Girona Collection

Manuscript called Homiliari de Beda representing Jesus walking on the water

Manuscript called Homiliari de Beda Jesus speaks to the Pharisees about the kingdom of God, iIlustration in this manuscript of the 12th century

Manuscript called Homiliari de Beda, representing the Canaan Weddings

Manuscript called Homiliari de Beda representation of a parabola

Ramon Berenguer I The Older (1023-1076), Count of Barcelona and Girona (1023-1076), of Olerdola (1049-1076) and of Ausona (1054-1076)

Statue of a King or of St. Charlemagne, polychromed alabaster sculpture c. 1350

Amer station, the narrow track railway line from Olot to Girona, 1910

Train in the Girona station MZA, 1910

Men drinking from a fountain, Miniature from the Bible of Charles V of Valois, illuminated manuscript, 15th century

Farmer in sowing time. Miniature from Homilias de Beda, codex from the second half of the 11th century

Reign of Charles IV (1748-1819), taking of Figueras (Girona) by French troops on 17th November 1794, engraving

Reign of Charles IV (1748-1819), taking of Roses (Girona) by the French on 3rd February 1795, engraving

Letter I illuminated with figurations of the bust of Jesus Christ and an evangelist, corresponding to the part of the four Gospels in the Missale Parvum, manuscript on parchment, c

Table of concordance of the four gospels, biblical references are framed between columns crowned with horseshoes, capitals and bases decorated with human and animal heads

Missale Parvum. Manuscript on parchment, c. 1075 - 1100, work attributed to the Scriptorium of the Cathedral of Girona

Drop cap C illuminated with two birds and lush floral decoration, manuscript on parchment made?? probably in the scriptorium of the Cathedral of Tortosa, c.1170 - 1190

Drop cap C illuminated with a quadruped and floral motifs in the Sacramentary of San Juan de las Abadesas manuscript on parchment made?? probably in the scriptorium of Tortosa, c 1170 - 1190

Calendar decorated with motifs of birds and humans heads in different colors, miniature in the Sacramentary of San Juan de las Abadesas, manuscript on parchment made?

Drop cap C illuminated with floral motives in the Sacramentary of San Juan de las Abadesas, manuscript on parchment made probably in the scriptorium of the Cathedral of Tortosa, c.1170 - 1190

Cars parked in the Plaza de Camprodon (Girona), 1930

Public vehicles parked on Vi Square, in front of the town hall in Girona, in a postcard from the 1920s

Christopher Columbus with his son at the Monastery of La Rabida, 1858

Drop cap D illuminated with heads of birds and vegetables interlacing in the Sacramentary of San Juan de las Abadesas, manuscript on parchment made?

Sacramentary of San Juan de les Abadesas, manuscript on parchment made probably in the scriptorium of Tortosa Cathedral, c.1170-1190

Peter II (III of Aragon) in the battle of Panissars (1285), engraving (from a painting by Barbasan), 1809

Reign of Charles III, infantry that in 1718 took the name of the Regiment from Ultonia with garrison in Gerona, 1775, drawing, 1890

Beam of the Cruilles canopy, tempera on wood, detail of decoration with monks from the monastery of Sant Miquel de Cruilles

Tapestry of Creation, Romanesque of the 12th century, detail related to the sun

Tapestry of Creation, detail of March

Sculpture representing the plague in the funerary cortege of the tomb of Bernard de Pau, work by Lorenzo Mercadante de Bretana, in the cathedral of Girona

Detail of the sculpture of the funerary cortege of the tomb of Bernard de Pau, preserved in the Girona cathedral

Church of San Pedro de Besalu, lion protecting a human figure and decorating the front window of the noon facade

Capital with polychromed stone sculpture representing the abbot of Camprodon with the monastic community, it comes from the monastery of Sant Pere de Camprodon

Tomb of Saint Narcissus. Sculpture in limestone and alabaster with traces of polychrome and blue and red glasses. Girona, 1326-1328

Tomb of Saint Narcissus. Front detail with Saint Narcissus saying Mass between warriors and an acolyte. Sculpture in limestone and alabaster with traces of polychrome and blue and red glasses

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