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Guinea Pig Collection

Background imageGuinea Pig Collection: Dodo and guinea pig, 1750. Artist: George Edwards

Dodo and guinea pig, 1750. Artist: George Edwards
Dodo and guinea pig, 1750. A dodo - Didus ineptus, an extinct flightless bird from Mauritius and a guinea pig - Cavia porcellus, a rodent native to South America

Background imageGuinea Pig Collection: Still Life of Flowers and Fruits in a Garden, 1700-1710. Creator: Franz Werner von Tamm

Still Life of Flowers and Fruits in a Garden, 1700-1710. Creator: Franz Werner von Tamm
Still Life of Flowers and Fruits in a Garden, 1700-1710. A deceptively casual cascade of sweet-smelling roses, tulips, and other cultivated flowers combined with luscious

Background imageGuinea Pig Collection: Noah's Sacrifice after the Deluge, between 1650 and 1655. Creator: Giovanni Benedetto Castiglione

Noah's Sacrifice after the Deluge, between 1650 and 1655. Creator: Giovanni Benedetto Castiglione
Noah's Sacrifice after the Deluge, between 1650 and 1655

Background imageGuinea Pig Collection: Mrs. Van H. Manning, U.S. Bureau of Mines, Left, Mine Rescue Methods, 1917

Mrs. Van H. Manning, U.S. Bureau of Mines, Left, Mine Rescue Methods, 1917. Creator: Harris & Ewing. Mrs. Van H
Mrs. Van H. Manning, U.S. Bureau of Mines, Left, Mine Rescue Methods, 1917. Mary Z. Manning, widow of Vannoy Hartrog Manning, demonstrates treatment of injured miner

Background imageGuinea Pig Collection: Bureau Of Mines, Mine Rescue Methods, 1917. Creator: Harris & Ewing

Bureau Of Mines, Mine Rescue Methods, 1917. Creator: Harris & Ewing. Bureau Of Mines, Mine Rescue Methods, 1917
Bureau Of Mines, Mine Rescue Methods, 1917

Background imageGuinea Pig Collection: Animalia Qvadrvpedia et Reptilia (Terra): Plate XLVIII, c. 1575/1580. Creator: Joris Hoefnagel

Animalia Qvadrvpedia et Reptilia (Terra): Plate XLVIII, c. 1575/1580. Creator: Joris Hoefnagel
Animalia Qvadrvpedia et Reptilia (Terra): Plate XLVIII, c. 1575/1580

Background imageGuinea Pig Collection: Noah and the animals entering the ark, ca. 1650-55. Creator

Noah and the animals entering the ark, ca. 1650-55. Creator
Noah and the animals entering the ark, ca. 1650-55

Background imageGuinea Pig Collection: Figure 26: Expression of painful attention and attention, attentive gaze

Figure 26: Expression of painful attention and attention, attentive gaze. 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 53: Whimpering and false laughter, 1854-56, printed 1862

Figure 53: Whimpering and false laughter, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 39: The attention attracted by an object that provokes lascivious

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires. 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862

Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 15: Meditation, mental concentration, 1854-56, printed 1862

Figure 15: Meditation, mental concentration, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 27: Expression proportionally more pained, 1854-56, printed 1862

Figure 27: Expression proportionally more pained, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862

Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and le

Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness. 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 10: Showing the expressive lines of m. frontalis in a young girl, 1854-56

Figure 10: Showing the expressive lines of m. frontalis in a young girl, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 55: Astonishment badly rendered by the subject: a ridiculous and i

Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression. 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 21: Painful recollection and recollection or calling something to

Figure 21: Painful recollection and recollection or calling something to mind, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862

Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 12: A study of the contraction of and the expression produced by t

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 47: A suggestion of this same weeping, 1854-56, printed 1862

Figure 47: A suggestion of this same weeping, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 56: Surprise, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 56: Surprise, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 56: Surprise, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 63: Expression of terror, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 63: Expression of terror, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 63: Expression of terror, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 34: Grimace, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 34: Grimace, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 34: Grimace, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 4: The face in repose of a young man, 1854-56, printed 1862

Figure 4: The face in repose of a young man, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 3: The face of an old man... photographed in repose. 1854-56, printed 1862

Figure 3: The face of an old man... photographed in repose. 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862

Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 82: Lady Macbeth, strong expression of cruelty, 1854-56, printed 1862

Figure 82: Lady Macbeth, strong expression of cruelty, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 8: Contraction of the right m. frontalis. 1854-56, printed 1862

Figure 8: Contraction of the right m. frontalis. 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 24: Extreme pain to the point of exhaustion, the head of Christ an

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze. 1854-56, printed 1862

Background imageGuinea Pig Collection: Icono-photographique. Mecanisme de la Physionomie Humaine. Fig

Icono-photographique. Mecanisme de la Physionomie Humaine. Fig. 65, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 19: Suffering, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 19: Suffering, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 19: Suffering, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 48: Mild weeping, pity and feeble false laughter, 1854-56, printed 1862

Figure 48: Mild weeping, pity and feeble false laughter, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 25: Not an expression of pain, 1854-56, printed 1862

Figure 25: Not an expression of pain, 1854-56, printed 1862

Background imageGuinea Pig Collection: Faradisation du muscle frontal, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Faradisation du muscle frontal, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Faradisation du muscle frontal, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862

Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862

Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 22: No painful expression, 1854-56, printed 1862

Figure 22: No painful expression, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 49: Painful weeping and forward looking. 1854-56, printed 1862

Figure 49: Painful weeping and forward looking. 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 18: Aggression, wickedness, 1854-56, printed 1862

Figure 18: Aggression, wickedness, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 17: On the right, electrization of m. procerus: severity, aggressi

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention. 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 60: Fright, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 60: Fright, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 60: Fright, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 45: Pain and despair. 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 45: Pain and despair. 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 45: Pain and despair. 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 6: The grimace produced is similar to a tic of the face, 1854-56, printed 1862

Figure 6: The grimace produced is similar to a tic of the face, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 75: Nun saying her prayers, 1854-56, printed 1862

Figure 75: Nun saying her prayers, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 62: Terror, semiprofile, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 62: Terror, semiprofile, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 62: Terror, semiprofile, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 78: Scene of coquetry, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 78: Scene of coquetry, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 78: Scene of coquetry, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 16: Expression of severity, 1854-56, printed 1862

Figure 16: Expression of severity, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 50: Affected weeping and face in repose, 1854-56, printed 1862

Figure 50: Affected weeping and face in repose, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862

Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862

Background imageGuinea Pig Collection: Figure 20: Profound suffering, with resignation, 1854-56, printed 1862

Figure 20: Profound suffering, with resignation, 1854-56, printed 1862

Background imageGuinea Pig Collection: Guinea Pigs, c1789, (1930). Creator: George Morland

Guinea Pigs, c1789, (1930). Creator: George Morland
Guinea Pigs, c1789, (1930). Children play with guinea pigs watched by their mother. The kneeling man with a basket is possibly an itinerant seller

Background imageGuinea Pig Collection: Flower Piece with Guinea Pigs, 1673-1724. Creator: Franz Werner von Tamm

Flower Piece with Guinea Pigs, 1673-1724. Creator: Franz Werner von Tamm
Flower Piece with Guinea Pigs, 1673-1724

Background imageGuinea Pig Collection: Giving Prisoners the Smallpox in Gaol, late 18th century, (c1934)

Giving Prisoners the Smallpox in Gaol, late 18th century, (c1934)
Giving Prisoners the Smallpox in Gaol, 18th century, (c1934). Illustration showing prisoners in Newgate Gaol being inoculated

Background imageGuinea Pig Collection: Wealth of the Indies, 17th century

Wealth of the Indies, 17th century. Design for a Gobelin tapestry showing rich flora and fauna and products of the West Indies and Central and South America


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