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Page of illuminated text from the Gospel of St Luke, c700. Latin text with intricate decoration inspired by Celtic designs. From the Gospel of St Luke, Lindisfarne Gospels
The Evangelical Symbols, 800 AD, (20th century). The winged man is St Matthew, the winged lion St Mark, the winged ox St Luke and the eagle represents St John
Opening words of St Lukes Gospel Quoniam from the Book of Kells, c800. The Book of Kells is a manuscript of the Four Gospels originally thought to have been produced in Ireland in the 6th century at
The Eight Circled Cross, 800 AD, (20th century). A 20th-century copy of the illustrated manuscript, produced by Celtic monks around AD 800
The Apostle Simon. Artist: El Greco, Dominico (1541-1614)The Apostle Simon. Found in the collection of Museo del Greco, Toledo
Saint Philip the Apostle. Artist: El Greco, Dominico (1541-1614)Saint Philip the Apostle. Found in the collection of Museo del Greco, Toledo
Gospel belonging to Metropolitan Iona in the vestry of the Assumption Cathedral..., 1911Gospel belonging to Metropolitan Iona in the vestry of the Assumption Cathedral in the Kremlin, Rostov Velikii, 1911.
Gospel belonging to the nun Varsanofiia, the tsarevnas' governess, Trinity Monastery..., 1911Gospel belonging to the nun Varsanofiia, the tsarevnas' governess, Trinity Monastery, Aleksandrov, 1911.
Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911.
Cross and the Gospel; gift from Tsar Mikhail Feodorovich, vestry of the Assumption Cathedral...1911Cross and the Gospel; gift from Tsar Mikhail Feodorovich, vestry of the Assumption Cathedral in the Kremlin, Rostov Velikii, 1911.
Pictures from the 1603 Gospel, sacristy of the Ipatievsky Monastery, Kostroma, 1911.
Tsar Aleksei Mikhailovich's gospel and Tsar Mikhail Feodorovich's sacramental vessels..., 1911Tsar Aleksei Mikhailovich's gospel and Tsar Mikhail Feodorovich's sacramental vessels [Trinity Monastery, Aleksandrov], 1911.
The Four Evangelists, from c.1616 until 1624. Creator: Pieter SoutmanThe Four Evangelists, from c.1616 until 1624. The Evangelists are seated together at a table, each engaged in the writing of his Gospel. Matthew's attribute is an angel, Mark's a lion
St Peter Repentant, 1624-1670. Creator: Karel van Mander IIISt Peter Repentant, 1624-1670. (During the Last Supper, Jesus predicted that Peter would disown him before the rooster crowed the next morning)
Moonlight landscape with the Good Samaritan, 1623-1626. Creator: Moses van WtenbrouckMoonlight landscape with the Good Samaritan, 1623-1626
The Good Samaritan, mid 19th century. Creator: Alfred Jacob MillerThe Good Samaritan, mid 19th century
The Symbols of the Four Evangelists, 1400-1404. Creator: UnknownThe Symbols of the Four Evangelists, 1400-1404. Page from "Tafel van den Kersten Ghelove" (Handbook of the Christian Faith) by Dutch Dominican theologian Dirc van Delf
Gospel Book, 1475. Creator: UnknownGospel Book, 1475. This manuscript was executed by a scribe identified as Aristakes for a priest named Hakob. The codex's later history included a rebinding with silver covers from Kayseri that
Gospel Book, c1100. Creator: UnknownGospel Book, c1100. Saint with book, and decorative initial
Saint Matthew, c1616. Creator: Joachim Anthonisz WtewaelSaint Matthew, c1616. Receiving inspiration in composing his Gospel from a divinely sent, winged human figure, one of the four winged creatures described in Revelation that were understood as
The Visitation, c15th century. Creator: UnknownThe Visitation, c15th century
The Brigands Robbing the Traveler, c1600. Creator: Crispijn de Passe IThe Brigands Robbing the Traveler, c1600. Series: Set of six landscapes (with the history of the Good Samaritan); Plate: plate 2
Ox, Gospel of Luke, 1502. Creator: Petrus von RosenheimOx, Gospel of Luke, 1502. Mnemonic, or memory, device, intended to help one remember the Gospel of Luke. His symbol, the ox, presents imagery representing key moments in each chapter
Christ with two disciples at Emmaus, c17th century. Creator: UnknownChrist with two disciples at Emmaus, c17th century
Landscape with Christ and the Two Disciples on the Way to Emmaus, 17th century. Creator: UnknownLandscape with Christ and the Two Disciples on the Way to Emmaus, 17th century
Design for embroidery: angel, symbol of St Matthew the Evangelist, c.1850-c.1875. Creator: Hardman & CoDesign for embroidery: angel, symbol of St Matthew the Evangelist, c.1850-c.1875
Design for embroidery: lion, symbol of St Mark the Evangelist, c.1850-c.1875. Creator: Hardman & CoDesign for embroidery: lion, symbol of St Mark the Evangelist, c.1850-c.1875
Design for embroidery: bull, symbol of St Luke the Evangelist, c.1850-c.1875. Creator: Hardman & CoDesign for embroidery: bull, symbol of St Luke the Evangelist, c.1850-c.1875
Design for embroidery: eagle, symbol of St John the Evangelist, c.1850-c.1875. Creator: Hardman & CoDesign for embroidery: eagle, symbol of St John the Evangelist, c.1850-c.1875. John the Evangelist, the author of the fourth gospel account, is symbolized by an eagle
Kitchen Scene, with Jesus in the House of Martha and Mary in the background, 1569. Creator: UnknownKitchen Scene, with Jesus in the House of Martha and Mary in the background, 1569
The Well-stocked Kitchen, with Jesus in the House of Martha and Mary in the Background, 1566. It is not the profusion of vegetables, fruit, meat
The raising of Jairus daughter 1847-1849. Creator: Petrus Theodorus van WijngaerdtThe raising of Jairus daughter 1847-1849. Jesus raises a girl from the dead. Jairus and his wife shower him with their thanks
The Parable of the Prodigal Son, c.1610-c.1620. Creator: Frans Francken IIThe Parable of the Prodigal Son, c.1610-c.1620. The central image shows a brothel with a procuress and includes (following classical precedent)
The expulsion of the prodigal son, c.1540-c.1550. Creator: Cornelis AnthoniszThe expulsion of the prodigal son, c.1540-c.1550. The son (Filius Prodigus) is driven out by poverty (Paupertas), while superstition (Superstitio) and heresy (Haeresis)
The prodigal son eats from the pigstrog, c.1540-c.1550. Creator: Cornelis AnthoniszThe prodigal son eats from the pigs trough, c.1540-c.1550. The son (Filius Prodigus) eats with the pigs from a trough, it says: Ferment of the Pharisees (Fermentum Pharisaeorum)
The return of the prodigal son, c.1540-c.1550. Creator: Cornelis AnthoniszThe return of the prodigal son, c.1540-c.1550. Son (Filius Prodigus) kneeling and embraced by father. Around them love (Dilectio), truth (Veritas), Hope (Spes)
The reunification and forgiveness of the prodigal son, c.1540-c.1550. Creator: Cornelis AnthoniszThe reunification and forgiveness of the prodigal son, c.1540-c.1550. Son (Filius Prodigus) is embraced by Peace (Pax). Around them are justice (Justicia)
The prodigal son wastes his inheritance, c.1540-c.1550. Creator: Cornelis AnthoniszThe prodigal son wastes his inheritance, c.1540-c.1550. Son (Filius Prodigus) at the table with lust (Caro) and greed (Avaritia)
The prodigal son receives his inheritance, c.1540-c.1550. Creator: Cornelis AnthoniszThe prodigal son receives his inheritance, c.1540-c.1550. Father sitting at the table under canopy, son (Filius Prodigus) opposite him with money pouch
Christ Blessing the Children, c.1570. Creator: AnonChrist Blessing the Children, c.1570
The Evangelist Saint Mark, 1610-1615. Creator: Joachim Anthonisz WtewaelThe Evangelist Saint Mark, 1610-1615
The Evangelist Saint Luke, 1610-1615. Creator: Joachim Anthonisz WtewaelThe Evangelist Saint Luke, 1610-1615
Lazarus and the Rich Man, 1544-1700. Creator: Jacopo Bassano (copy after)Lazarus and the Rich Man, 1544-1700
Palace Gardens with Poor Lazarus in the foreground, 1550-1606. Creator: Hans Vredeman de VriesPalace Gardens with Poor Lazarus in the foreground, 1550-1606
