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Giovanni Battista Gallery

Available as Prints and Gift Items

Choose from 453 pictures in our Giovanni Battista collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


View of the Façade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in
View of the Façade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in
Full Range of Prints and Gifts in Stock
Stairways adorned by magnificient architecture . . . (Gruppo di Scale ornato di magnif
Stairways adorned by magnificient architecture . . . (Gruppo di Scale ornato di magnif
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Allegory of the Planets and Continents, 1752. Creator: Giovanni Battista Tiepolo
Allegory of the Planets and Continents, 1752. Creator: Giovanni Battista Tiepolo
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Saint Thecla Praying for the Plague-Stricken, 1758-59. Creator: Giovanni Battista Tiepolo
Saint Thecla Praying for the Plague-Stricken, 1758-59. Creator: Giovanni Battista Tiepolo
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The Chariot of Aurora, 1760s. Creator: Giovanni Battista Tiepolo
The Chariot of Aurora, 1760s. Creator: Giovanni Battista Tiepolo
Full Range of Prints and Gifts in Stock
Title page: volume IV, The Antiquities of Rome by Giambatista Piranesi
Title page: volume IV, The Antiquities of Rome by Giambatista Piranesi
Full Range of Prints and Gifts in Stock
Imaginery ancient temple designed in the style of those built in honor of the Goddess
Imaginery ancient temple designed in the style of those built in honor of the Goddess
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The Battle of Vercellae, 1725-29. Creator: Giovanni Battista Tiepolo
The Battle of Vercellae, 1725-29. Creator: Giovanni Battista Tiepolo
Full Range of Prints and Gifts in Stock
Nereids and Triton, c1753-1762, (1928). Artist: Giovanni Battista Tiepolo
Nereids and Triton, c1753-1762, (1928). Artist: Giovanni Battista Tiepolo
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Leonora, Wife of Giovanni Battista Cambi, called Bombarda, the Medallist
Leonora, Wife of Giovanni Battista Cambi, called Bombarda, the Medallist
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View from the street entering beneath the gateway to the city of Pompeii
View from the street entering beneath the gateway to the city of Pompeii
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View of the interior of the city of Pompeii, from Antiquités de Pompeïa
View of the interior of the city of Pompeii, from Antiquités de Pompeïa
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Nereids and Triton, c1753-1762, (1928). Artist: Giovanni Battista Tiepolo Featured Image

Nereids and Triton, c1753-1762, (1928). Artist: Giovanni Battista Tiepolo

Nereids and Triton, c1753-1762, (1928). Nereids and a triton with a dolphin, , pen with wash on white paper. British Museum, London. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770), worked not only in Italy, but also in Germany and Spain. He was commissioned to carry out frescoes in churches and palaces, and was elected President of the Academy of Padua. As well as his large-scale majestic works, he also produced etchings and oil paintings, and is widely regarded as one of the most important artists of the period. Illustration from The Drawings of Giovanni Battista Tiepolo, Volume I, by Detlev Baron Von Hadeln. [The Pegasus Press, Paris, 1928]

© The Print Collector / Heritage-Images

Ariadne, Cupid and Bacchus, 1788. Creator: Francesco Bartolozzi
Ariadne, Cupid and Bacchus, 1788. Creator: Francesco Bartolozzi
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Acis and Galatea, 1787. Creator: Francesco Bartolozzi
Acis and Galatea, 1787. Creator: Francesco Bartolozzi
Full Range of Prints and Gifts in Stock
Christ confounding the doctors, 1750-70. Creator: Andrea Scacciati
Christ confounding the doctors, 1750-70. Creator: Andrea Scacciati
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Portrait of Giovanni Battista Piazzetta, early 18th century
Portrait of Giovanni Battista Piazzetta, early 18th century
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Roman arms, standards, and trophies, a composition divided into two horizontal bands
Roman arms, standards, and trophies, a composition divided into two horizontal bands
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A bearded, seated man looks over his right shoulder toward a child and woman bearin
A bearded, seated man looks over his right shoulder toward a child and woman bearin
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Man in a turban, depicted in bust length format from behind in three-quarters view, fr
Man in a turban, depicted in bust length format from behind in three-quarters view, fr
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Bearded man wearing a turban, depicted in bust length from behind in three-quarters vi
Bearded man wearing a turban, depicted in bust length from behind in three-quarters vi
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A scene of necromancy: a woman bearing a vessel, a turbaned man, and a soldier look
A scene of necromancy: a woman bearing a vessel, a turbaned man, and a soldier look
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Three soldiers and a youth lying on his abdomen in a landscape, the soldiers bear a
Three soldiers and a youth lying on his abdomen in a landscape, the soldiers bear a
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Woman and infant satyr in a landscape, the woman twisting to look over her left sho
Woman and infant satyr in a landscape, the woman twisting to look over her left sho
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Three figures and a snake coiled around a staff, surrounded by a landscape, the ce
Three figures and a snake coiled around a staff, surrounded by a landscape, the ce
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A scene of necromancy: a woman bearing a vessel, a turbaned man, and a soldier look Featured Image

A scene of necromancy: a woman bearing a vessel, a turbaned man, and a soldier look

A scene of necromancy: a woman bearing a vessel, a turbaned man, and a soldier look toward a pedestal upon which a skull and limb bone are burning, a bearded male figure's face is visible behind the group, from the series Turns of fantasy (Scherzi di fantasia), ca. 1743-57

© Heritage Art/Heritage Images

18th Century, B And, B And W, B W, Black And White, Bones, Bw, Century, Concept, Country, Death, Eighteenth Century, Etching, Female, Giambattista, Giambattista Tiepolo, Giovanni Battista, Giovanni Battista Tiepolo, Guy, Head Dress, Headdress, Headgear, Heritage Art, Italian, Italy, Location, Male, Man, Men, Metropolitan Museum Of Art, Museum, Necromancer, Necromancy, People, Skull, Soldier, The Met, Tiepoli, Tiepoli Giovanni Battista, Tiepolo, Tiepolo Giambattista, Tiepolo Giovanni Battista, Turban, War, White, Woman

Demonstration panel showing technique for raising travertine
Demonstration panel showing technique for raising travertine
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Plate 6: Ruins of an ancient tomb in front of ruins of an ancient aqueduct
Plate 6: Ruins of an ancient tomb in front of ruins of an ancient aqueduct
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Plate 3: Ancient mausoleum erected for the ashes of a Roman emperor
Plate 3: Ancient mausoleum erected for the ashes of a Roman emperor
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Partial elevation and plan of the first-order portico at the Theater of Marcellus
Partial elevation and plan of the first-order portico at the Theater of Marcellus
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Elevation and plan of the second-order portico at the Theater of Marcellus
Elevation and plan of the second-order portico at the Theater of Marcellus
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Section of column base from the Temple of Fortuna Virilis (Tempio della Fortuna Virile)
Section of column base from the Temple of Fortuna Virilis (Tempio della Fortuna Virile)
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Plan and facade of the Temple of Fortuna Virilis (Tempio della Fortuna Virile)
Plan and facade of the Temple of Fortuna Virilis (Tempio della Fortuna Virile)
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Profile of the Temple of Fortuna Virilis (Profilo del Tempio della Fortuna Virile)
Profile of the Temple of Fortuna Virilis (Profilo del Tempio della Fortuna Virile)
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Plate 10: The ancient Capitol ascended by approximately one hundred steps [
Plate 10: The ancient Capitol ascended by approximately one hundred steps [
Full Range of Prints and Gifts in Stock
Plate 9: Colonnaded hall according to the custom of the ancient Romans
Plate 9: Colonnaded hall according to the custom of the ancient Romans
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Cornice and column from the Temple of Fortuna Virilis (Tempio della Fortuna Virile)
Cornice and column from the Temple of Fortuna Virilis (Tempio della Fortuna Virile)
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Plan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepolcro sull'antica
Plan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepolcro sull'antica
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Plate 6: Ruins of an ancient tomb in front of ruins of an ancient aqueduct Featured Image

Plate 6: Ruins of an ancient tomb in front of ruins of an ancient aqueduct

Plate 6: Ruins of an ancient tomb in front of ruins of an ancient aqueduct; above the arches of the latter is the channel which conveyed the water to Rome (Ruine de sepolcro antico posto dinanzi ad altre ruine d'un Acquedotto pure antico; sopra gli archi del medesimo v'e il canale, per cui si conduceva l'acqua in Roma), from the series Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe), 1743

© Heritage Art/Heritage Images

Plate 7: Ancient altar on which sacrifices were performed in antiquity
Plate 7: Ancient altar on which sacrifices were performed in antiquity
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The Capitol and the steps of S. Maria in Aracoeli (Veduta del Romano Camipidoglio con
The Capitol and the steps of S. Maria in Aracoeli (Veduta del Romano Camipidoglio con
Full Range of Prints and Gifts in Stock
The Piazza della Rotonda, with the Pantheon and Obelisk (Veduta della Piazza della Rot
The Piazza della Rotonda, with the Pantheon and Obelisk (Veduta della Piazza della Rot
Full Range of Prints and Gifts in Stock
The Arch of Septimius Severus, with the Church of S. Martina on the right (Arco di Set
The Arch of Septimius Severus, with the Church of S. Martina on the right (Arco di Set
Full Range of Prints and Gifts in Stock
The Piazza di Spagna (Veduta di Piazza di Spagna), ca. 1750
The Piazza di Spagna (Veduta di Piazza di Spagna), ca. 1750
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S. Giovanni in Laterano, main façade, with Palace and Scala Santa on the right
S. Giovanni in Laterano, main façade, with Palace and Scala Santa on the right
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The Forum Romanum, or Campo Vaccino, from the Capitol, with the Arch of Septimius in t
The Forum Romanum, or Campo Vaccino, from the Capitol, with the Arch of Septimius in t
Full Range of Prints and Gifts in Stock
Bird in shell at the center of the lintel, with a frieze of trophies, surmounted by an
Bird in shell at the center of the lintel, with a frieze of trophies, surmounted by an
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Hadrian's Villa: The Piazza d'Oro (Piazza of Gold) (Veduta degli Avanzi della Circonfe)
Hadrian's Villa: The Piazza d'Oro (Piazza of Gold) (Veduta degli Avanzi della Circonfe)
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A view of part of the intended Bridge at Blackfriars, London, ca. 1764
A view of part of the intended Bridge at Blackfriars, London, ca. 1764
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S. Constanza (erroneously callled Temple of Bacchus) (Veduta interna del Sepolcro di S
S. Constanza (erroneously callled Temple of Bacchus) (Veduta interna del Sepolcro di S
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The Temple of Venus and Roma (erroneously called Temple of Sol and Luna) (Veduta degli
The Temple of Venus and Roma (erroneously called Temple of Sol and Luna) (Veduta degli
Full Range of Prints and Gifts in Stock