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Georges Mcculloch Collection

Background imageGeorges Mcculloch Collection: Interior of Fort Nicholas, 1856. Artist: Edmund Walker

Interior of Fort Nicholas, 1856. Artist: Edmund Walker
Interior of Fort Nicholas, 1856. The print shows an interior view of Fort of Saint Nicholas, held by Russians until 1853, when Turks stormed the enemy lines

Background imageGeorges Mcculloch Collection: Ditch of the Bastion Du Mat, 1856. Artist: Edmund Walker

Ditch of the Bastion Du Mat, 1856. Artist: Edmund Walker
Ditch of the Bastion Du Mat, 1856. A depiction of an episode from the Crimean War (1853 - 1856). The Bastion du Mat was a redoubt built by the French Army at the far left of the British lines

Background imageGeorges Mcculloch Collection: Kamiesch, 1856. Artist: Edmund Walker

Kamiesch, 1856. Artist: Edmund Walker
Kamiesch, 1856. The print shows an episode of the Crimean War (1853 - 1856), the French Army occupying the place of Kamiesch on the west coast during the Battle of Balaclava (1854)

Background imageGeorges Mcculloch Collection: Church in the Rear of the Redan, Looking North - Showing the Effects of Shot and Shell, 1856

Church in the Rear of the Redan, Looking North - Showing the Effects of Shot and Shell, 1856. Artist: W Trask
Church in the Rear of the Redan, Looking North - Showing the Effects of Shot and Shell, 1856. The image depicts an episode of the Crimean War (1853 - 1856)

Background imageGeorges Mcculloch Collection: Cavalry Camp, 1856

Cavalry Camp, 1856. A depiction of a military encampment during the Siege of Sevastopol (1854-1855), as a part of the Crimean War (1853-1856)

Background imageGeorges Mcculloch Collection: Camp of the 4th Division, 1856. Artist: George Brackenbury

Camp of the 4th Division, 1856. Artist: George Brackenbury
Camp of the 4th Division, 1856. The print shows a military encampment during the Siege of Sevastopol (1854-1855), as a part of the Crimean War (1853-1856). After William Simpson (1823-1899)

Background imageGeorges Mcculloch Collection: Ditch of the Malakoff, Battery Gervais, and Rear of Redan, 1856. Artist: Thomas Picken

Ditch of the Malakoff, Battery Gervais, and Rear of Redan, 1856. Artist: Thomas Picken
Ditch of the Malakoff, Battery Gervais, and Rear of Redan, 1856. The image depicts an important episode of the Crimean War (1853-1856)

Background imageGeorges Mcculloch Collection: Quarantine Cemetery and Church with French Battery No. 50, 1856. Artist: Georges McCulloch

Quarantine Cemetery and Church with French Battery No. 50, 1856. Artist: Georges McCulloch
Quarantine Cemetery and Church with French Battery No. 50, 1856. The image depicts a church and a quarantine cemetery during the Crimean War (1853-1856)

Background imageGeorges Mcculloch Collection: Kertch from the North, 1856. Artist: Georges McCulloch

Kertch from the North, 1856. Artist: Georges McCulloch
Kertch from the North, 1856. A depiction of the expedition to Kertch by the British forces. The capture of the city of Kertch is part of the Siege of Sevastopol (1854-1855)

Background imageGeorges Mcculloch Collection: The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856

The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856. Artists: Jonathan Needham, William Simpson
The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856. A depiction of the Valley of Baidar taken from Petroskis Villa. The episode is part of the Crimean War (1853 -1856)

Background imageGeorges Mcculloch Collection: The North Side of the Harbour of Sebastopol, from the Top of the Harbour, 1856. Artist: W Trask

The North Side of the Harbour of Sebastopol, from the Top of the Harbour, 1856. Artist: W Trask
The North Side of the Harbour of Sebastopol, from the Top of the Harbour, 1856. A depiction of the Harbour of Sevastopol taken from a surrounding high ground

Background imageGeorges Mcculloch Collection: Fortress of Yenikale Looking Towards the Sea of Azof, 1856. Artist: Georges McCulloch

Fortress of Yenikale Looking Towards the Sea of Azof, 1856. Artist: Georges McCulloch
Fortress of Yenikale Looking Towards the Sea of Azof, 1856. A depiction of the Fortress of Yenikale during the Crimean War (1853-1856)

Background imageGeorges Mcculloch Collection: The Dreamers, 1898. Artist: Georges McCulloch

The Dreamers, 1898. Artist: Georges McCulloch
The Dreamers, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)


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