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The Naked Maja, c1800. Artist: Francisco GoyaThe Naked Maja, (la Maja Desnuda), c1800. One of two paintings of the same woman in the same pose and also one of the few nude portraits in Spain at this time
Witches in Flight (Vuelo de Brujas), 1797-1798. Artist: Goya, Francisco, de (1746-1828)Witches in Flight (Vuelo de Brujas), 1797-1798. Found in the collection of Museo del Prado, Madrid
Portrait of Field Marshal Arthur Wellesley, 1st Duke of Wellington, c1814. Artist: Francisco GoyaPortrait of Field Marshal Arthur Wellesley, 1st Duke of Wellington, c1814. Found in the collection of the National Gallery, London
Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco GoyaPlate 80 from Los Caprichos : It is time (Ya es hora.), 1799
Ridiculous Dream, 1819-1823. Artist: Francisco GoyaRidiculous Dream, 1819-1823. Plate 3 of Proverbs, published in 1864. The series is also known as disparates (absurdities) or suenos (dreams)
The Madhouse (Asylum). Artist: Goya, Francisco, de (1746-1828)The Madhouse (Asylum). Found in the collection of Real Academia de Bellas Artes de San Fernando, Madrid
The Forge, c. 1815. Artist: Goya, Francisco, de (1746-1828)The Forge, c. 1815. Found in the collection of the Frick Collection, New York
Portrait of King Ferdinand VII of Spain, 1808. Creator: Goya, Francisco, de (1746-1828)Portrait of King Ferdinand VII of Spain, 1808. Found in the Collection of the Museu de Arte de S£o Paulo.
La Tauromaquia: The unfortunate death of Pepe Illo in the Madrid arena, 1815-1816. Private Collection
La Tauromaquia: The Death of Pepe Illo, 1815-1816. Creator: Goya, Francisco, de (1746-1828)La Tauromaquia: The Death of Pepe Illo, 1815-1816. Private Collection
La Tauromaquia: The Moors Use Donkeys as a Barrier to Defend Themselves against the..., 1815-1816La Tauromaquia: The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls, 1815-1816. Private Collection
La Tauromaquia: The Moors make a different play in the ring calling the bull with..., 1815-1816La Tauromaquia: The Moors make a different play in the ring calling the bull with their burnous, 1815-1816. Private Collection
La Tauromaquia: Mariano Ceballos, alias the Indian, kills the bull from his horse, 1815-1816. Private Collection
La Tauromaquia: The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and..., 1815-1816La Tauromaquia: The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms, 1815-1816. Private Collection
La Tauromaquia: Origin of the Harpoons or Banderillas, 1815-1816. Creator: Goya, Francisco, de (1746-1828)La Tauromaquia: Origin of the Harpoons or Banderillas, 1815-1816. Private Collection
La Tauromaquia: The Daring of Martincho in the Ring at Saragossa, 1815-1816. Creator: Goya, Francisco, de (1746-1828)La Tauromaquia: The Daring of Martincho in the Ring at Saragossa, 1815-1816. Private Collection
Los Desastres de la Guerra (The Disasters of War), Plate 6: Bien te se está (It serves... 1810s)Los Desastres de la Guerra (The Disasters of War), Plate 6: Bien te se esta (It serves you right), 1810s. Private Collection
Los Desastres de la Guerra (The Disasters of War), Plate 19: Ya no hay tiempo... 1810sLos Desastres de la Guerra (The Disasters of War), Plate 19: Ya no hay tiempo (There is no more time), 1810s. Private Collection
Los Desastres de la Guerra (The Disasters of War), Plate 15: Y no hai remedio... 1810sLos Desastres de la Guerra (The Disasters of War), Plate 15: Y no hai remedio (And it can't be helped), 1810s. Private Collection
Los Desastres de la Guerra (The Disasters of War), Plate 9: No quieren (They do not want to), 1810s. Private Collection
Los Desastres de la Guerra (The Disasters of War), Plate 5: Y son fieràs (And are like... 1810s)Los Desastres de la Guerra (The Disasters of War), Plate 5: Y son fieras (And are like wild beasts), 1810s. Private Collection
Los Desastres de la Guerra (The Disasters of War), Plate 3: Lo mismo (The same), 1810s. Private Collection
Los Desastres de la Guerra (The Disasters of War), Plate 8: Siempre sucede (This always... 1810s)Los Desastres de la Guerra (The Disasters of War), Plate 8: Siempre sucede (This always happens), 1810s. Private Collection
Los Desastres de la Guerra (The Disasters of War), Plate 2: Con razon ó sin ella... 1810sLos Desastres de la Guerra (The Disasters of War), Plate 2: Con razon o sin ella (With or without reason), 1810s. Private Collection
Los Desastres de la Guerra (The Disasters of War), Plate 28: Populacho (Rabble), 1810s. Private Collection
Los Desastres de la Guerra (The Disasters of War), Plate 18: Enterrar y callar (Bury them... 1810s)Los Desastres de la Guerra (The Disasters of War), Plate 18: Enterrar y callar (Bury them and keep quiet), 1810s. Private Collection
Los Desastres de la Guerra (The Disasters of War), Plate 14: Duro es el paso! (The way is... 1810s)Los Desastres de la Guerra (The Disasters of War), Plate 14: Duro es el paso! (The way is hard!), 1810s. Private Collection
The Milkmaid of Bordeaux, 1825-1826. Creator: Goya, Francisco, de (1746-1828)The Milkmaid of Bordeaux, 1825-1826. Found in the Collection of the Museo del Prado, Madrid
Young Women with a Letter, ca 1813-1820. Creator: Goya, Francisco, de (1746-1828)Young Women with a Letter, ca 1813-1820. Found in the Collection of the Musee des Beaux-Arts, Lille
El Tiempo (Time and the old woman), c. 1810. Creator: Goya, Francisco, de (1746-1828)El Tiempo (Time and the old woman), c. 1810. Found in the Collection of the Musee des Beaux-Arts, Lille
Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco GoyaPllate 60 from Los Caprichos : Trials (Ensayos.), 1799
Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799Plate 25 from Los Caprichos : If he broke the pot (Si quebro el Cantaro.), 1799
La Maja Desnuda, (The Naked Maja), c. 1797-1800, (c1934). Artist: Francisco GoyaLa Maja Desnuda, (The Naked Maja), c.1797-1800, (c1934). Possibly commissioned by Manuel de Godoy, to hang in his private collection An image of Venus in the nude
Standing male nude, 1789, (1943). Creator: Francisco GoyaStanding male nude, 1789, (1943). Drawing in the Real Academia de Bellas Artes de San Carlos de Valencia, Spain. From " Europaische Handzeichnungen"
Young woman at the Well (Susanna and the Elders?) from the Madrid Album, 1795. Found in the Collection of Biblioteca Nacional, Madrid
Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 24: No hubo remedio (There was no help), first edition, 1799
Witches Sabbath, 1797-1798. Artist: Goya, Francisco, de (1746-1828)Witches Sabbath, 1797-1798. Found in the collection of the Museo Lazaro Galdiano, Madrid
The injured Mason, 1786-1787 (1939). Artist: Francisco GoyaThe injured Mason, 1786-1787 (1939). Two workers carry another, who has been wounded in a work accident. The scaffolding in the background reveals the underlying subject as workersś safety
La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Artist: Francisco GoyaLa Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Rococo cartoon produced by Spanish artist Francisco de Goya for tapestries at the Royal Palace of El Pardo
El Pelele, (The Straw Manikin), 1791-1792, (c1934). Artist: Francisco GoyaEl Pelele, (The Straw Manikin), 1791-1792, (c1934). Four young women laugh and play, blanket-tossing a doll or manikin. The blanket-tossing of a doll is used here by Goya as a clear allegory of
Do not shout you idiot, 1799. Artist: Francisco GoyaDo not shout you idiot, 1799. Published in Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
Portrait of the Countess del Carpio, Marquesa de la Solana (1757-1795), ca 1794. Found in the Collection of the Musee du Louvre, Paris
The Water Bearer (La Aguadora), 1810. Creator: Goya, Francisco, de (1746-1828)The Water Bearer (La Aguadora), 1810. Found in the Collection of the Museo Nacional de San Carlos
Portrait of a Lady with a Fan, 1806-1807. Creator: Goya, Francisco, de (1746-1828)Portrait of a Lady with a Fan, 1806-1807. Found in the Collection of the Musee du Louvre, Paris
Portrait of a man (Evaristo Perez de Castro), ca 1806. Found in the Collection of the Musee du Louvre, Paris
