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Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco GoyaPlate 80 from Los Caprichos : It is time (Ya es hora.), 1799
Truth, Time and History, late 18th-early 19th century. Creator: Francisco GoyaTruth, Time and History, late 18th-early 19th century
The Architect Ventura Rodriguez, 1784. Creator: Francisco GoyaThe Architect Ventura Rodriguez, 1784
Poetry and Poets, 1800s. Creator: Francisco GoyaPoetry and Poets, 1800s. Poetry is symbolised by a woman with a lyre. She is seated near the top of Mount Helicon, abode of the muses, goddesses of poetry
Portrait of Don Ramón Satué, 1823. Creator: Francisco GoyaPortrait of Don Ramon Satue, 1823. Other Title(s): Portrait of Don Ramon Satue y Allue (1765-1824) Alcalde de Corte (Judge of the Fifth Chamber of the Council of Castile in La Corte)
Skinned Head of an Ox, 1688-1691. Creators: Francisco Goya, Felice BoselliSkinned Head of an Ox, 1688-1691
Costume of the Time of Goya, n.d. Creator: Mariano Jose Maria Bernardo Fortuny y CarboCostume of the Time of Goya, n.d
Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco GoyaPllate 60 from Los Caprichos : Trials (Ensayos.), 1799
Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799Plate 25 from Los Caprichos : If he broke the pot (Si quebro el Cantaro.), 1799
Majas on a Balcony, ca. 1800-1810. Creator: Francisco GoyaMajas on a Balcony, ca. 1800-1810
The Hanged Monk, c. 1810. Creator: Francisco GoyaThe Hanged Monk, c. 1810
Winter Scene, c. 1786. Creator: Francisco GoyaWinter Scene, c. 1786
Portrait of General JoseManuel Romero, c. 1810. Creator: Francisco GoyaPortrait of General Jose Manuel Romero, c. 1810
El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806
Portrait of Isidoro Maiquez, c. 1807. Creator: Francisco GoyaPortrait of Isidoro Maiquez, c. 1807
Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806. Creator: Francisco GoyaFriar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806
Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, c. 1806
Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806. Creator: Francisco GoyaFriar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806
Friar Pedro Wrests the Gun from El Maragato, c. 1806. Creator: Francisco GoyaFriar Pedro Wrests the Gun from El Maragato, c. 1806
Boy on a Ram, 1786 / 87. Creator: Francisco GoyaBoy on a Ram, 1786/87
Friar Pedro Binds El Maragato with a Rope, c. 1806. Creator: Francisco GoyaFriar Pedro Binds El Maragato with a Rope, c. 1806
The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de GoyaThe Duke of Wellington, c. 1812
Senora Sabasa Garcia, c. 1806 / 1811. Creator: Francisco GoyaSenora Sabasa Garcia, c. 1806/1811
Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de GoyaCharles IV of Spain as Huntsman, c. 1799/1800
BartolomeSureda y Miserol, c. 1803 / 1804. Creator: Francisco GoyaBartolome Sureda y Miserol, c. 1803/1804
Young Lady Wearing a Mantilla and Basquina, c. 1800 / 1805. Creator: Francisco GoyaYoung Lady Wearing a Mantilla and Basquina, c. 1800/1805
Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon, 1783
Victor Guye, 1810. Creator: Francisco GoyaVictor Guye, 1810
Therese Louise de Sureda, c. 1803 / 1804. Creator: Francisco GoyaTherese Louise de Sureda, c. 1803/1804
Don Antonio Noriega, 1801. Creator: Francisco GoyaDon Antonio Noriega, 1801
The Marquesa de Pontejos, c. 1786. Creator: Francisco GoyaThe Marquesa de Pontejos, c. 1786
Portrait of a Young Man, ca. 1820. Creator: Formerly attributed to GoyaPortrait of a Young Man, ca. 1820
Philip IV on horseback, after Velazquez, 1778. Creator: Francisco GoyaPhilip IV on horseback, after Velazquez, 1778
Plate 28 from The Disasters of War (Los Desastres de la Guerra): Rabble. (Populacho.), 1810 (published 1863)
Plate 79 from The Disasters of War (Los Desastres de la Guerra): Truth has died. (Murio la verdad.), after 1814-15 (published 1863)
Plate 26 from The Disasters of War (Los Desastres de la Guerra): One can t look. (No se puede mirar.), 1810-20, published 1863
Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by aPlate 32 from the Tauromaquia :Two teams of picadors thrown one after the other by a single bull. 1816
Plate 31 of the Tauromaquia : Banderillas with firecrackers. 1816
Plate 30 of the Tauromaquia : Pedro Romero killing the halted bull. 1816
Plate 29 of the Tauromaquia : Pepe Illo making the pass of the recorte. 1816
Plate 24 of the Tauromaquia : The same Ceballos mounted on another bull breaks short spears in the ring at Madrid. 1816
Plate 22 from the Tauromaquia : Manly courage of the celebrated Pajuelera in [the ring]Plate 22 from the Tauromaquia :Manly courage of the celebrated Pajuelera in [the ring] at Saragossa. 1816
Plate 19 of the Tauromaquia : Another madness of his in the same ring. 1816
Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816
Plate 13 of the Tauromaquia : A Spanish mounted knight in the ring breaking short spears without the help of assistants, , 1816
Plate 16 of the Tauromaquia : The same man throws a bull in the ring at Madrid. 1816
Plate 14 from the Tauromaquia : The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body. 1816
Plate 9 of the Tauromaquia : A Spanish knight kills the bull after having lost his horse. 1816
