry Shaw

Initial letter L, (1843). Artist: Henry Shaw
Initial letter L, (1843). Illustration from Dresses and Decorations of the Middle Ages from the Seventh to the Seventeenth Centuries, by Henry Shaw, (London, 1843)

Background imageHenry Collection: Daisy border, c1445, (1843). Artist: Henry Shaw

Daisy border, c1445, (1843). Artist: Henry Shaw
Daisy border, c1445, (1843). Design after a manuscript page in The Shrewsbury Book, a play on the name of Margaret of Anjou, (marguerite means daisy in French)

Background imageHenry Collection: Margaret, Queen of Henry VI, and her Court, mid-15th century, (1843). Artist: Henry Shaw

Margaret, Queen of Henry VI, and her Court, mid-15th century, (1843). Artist: Henry Shaw
Margaret, Queen of Henry VI, and her Court, mid-15th century, (1843). Margaret of Anjou and her ladies are praying. The woman behind the queen may be the Duchess of Buckingham

Background imageHenry Collection: King Henry VI presenting a sword to the Earl of Shrewsbury, c1445, (1843). Artist: Henry Shaw

King Henry VI presenting a sword to the Earl of Shrewsbury, c1445, (1843). Artist: Henry Shaw
King Henry VI presenting a sword to the Earl of Shrewsbury, c1445, (1843). Henry presents a sword to John Talbot, Earl of Shrewsbury

Background imageHenry Collection: Banner of the arms of England and France, quartered, c1445, (1843). Artist: Henry Shaw

Banner of the arms of England and France, quartered, c1445, (1843). Artist: Henry Shaw
Banner of the arms of England and France, quartered, c1445, (1843). Design after a manuscript page in The Shrewsbury Book

Background imageHenry Collection: The Earl of Shrewsbury presenting his book to Queen Margaret, c1445, (1843). Artist: Henry Shaw

The Earl of Shrewsbury presenting his book to Queen Margaret, c1445, (1843). Artist: Henry Shaw
John Talbot, Earl of Shrewsbury, presenting his book to Queen Margaret, c1445, (1843). John Talbot presents Margaret of Anjou with an illuminated book (The Shrewsbury Book)

Background imageHenry Collection: Initial letter D, c1445, (1843). Artist: Henry Shaw

Initial letter D, c1445, (1843). Artist: Henry Shaw
Initial letter D, c1445, (1843). Design after a manuscript page in The Shrewsbury Book. Illustration from Dresses and Decorations of the Middle Ages from the Seventh to the Seventeenth Centuries

Background imageHenry Collection: Design for a saltcellar, 1645, (1843). Artist: Henry Shaw

Design for a saltcellar, 1645, (1843). Artist: Henry Shaw
Design for a saltcellar, 1645, (1843). Copy of an engraving by Hollar after a drawing by Holbein. Illustration from Dresses

Background imageHenry Collection: Religious utensils, c1520, (1843). Artist: Henry Shaw

Religious utensils, c1520, (1843). Artist: Henry Shaw
Religious utensils, c1520, (1843). Copy of a detail from a picture by John Schoorel of the Death of the Virgin, showing some of the principal religious utensils in use at the beginning of

Background imageHenry Collection: Fountain, 1470-1483, (1843). Artist: Henry Shaw

Fountain, 1470-1483, (1843). Artist: Henry Shaw
Fountain, 1470-1483, (1843). Illustration from Dresses and Decorations of the Middle Ages from the Seventh to the Seventeenth Centuries, by Henry Shaw, (London, 1843)

Background imageHenry Collection: Initial letter D, second half of the fifteenth century, (1843). Artist: Henry Shaw

Initial letter D, second half of the fifteenth century, (1843). Artist: Henry Shaw
Initial letter D, second half of the fifteenth century, (1843). From a copy of the Offices of the Virgin. Illustration from Dresses

Background imageHenry Collection: Poverty, c1480, (1843). Artist: Henry Shaw

Poverty, c1480, (1843). Artist: Henry Shaw
Poverty, c1480, (1843). A 19th-century copy after a manuscript illustration in the Romance of the Rose. From Dresses and Decorations of the Middle Ages from the Seventh to the Seventeenth Centuries

Background imageHenry Collection: Old Age, c1480, (1843). Artist: Henry Shaw

Old Age, c1480, (1843). Artist: Henry Shaw
Old Age, c1480, (1843). A 19th-century copy after a manuscript illustration in the Romance of the Rose. From Dresses and Decorations of the Middle Ages from the Seventh to the Seventeenth Centuries

Background imageHenry Collection: Old Age and Poverty, c1480, (1843). Artist: Henry Shaw

Old Age and Poverty, c1480, (1843). Artist: Henry Shaw
Old Age and Poverty, c1480, (1843). A 19th-century copy after a manuscript illustration in the Romance of the Rose. From Dresses

Background imageHenry Collection: Sailing ship, 1445, (1843). Artist: Henry Shaw

Sailing ship, 1445, (1843). Artist: Henry Shaw
Sailing ship, 1445, (1843). Copy of one of the illuminations of the Shrewsbury Book, (1445). Illustration from Dresses and Decorations of the Middle Ages from the Seventh to the Seventeenth

Background imageHenry Collection: Initial letter C, 1474, (1843). Artist: Henry Shaw

Initial letter C, 1474, (1843). Artist: Henry Shaw
Initial letter C, 1474, (1843). Copy of a woodcut from Biblia Moralis by Peter Berchorius, (Ulm, 1474). Illustration from Dresses

Background imageHenry Collection: Philip, Duke of Burgundy, c1460, (1843). Artist: Henry Shaw

Philip, Duke of Burgundy, c1460, (1843). Artist: Henry Shaw
Philip, Duke of Burgundy, c1460, (1843). Portrait of Philip the Good, Duke of Burgundy (1396-1467) as a patron of the Order of the Golden Fleece, with his coat of arms

Background imageHenry Collection: Dugald Stewart, Scottish philosopher, (1870). Artist:s Freeman

Dugald Stewart, Scottish philosopher, (1870). Artist:s Freeman
Dugald Stewart, Scottish philosopher, (1870). An engraving of Stewart (1753-1828) from Robert Chambers A Biographical Dictionary of Eminent Scotsmen, Blackie and Son, (Glasgow, Edinburgh, and London)

Background imageHenry Collection: Melon Islands, and Irrigating Wheel, China, c1840. Artist: Henry Adlard

Melon Islands, and Irrigating Wheel, China, c1840. Artist: Henry Adlard
Melon Islands, and Irrigating Wheel, China, c1840

Background imageHenry Collection: Sir Henry Vane, governor of Massachusetts, 1872

Sir Henry Vane, governor of Massachusetts, 1872
Sir Henry Vane, governor of Massachusetts Bay, 1872. Vane (1613-1662) was governor of Massachusetts in 1636. Engraving from John Gilmary Sheas A Childs History of the United States

Background imageHenry Collection: Last Effort and Fall of Tippoo Sultan (1799), mid-19th century. Artist: Walker

Last Effort and Fall of Tippoo Sultan (1799), mid-19th century. Artist: Walker
Last Effort and Fall of Tippoo Sultan (1799), mid-19th century. The death of Tippoo Sahib (1753-1799), Sultan of Mysore at his stronghold, Seringapatam

Background imageHenry Collection: Reverend Henry Glynne, British clergyman, late 19th century

Reverend Henry Glynne, British clergyman, late 19th century. Glynne (1810-1872) was a rector in Hawarden, Flintshire, Wales

Background imageHenry Collection: Wesleyan Institute, Richmond, 19th century. Artist: Henry Adlard

Wesleyan Institute, Richmond, 19th century. Artist: Henry Adlard
Wesleyan Institute, Richmond, 19th century

Background imageHenry Collection: Henry Clay, leading American statesman and orator, (early 20th century). Artist: Gordon Ross

Henry Clay, leading American statesman and orator, (early 20th century). Artist: Gordon Ross
Henry Clay, leading American statesman and orator, (early 20th century). Clay (1777-1852) was secretary of state under John Quincy Adams

Background imageHenry Collection: Sir Henry Halford, British physician, 19th century. Artist: J Cochran

Sir Henry Halford, British physician, 19th century. Artist: J Cochran
Sir Henry Halford, British physician, 19th century. Halford (1766-1844) attended King George III in his final illness from 1810 until Georges death in 1820

Background imageHenry Collection: Sir Henry Havelock, British general, 19th century

Sir Henry Havelock, British general, 19th century. Major-General Henry Havelock (1795-1857) took part in both reliefs of Lucknow (September and November 1857) during the Indian Mutiny

Background imageHenry Collection: John Milton, English poet, (1815). Artist: Henry Cooke

John Milton, English poet, (1815). Artist: Henry Cooke
John Milton, English poet, (1815). Milton (1608-1674), author of Paradise Lost, became totally blind in about 1652

Background imageHenry Collection: Cardinal Beaufort, 1860. Artist: J White

Cardinal Beaufort, 1860. Artist: J White
Cardinal Beaufort, 1860. A 19th-century engraving after the painting Joan of Arc before Cardinal Beaufort. Joan, in chains, is interrogated by Henry Beaufort, Cardinal of Winchester in Rouen Prison

Background imageHenry Collection: City of Mexico, 1883. Artist: Henry Adlard

City of Mexico, 1883. Artist: Henry Adlard
City of Mexico, 1883. View of Mexicos capital city

Background imageHenry Collection: The Nightmare, c1790. Artist: Henry Fuseli

The Nightmare, c1790. Artist: Henry Fuseli
The Nightmare, c1790. The feeling of suffocating anxiety experienced in a nightmare is represented by the demon, sitting on the dreamers chest with implied sexual menace

Background imageHenry Collection: The Shepherds Dream, from Paradise Lost, 1793. Artist: Henry Fuseli

The Shepherds Dream, from Paradise Lost, 1793. Artist: Henry Fuseli
The Shepherds Dream, from Paradise Lost, 1793. Found in the collection of the Tate, London



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