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Handwritten Collection

Background imageHandwritten Collection: Letter by Arabella Stuart to the Countess of Shrewsbury, late 16th - early 17th century (1865)

Letter by Arabella Stuart to the Countess of Shrewsbury, late 16th - early 17th century (1865)
Letter by Arabella Stuart to her aunt, the Countess of Shrewsbury, late 16th - early 17th century (1865). A direct descendant of Henry VII, Arabella Stuart, Duchess of Somerset

Background imageHandwritten Collection: The miraculous catch, miniature in the Sacred Bible, volume IV

The miraculous catch, miniature in the Sacred Bible, volume IV. New Testament. Manuscript on parchment made??, probably, in Sant Sadurni on the Roine (France) and completed in 1268

Background imageHandwritten Collection: Letter by Oliver Cromwell to General Fairfax, 1646 (1865). Artist: Frederick George Netherclift

Letter by Oliver Cromwell to General Fairfax, 1646 (1865). Artist: Frederick George Netherclift
Letter by Oliver Cromwell to General Fairfax, 1646 (1865). Cromwell and Thomas Fairfax were the two senior generals on the Parliamentarian side in the English Civil War

Background imageHandwritten Collection: The Genre Painting (image 9 of 28), 1710. Creator: Unknown

The Genre Painting (image 9 of 28), 1710. Creator: Unknown
The Genre Painting (image 9 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 8 of 28), 1710. Creator: Unknown

The Genre Painting (image 8 of 28), 1710. Creator: Unknown
The Genre Painting (image 8 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 7 of 28), 1710. Creator: Unknown

The Genre Painting (image 7 of 28), 1710. Creator: Unknown
The Genre Painting (image 7 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 4 of 28), 1710. Creator: Unknown

The Genre Painting (image 4 of 28), 1710. Creator: Unknown
The Genre Painting (image 4 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 3 of 28), 1710. Creator: Unknown

The Genre Painting (image 3 of 28), 1710. Creator: Unknown
The Genre Painting (image 3 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 26 of 28), 1710. Creator: Unknown

The Genre Painting (image 26 of 28), 1710. Creator: Unknown
The Genre Painting (image 26 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 25 of 28), 1710. Creator: Unknown

The Genre Painting (image 25 of 28), 1710. Creator: Unknown
The Genre Painting (image 25 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 24 of 28), 1710. Creator: Unknown

The Genre Painting (image 24 of 28), 1710. Creator: Unknown
The Genre Painting (image 24 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 23 of 28), 1710. Creator: Unknown

The Genre Painting (image 23 of 28), 1710. Creator: Unknown
The Genre Painting (image 23 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 21 of 28), 1710. Creator: Unknown

The Genre Painting (image 21 of 28), 1710. Creator: Unknown
The Genre Painting (image 21 of 28), 1710

Background imageHandwritten Collection: The Genre Painting (image 11 of 28), 1710. Creator: Unknown

The Genre Painting (image 11 of 28), 1710. Creator: Unknown
The Genre Painting (image 11 of 28), 1710

Background imageHandwritten Collection: Air balloon and list of subscribers, 1700-1800. Creator: Anon

Air balloon and list of subscribers, 1700-1800. Creator: Anon
Air balloon and list of subscribers, 1700-1800

Background imageHandwritten Collection: Prince Eugene, 1773. Creator: Antoine de Marcenay Ghuy

Prince Eugene, 1773. Creator: Antoine de Marcenay Ghuy
Prince Eugene, 1773

Background imageHandwritten Collection: A Poem without Words, 1886. Creator: Henry Mosler

A Poem without Words, 1886. Creator: Henry Mosler
A Poem without Words, 1886

Background imageHandwritten Collection: Birth and Baptism Certificate, 1814. Creator: Heinrich Ebner

Birth and Baptism Certificate, 1814. Creator: Heinrich Ebner
Birth and Baptism Certificate, 1814

Background imageHandwritten Collection: Northwestern Arkansas, 1938. Creator: Dorothea Lange

Northwestern Arkansas, 1938. Creator: Dorothea Lange
Northwestern Arkansas. [Written on side of car: Horse Traininig & Braking [sic] by Whipple & Son']

Background imageHandwritten Collection: The Fitzwilliam copy of the Olive Branch Petition, 1775

The Fitzwilliam copy of the Olive Branch Petition, 1775. The Olive Branch Petition was adopted by the Second Continental Congress on July 5, 1775

Background imageHandwritten Collection: Christopher Columbus autograph letter written to his son Diego on 5th February 1505

Christopher Columbus autograph letter written to his son Diego on 5th February 1505, it was given by Vespucci to the son of Columbus

Background imageHandwritten Collection: Facsimile page of MS for Indian Summer of a Forsyte, by John Galsworthy, 1918, (1928)

Facsimile page of MS for Indian Summer of a Forsyte, by John Galsworthy, 1918, (1928)
Facsimile page of MS for " Indian Summer of a Forsyte", by John Galsworthy, 1918, (1928). Handwritten manuscript, last page of " Indian Summer of a Forsyte", by John Galsworthy

Background imageHandwritten Collection: Facsimile page of MS for The Country House, by John Galsworthy, 1907, (1928)

Facsimile page of MS for The Country House, by John Galsworthy, 1907, (1928)
Facsimile page of MS for " The Country House", by John Galsworthy, 1907, (1928). Handwritten manuscript, Chapter VII of " The Country House", by John Galsworthy, [1907]

Background imageHandwritten Collection: Facsimile of a corrected proof by Johnson of his Lives of the Poets, from the original

Facsimile of a corrected proof by Johnson of his Lives of the Poets, from the original in the Forster Collection, Victoria and Albert Museum, South Kensington, 1907

Background imageHandwritten Collection: Autograph letter of Amerigo Vespucci written in Cape Verde on 4th June 1501 about

Autograph letter of Amerigo Vespucci written in Cape Verde on 4th June 1501 about the incidences of the travel

Background imageHandwritten Collection: Autograph letter of Amerigo Vespucci written on 30th December 1492 in Seville to

Autograph letter of Amerigo Vespucci written on 30th December 1492 in Seville to the Ducal Commissioner of Genoa

Background imageHandwritten Collection: Crucifixion. Miniature in the Missale parvum, manuscript on parchment, c. 1075 - 1100

Crucifixion. Miniature in the Missale parvum, manuscript on parchment, c. 1075 - 1100

Background imageHandwritten Collection: The Tree of Jesse, Miniature in the Biblia Sacra, volume IV, manuscript on parchment made

The Tree of Jesse, Miniature in the Biblia Sacra, volume IV, manuscript on parchment made, probably in Sant Sadurni on Roine (France) and completed in 1268

Background imageHandwritten Collection: The Calvary, miniature in the Sacred Bible, volume IV

The Calvary, miniature in the Sacred Bible, volume IV. New Testament, manuscript on parchment made??, probably, in Sant Sadurni on the Roine (France) and completed in 1268

Background imageHandwritten Collection: Sacramentary of Vic, manuscript on parchment dated August 31, 1038 and made, following

Sacramentary of Vic, manuscript on parchment dated August 31, 1038 and made, following a handwritten note at page 100, on the occasion of the consecration of the Romanesque cathedral of Vic

Background imageHandwritten Collection: De Civitate Dei Libri XXII (City of God), handwritten copy made probably in Avignon (France)

De Civitate Dei Libri XXII (City of God), handwritten copy made probably in Avignon (France), 13th-14th centuries, in the Cathedral of Vic (Osona) since March 1442

Background imageHandwritten Collection: Drop cap C illuminated with two birds and lush floral decoration, manuscript

Drop cap C illuminated with two birds and lush floral decoration, manuscript on parchment made?? probably in the scriptorium of the Cathedral of Tortosa, c.1170 - 1190

Background imageHandwritten Collection: Drop cap C illuminated with a quadruped and floral motifs in the Sacramentary

Drop cap C illuminated with a quadruped and floral motifs in the Sacramentary of San Juan de las Abadesas manuscript on parchment made?? probably in the scriptorium of Tortosa, c 1170 - 1190

Background imageHandwritten Collection: Calendar decorated with motifs of birds and humans heads in different colors, miniature

Calendar decorated with motifs of birds and humans heads in different colors, miniature in the Sacramentary of San Juan de las Abadesas, manuscript on parchment made?

Background imageHandwritten Collection: Drop cap C illuminated with floral motives in the Sacramentary of San Juan de las Abadesas

Drop cap C illuminated with floral motives in the Sacramentary of San Juan de las Abadesas, manuscript on parchment made probably in the scriptorium of the Cathedral of Tortosa, c.1170 - 1190

Background imageHandwritten Collection: Investiture of a gentleman. Delivery of the sword

Investiture of a gentleman. Delivery of the sword. Page of the 14th century manuscript Order of the Holy Spirit

Background imageHandwritten Collection: Drop cap D illuminated with heads of birds and vegetables interlacing in the Sacramentary

Drop cap D illuminated with heads of birds and vegetables interlacing in the Sacramentary of San Juan de las Abadesas, manuscript on parchment made?

Background imageHandwritten Collection: Sacramentary of San Juan de les Abadesas, manuscript on parchment made probably in

Sacramentary of San Juan de les Abadesas, manuscript on parchment made probably in the scriptorium of Tortosa Cathedral, c.1170-1190

Background imageHandwritten Collection: Pontifical from Vic, manuscript on parchment made in the scriptorium of the Cathedral of Vic

Pontifical from Vic, manuscript on parchment made in the scriptorium of the Cathedral of Vic, first half of the 12th century

Background imageHandwritten Collection: Third and fourth pages from Franz Schuberts diary, 1816 Artist: Franz Peter Schubert

Third and fourth pages from Franz Schuberts diary, 1816 Artist: Franz Peter Schubert
Third and fourth pages from Franz Schuberts diary, 1816

Background imageHandwritten Collection: Letter from Franz Schubert to the Austrian Musical Union, c1820. Artist: Franz Peter Schubert

Letter from Franz Schubert to the Austrian Musical Union, c1820. Artist: Franz Peter Schubert
Letter from Franz Schubert forwarding the score of his Symphony in C Sharp to the Austrian Musical Union, c1820

Background imageHandwritten Collection: Agreement by Oliver Goldsmith to write for James Dodsley, 31st March 1763. 1899

Agreement by Oliver Goldsmith to write for James Dodsley, 31st March 1763. 1899. Artist: Oliver Goldsmith
Agreement by Oliver Goldsmith to write for the bookseller James Dodsley, 31 March 1763 (1899). From Facsimiles of Royal, Historical

Background imageHandwritten Collection: Letter from Oliver Cromwell, 17th Century (1899). Artist: Oliver Cromwell

Letter from Oliver Cromwell, 17th Century (1899). Artist: Oliver Cromwell
Letter from Oliver Cromwell, 17th Century (1899). From Facsimiles of Royal, Historical, Literary and other Autographs in the Department of Manuscripts of the British Museum. Series I-V. by George F

Background imageHandwritten Collection: A letter from Henry Fuseli, 29 September 1823 (1904). Artist: Henry Fuseli

A letter from Henry Fuseli, 29 September 1823 (1904). Artist: Henry Fuseli
A letter from Henry Fuseli, 29 September 1823 (1904). Henry Fuseli (1741-1825), Swiss painter and draughtsman. From The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageHandwritten Collection: A letter from Philip James de Loutherbourg, 19 July 1808 (1904)

A letter from Philip James de Loutherbourg, 19 July 1808 (1904). Artist: Philip James de Loutherbourg
A letter from Philip James de Loutherbourg, 19 July 1808 (1904). Philip James de Loutherbourg (1740-1812), Franco-British painter and theatre set designer

Background imageHandwritten Collection: A letter from Paul Sandby, 1795 (1904). Artist: Paul Sandby

A letter from Paul Sandby, 1795 (1904). Artist: Paul Sandby
A letter from Paul Sandby, 1795 (1904). Paul Sandby (1731-1809), English landscape painter. From The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageHandwritten Collection: A letter from Sir Thomas Lawrence, 1819 (1904). Artist: Thomas Lawrence

A letter from Sir Thomas Lawrence, 1819 (1904). Artist: Thomas Lawrence
A letter from Sir Thomas Lawrence, 1819 (1904). Sir Thomas Lawrence (1769-1830) was elected President of the Royal Academy on 30 March 1820 following the death of Benjamin West

Background imageHandwritten Collection: Letter to Benjamin West, President of the Royal Academy, 1803 (1904)

Letter to Benjamin West, President of the Royal Academy, 1803 (1904). A letter from Paul Sandby (1731-1809), Richard Cosway (1742-1821), John Francis Rigaud (1742-1810)



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