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Handwritten Collection

Background imageHandwritten Collection: The miraculous catch, miniature in the Sacred Bible, volume IV

The miraculous catch, miniature in the Sacred Bible, volume IV. New Testament. Manuscript on parchment made??, probably, in Sant Sadurni on the Roine (France) and completed in 1268

Background imageHandwritten Collection: Letter by Arabella Stuart to the Countess of Shrewsbury, late 16th - early 17th century (1865)

Letter by Arabella Stuart to the Countess of Shrewsbury, late 16th - early 17th century (1865)
Letter by Arabella Stuart to her aunt, the Countess of Shrewsbury, late 16th - early 17th century (1865). A direct descendant of Henry VII, Arabella Stuart, Duchess of Somerset

Background imageHandwritten Collection: Letter by Oliver Cromwell to General Fairfax, 1646 (1865). Artist: Frederick George Netherclift

Letter by Oliver Cromwell to General Fairfax, 1646 (1865). Artist: Frederick George Netherclift
Letter by Oliver Cromwell to General Fairfax, 1646 (1865). Cromwell and Thomas Fairfax were the two senior generals on the Parliamentarian side in the English Civil War

Background imageHandwritten Collection: The Genre Painting (image 9 of 28), 1710. Creator: Unknown

The Genre Painting (image 9 of 28), 1710. Creator: Unknown
The Genre Painting (image 9 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 8 of 28), 1710. Creator: Unknown

The Genre Painting (image 8 of 28), 1710. Creator: Unknown
The Genre Painting (image 8 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 7 of 28), 1710. Creator: Unknown

The Genre Painting (image 7 of 28), 1710. Creator: Unknown
The Genre Painting (image 7 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 4 of 28), 1710. Creator: Unknown

The Genre Painting (image 4 of 28), 1710. Creator: Unknown
The Genre Painting (image 4 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 3 of 28), 1710. Creator: Unknown

The Genre Painting (image 3 of 28), 1710. Creator: Unknown
The Genre Painting (image 3 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 26 of 28), 1710. Creator: Unknown

The Genre Painting (image 26 of 28), 1710. Creator: Unknown
The Genre Painting (image 26 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 25 of 28), 1710. Creator: Unknown

The Genre Painting (image 25 of 28), 1710. Creator: Unknown
The Genre Painting (image 25 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 24 of 28), 1710. Creator: Unknown

The Genre Painting (image 24 of 28), 1710. Creator: Unknown
The Genre Painting (image 24 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 23 of 28), 1710. Creator: Unknown

The Genre Painting (image 23 of 28), 1710. Creator: Unknown
The Genre Painting (image 23 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 21 of 28), 1710. Creator: Unknown

The Genre Painting (image 21 of 28), 1710. Creator: Unknown
The Genre Painting (image 21 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 11 of 28), 1710. Creator: Unknown

The Genre Painting (image 11 of 28), 1710. Creator: Unknown
The Genre Painting (image 11 of 28), 1710

Background imageHandwritten Collection: Air balloon and list of subscribers, 1700-1800. Creator: Anon

Air balloon and list of subscribers, 1700-1800. Creator: Anon
Air balloon and list of subscribers, 1700-1800

Background imageHandwritten Collection: Prince Eugene, 1773. Creator: Antoine de Marcenay Ghuy

Prince Eugene, 1773. Creator: Antoine de Marcenay Ghuy
Prince Eugene, 1773

Background imageHandwritten Collection: A Poem without Words, 1886. Creator: Henry Mosler

A Poem without Words, 1886. Creator: Henry Mosler
A Poem without Words, 1886

Background imageHandwritten Collection: Birth and Baptism Certificate, 1814. Creator: Heinrich Ebner

Birth and Baptism Certificate, 1814. Creator: Heinrich Ebner
Birth and Baptism Certificate, 1814

Background imageHandwritten Collection: Northwestern Arkansas, 1938. Creator: Dorothea Lange

Northwestern Arkansas, 1938. Creator: Dorothea Lange
Northwestern Arkansas. [Written on side of car: Horse Traininig & Braking [sic] by Whipple & Son']

Background imageHandwritten Collection: Facsimile page of MS for Indian Summer of a Forsyte, by John Galsworthy, 1918, (1928)

Facsimile page of MS for Indian Summer of a Forsyte, by John Galsworthy, 1918, (1928)
Facsimile page of MS for " Indian Summer of a Forsyte", by John Galsworthy, 1918, (1928). Handwritten manuscript, last page of " Indian Summer of a Forsyte", by John Galsworthy

Background imageHandwritten Collection: Facsimile page of MS for The Country House, by John Galsworthy, 1907, (1928)

Facsimile page of MS for The Country House, by John Galsworthy, 1907, (1928)
Facsimile page of MS for " The Country House", by John Galsworthy, 1907, (1928). Handwritten manuscript, Chapter VII of " The Country House", by John Galsworthy, [1907]

Background imageHandwritten Collection: The Fitzwilliam copy of the Olive Branch Petition, 1775

The Fitzwilliam copy of the Olive Branch Petition, 1775. The Olive Branch Petition was adopted by the Second Continental Congress on July 5, 1775

Background imageHandwritten Collection: Christopher Columbus autograph letter written to his son Diego on 5th February 1505

Christopher Columbus autograph letter written to his son Diego on 5th February 1505, it was given by Vespucci to the son of Columbus

Background imageHandwritten Collection: Wilbur Wright, American aviation pioneer, 1908 (1956)

Wilbur Wright, American aviation pioneer, 1908 (1956). Wright, together with his brother Orville, was an American co-inventor of aircraft

Background imageHandwritten Collection: Facsimile of a corrected proof by Johnson of his Lives of the Poets, from the original

Facsimile of a corrected proof by Johnson of his Lives of the Poets, from the original in the Forster Collection, Victoria and Albert Museum, South Kensington, 1907

Background imageHandwritten Collection: Autograph letter of Amerigo Vespucci written in Cape Verde on 4th June 1501 about

Autograph letter of Amerigo Vespucci written in Cape Verde on 4th June 1501 about the incidences of the travel

Background imageHandwritten Collection: Autograph letter of Amerigo Vespucci written on 30th December 1492 in Seville to

Autograph letter of Amerigo Vespucci written on 30th December 1492 in Seville to the Ducal Commissioner of Genoa

Background imageHandwritten Collection: Crucifixion. Miniature in the Missale parvum, manuscript on parchment, c. 1075 - 1100

Crucifixion. Miniature in the Missale parvum, manuscript on parchment, c. 1075 - 1100

Background imageHandwritten Collection: The Tree of Jesse, Miniature in the Biblia Sacra, volume IV, manuscript on parchment made

The Tree of Jesse, Miniature in the Biblia Sacra, volume IV, manuscript on parchment made, probably in Sant Sadurni on Roine (France) and completed in 1268

Background imageHandwritten Collection: The Calvary, miniature in the Sacred Bible, volume IV

The Calvary, miniature in the Sacred Bible, volume IV. New Testament, manuscript on parchment made??, probably, in Sant Sadurni on the Roine (France) and completed in 1268

Background imageHandwritten Collection: Sacramentary of Vic, manuscript on parchment dated August 31, 1038 and made, following

Sacramentary of Vic, manuscript on parchment dated August 31, 1038 and made, following a handwritten note at page 100, on the occasion of the consecration of the Romanesque cathedral of Vic

Background imageHandwritten Collection: De Civitate Dei Libri XXII (City of God), handwritten copy made probably in Avignon (France)

De Civitate Dei Libri XXII (City of God), handwritten copy made probably in Avignon (France), 13th-14th centuries, in the Cathedral of Vic (Osona) since March 1442

Background imageHandwritten Collection: Drop cap C illuminated with two birds and lush floral decoration, manuscript

Drop cap C illuminated with two birds and lush floral decoration, manuscript on parchment made?? probably in the scriptorium of the Cathedral of Tortosa, c.1170 - 1190

Background imageHandwritten Collection: Drop cap C illuminated with a quadruped and floral motifs in the Sacramentary

Drop cap C illuminated with a quadruped and floral motifs in the Sacramentary of San Juan de las Abadesas manuscript on parchment made?? probably in the scriptorium of Tortosa, c 1170 - 1190

Background imageHandwritten Collection: Calendar decorated with motifs of birds and humans heads in different colors, miniature

Calendar decorated with motifs of birds and humans heads in different colors, miniature in the Sacramentary of San Juan de las Abadesas, manuscript on parchment made?

Background imageHandwritten Collection: Drop cap C illuminated with floral motives in the Sacramentary of San Juan de las Abadesas

Drop cap C illuminated with floral motives in the Sacramentary of San Juan de las Abadesas, manuscript on parchment made probably in the scriptorium of the Cathedral of Tortosa, c.1170 - 1190

Background imageHandwritten Collection: Investiture of a gentleman. Delivery of the sword

Investiture of a gentleman. Delivery of the sword. Page of the 14th century manuscript Order of the Holy Spirit

Background imageHandwritten Collection: Drop cap D illuminated with heads of birds and vegetables interlacing in the Sacramentary

Drop cap D illuminated with heads of birds and vegetables interlacing in the Sacramentary of San Juan de las Abadesas, manuscript on parchment made?

Background imageHandwritten Collection: Sacramentary of San Juan de les Abadesas, manuscript on parchment made probably in

Sacramentary of San Juan de les Abadesas, manuscript on parchment made probably in the scriptorium of Tortosa Cathedral, c.1170-1190

Background imageHandwritten Collection: Pontifical from Vic, manuscript on parchment made in the scriptorium of the Cathedral of Vic

Pontifical from Vic, manuscript on parchment made in the scriptorium of the Cathedral of Vic, first half of the 12th century

Background imageHandwritten Collection: Third and fourth pages from Franz Schuberts diary, 1816 Artist: Franz Peter Schubert

Third and fourth pages from Franz Schuberts diary, 1816 Artist: Franz Peter Schubert
Third and fourth pages from Franz Schuberts diary, 1816

Background imageHandwritten Collection: Letter from Franz Schubert to the Austrian Musical Union, c1820. Artist: Franz Peter Schubert

Letter from Franz Schubert to the Austrian Musical Union, c1820. Artist: Franz Peter Schubert
Letter from Franz Schubert forwarding the score of his Symphony in C Sharp to the Austrian Musical Union, c1820

Background imageHandwritten Collection: Agreement by Oliver Goldsmith to write for James Dodsley, 31st March 1763. 1899

Agreement by Oliver Goldsmith to write for James Dodsley, 31st March 1763. 1899. Artist: Oliver Goldsmith
Agreement by Oliver Goldsmith to write for the bookseller James Dodsley, 31 March 1763 (1899). From Facsimiles of Royal, Historical

Background imageHandwritten Collection: Letter from Oliver Cromwell, 17th Century (1899). Artist: Oliver Cromwell

Letter from Oliver Cromwell, 17th Century (1899). Artist: Oliver Cromwell
Letter from Oliver Cromwell, 17th Century (1899). From Facsimiles of Royal, Historical, Literary and other Autographs in the Department of Manuscripts of the British Museum. Series I-V. by George F

Background imageHandwritten Collection: A letter from Henry Fuseli, 29 September 1823 (1904). Artist: Henry Fuseli

A letter from Henry Fuseli, 29 September 1823 (1904). Artist: Henry Fuseli
A letter from Henry Fuseli, 29 September 1823 (1904). Henry Fuseli (1741-1825), Swiss painter and draughtsman. From The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageHandwritten Collection: A letter from Philip James de Loutherbourg, 19 July 1808 (1904)

A letter from Philip James de Loutherbourg, 19 July 1808 (1904). Artist: Philip James de Loutherbourg
A letter from Philip James de Loutherbourg, 19 July 1808 (1904). Philip James de Loutherbourg (1740-1812), Franco-British painter and theatre set designer

Background imageHandwritten Collection: A letter from Paul Sandby, 1795 (1904). Artist: Paul Sandby

A letter from Paul Sandby, 1795 (1904). Artist: Paul Sandby
A letter from Paul Sandby, 1795 (1904). Paul Sandby (1731-1809), English landscape painter. From The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageHandwritten Collection: A letter from Sir Thomas Lawrence, 1819 (1904). Artist: Thomas Lawrence

A letter from Sir Thomas Lawrence, 1819 (1904). Artist: Thomas Lawrence
A letter from Sir Thomas Lawrence, 1819 (1904). Sir Thomas Lawrence (1769-1830) was elected President of the Royal Academy on 30 March 1820 following the death of Benjamin West

Background imageHandwritten Collection: Letter to Benjamin West, President of the Royal Academy, 1803 (1904)

Letter to Benjamin West, President of the Royal Academy, 1803 (1904). A letter from Paul Sandby (1731-1809), Richard Cosway (1742-1821), John Francis Rigaud (1742-1810)

Background imageHandwritten Collection: John Keats, English poet, and his Ode to a Nightingale, 1819 (1958)

John Keats, English poet, and his Ode to a Nightingale, 1819 (1958). The illustration shows the first five stanzas of the Ode, the rest of which is written upon the other side

Background imageHandwritten Collection: Title deed for properties surrounding the Guildhall, City of London, c1182-1201 (1886)

Title deed for properties surrounding the Guildhall, City of London, c1182-1201 (1886). A print from Guildhall of the City of London: Its History and Associations, Corporation of the City of London

Background imageHandwritten Collection: The first pivoted needle compass, c1269 (1956)

The first pivoted needle compass, c1269 (1956). From Epistola de Magnete the first treatise on magnets, written by French scholar Pierre de Maricourt (Petrus Peregrinus)

Background imageHandwritten Collection: Papyrus letter from a schoolboy to his father, c200 AD (1956)

Papyrus letter from a schoolboy to his father, c200 AD (1956). A print from Things, a volume about the origin and early history of many things, common and less common, essential and inessential

Background imageHandwritten Collection: Facsimile of a letter from Benjamin Franklin to his wife, 1773 (c1880)

Facsimile of a letter from Benjamin Franklin to his wife, 1773 (c1880). A print from Cassells History of the United States, by Edmund Ollier, Volume II, Cassell Petter and Galpin, London, c1880

Background imageHandwritten Collection: Facsimile of a declaration about the scarcity of food in America, 1779 (c1880)

Facsimile of a declaration about the scarcity of food in America, 1779 (c1880). Documentary evidence of food shortages during the American Revolutionary War, then entering its fifth year

Background imageHandwritten Collection: Facsimile of a letter from Benjamin Franklin to Mr Strahan, 1775 (c1880)

Facsimile of a letter from Benjamin Franklin to Mr Strahan, 1775 (c1880). Franklins letter to Strahan, a member of the British Parliament

Background imageHandwritten Collection: A letter from the Dutch East India Company to Willem Adriaan van der Stel, 18th century (1931)

A letter from the Dutch East India Company to Willem Adriaan van der Stel, 18th century (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge

Background imageHandwritten Collection: A page from the journal of John Newton, 1750-1754 (1965)

A page from the journal of John Newton, 1750-1754 (1965). John Newton (1725-1807) was a slave trader from 1750-1754, but he later became a priest and abolitionist

Background imageHandwritten Collection: Facsimile of the inscription in a copy of The Pickwick Papers, 1839 (1912)

Facsimile of the inscription in a copy of The Pickwick Papers, 1839 (1912). Facsimile of the inscription in a copy of Charles Dickens first novel

Background imageHandwritten Collection: A letter from Charles Barry, c1840 (1904). Artist: Sir Charles Barry

A letter from Charles Barry, c1840 (1904). Artist: Sir Charles Barry
A letter from Charles Barry, c1840 (1904). Sir Charles Barry (1795-1860) was an English architect best known for his work in the rebuilding of the Palace of Westminster

Background imageHandwritten Collection: A letter from Francis Leggatt Chantrey, 1839 (1904). Artist: Francis Legatt Chantrey

A letter from Francis Leggatt Chantrey, 1839 (1904). Artist: Francis Legatt Chantrey
A letter from Francis Leggatt Chantrey, 1839 (1904). Francis Leggatt Chantrey(1781-1841), English sculptor. From The The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageHandwritten Collection: A letter from John Flaxman, 24 December 1819 (1904). Artist: John Flaxman

A letter from John Flaxman, 24 December 1819 (1904). Artist: John Flaxman
A letter from John Flaxman, 24 December 1819 (1904). John Flaxman (1755-1826), British sculptor and draughtsman. From The The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageHandwritten Collection: A letter from Charles Lock Eastlake, 1847 (1904). Artist: Charles Lock Eastlake

A letter from Charles Lock Eastlake, 1847 (1904). Artist: Charles Lock Eastlake
A letter from Charles Lock Eastlake, 1847 (1904). Charles Lock Eastlake (1793-1865), English painter and President of the Royal Academy

Background imageHandwritten Collection: A letter from Martin Archer Shee, 1839 (1904). Artist: Sir Martin Archer Shee

A letter from Martin Archer Shee, 1839 (1904). Artist: Sir Martin Archer Shee
A letter from Martin Archer Shee, 1839 (1904). Martin Archer Shee(1769-1850), British portrait painter and President of the Royal Academy

Background imageHandwritten Collection: A letter from James Ward, 1851 (1904). Artist: James Ward

A letter from James Ward, 1851 (1904). Artist: James Ward
A letter from James Ward, 1851 (1904). James Ward (1769-1859), English painter. From The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageHandwritten Collection: A letter from Augustus Wall Callcott, 7 May 1838 (1904). Artist: Augustus Wall Callcott

A letter from Augustus Wall Callcott, 7 May 1838 (1904). Artist: Augustus Wall Callcott
A letter from Augustus Wall Callcott, 7 May 1838 (1904). Augustus Wall Callcott (1779-1844), English landscape painter. From The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageHandwritten Collection: Letter from JMW Turner, c1840 (1904). Artist: JMW Turner

Letter from JMW Turner, c1840 (1904). Artist: JMW Turner
Letter from JMW Turner, c1840 (1904). Joseph Mallord William Turner (1775-1851) English landscape painter. From The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageHandwritten Collection: A letter from William Etty, 17 January 1844 (1904). Artist: William Etty

A letter from William Etty, 17 January 1844 (1904). Artist: William Etty
A letter from William Etty, 17 January 1844 (1904). William Etty (1787-1849), English painter. From The Royal Academy From Reynolds to Millais Edited by Charles Holme [Offices of The Studio, London

Background imageHandwritten Collection: Document confirming the abdication of Kaiser Wilhel II of Germany, 9 November 1918 (1935)

Document confirming the abdication of Kaiser Wilhel II of Germany, 9 November 1918 (1935). From The Royal Jubilee Book 1910-1935 [Associated Newspapers Ltd. London, 1935]

Background imageHandwritten Collection: The final page of Captain Scott`s diary, 1912 (1935). Artist: Robert Falcon Scott

The final page of Captain Scott`s diary, 1912 (1935). Artist: Robert Falcon Scott
The final page of Captain Scott`s diary, 1912 (1935). From The Royal Jubilee Book 1910-1935 [Associated Newspapers Ltd. London, 1935]

Background imageHandwritten Collection: Football match poster, Hammerfest, northern Norway, 1929

Football match poster, Hammerfest, northern Norway, 1929. A poster advertising a match between teams from two ships, the Blue Star Lines cruise ship Arandora Star and the Spark

Background imageHandwritten Collection: Pages from the cartulary of Osney Abbey, c1275 (1886)

Pages from the cartulary of Osney Abbey, c1275 (1886). Osney Abbey was an Augustinian monastery founded Osney, Oxfordshire, in 1129

Background imageHandwritten Collection: Measurements of the lands of St Pauls within the City of London, (1886)

Measurements of the lands of St Pauls within the City of London, (1886). A print from Guildhall of the City of London: Its History and Associations, Corporation of the City of London, 1886

Background imageHandwritten Collection: Letter by William III King of England, 1695 (1865). Artist: Frederick George Netherclift

Letter by William III King of England, 1695 (1865). Artist: Frederick George Netherclift
Letter by William III King of England, 1695 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c, Executed in Facsimile

Background imageHandwritten Collection: Letter by Arthur Wellesley, Duke of Wellington, to Field Marshal Lord Beresford, 1815 (1865)

Letter by Arthur Wellesley, Duke of Wellington, to Field Marshal Lord Beresford, 1815 (1865). Wellington and Beresford fought together in the Peninsular War

Background imageHandwritten Collection: Letter by James Francis Edward Stuart (the Old Pretender ) to the Duc de Vendome, 1710 (1865)

Letter by James Francis Edward Stuart (the Old Pretender ) to the Duc de Vendome, 1710 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c

Background imageHandwritten Collection: Letter by Cardinal Richelieu, to Monsieur de la Motte, 17th century (1865)

Letter by Cardinal Richelieu, to Monsieur de la Motte, 17th century (1865). Artist: Frederick George Netherclift
Letter by Cardinal Richelieu to Monsieur de la Motte, 17th century (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c, Executed in Facsimile

Background imageHandwritten Collection: Letter by William Pitt to the Duke of Portland, 1796 (1865). Artist: Frederick George Netherclift

Letter by William Pitt to the Duke of Portland, 1796 (1865). Artist: Frederick George Netherclift
Letter by William Pitt to the Duke of Portland, 1796 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c, Executed in Facsimile

Background imageHandwritten Collection: Letter by Samuel Pepys to John Jackson, Esq, 1700 (1865). Artist: Frederick George Netherclift

Letter by Samuel Pepys to John Jackson, Esq, 1700 (1865). Artist: Frederick George Netherclift
Letter by Samuel Pepys to John Jackson, Esq, 1700 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c, Executed in Facsimile

Background imageHandwritten Collection: Letter by Paul I, Emperor of Russia, to General Numsen, 1799 (1865)

Letter by Paul I, Emperor of Russia, to General Numsen, 1799 (1865). Artist: Frederick George Netherclift
Letter from Paul I, Emperor of Russia, to General Numsen 1799 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c, Executed in Facsimile

Background imageHandwritten Collection: Letter by Titus Oates to the Duke of Bolton, 1694 (1865). Artist: Frederick George Netherclift

Letter by Titus Oates to the Duke of Bolton, 1694 (1865). Artist: Frederick George Netherclift
Letter by Titus Oates to the Duke of Bolton, 1694 (1865). Oates was a perjurer who fabricated a Catholic plot to assassinate King Charles II

Background imageHandwritten Collection: Letter by Admiral Lord Nelson to Lady Hamilton, 1805 (1865). Artist: Frederick George Netherclift

Letter by Admiral Lord Nelson to Lady Hamilton, 1805 (1865). Artist: Frederick George Netherclift
Letter by Admiral Lord Nelson to Lady Hamilton, 1805 (1865). The last part of the letter is in the hand writing of Lady Hamilton: Oh miserable and wretched Emma, oh glorious and happy Nelson

Background imageHandwritten Collection: Letter by Marie de Medici to the Duke of Savoy, late 16th - early 17th century (1865)

Letter by Marie de Medici to the Duke of Savoy, late 16th - early 17th century (1865). Marie de Medici was the daughter of Francesco I de Medici, Grand Duke of Tuscany

Background imageHandwritten Collection: Letter by Wolfgang Amadeus Mozart, 1791 (1865). Artist: Frederick George Netherclift

Letter by Wolfgang Amadeus Mozart, 1791 (1865). Artist: Frederick George Netherclift
Letter by Wolfgang Amadeus Mozart, 1791 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c, Executed in Facsimile



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