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Development of Mesmeric Science, 1883. Artist: George du MaurierDevelopment of Mesmeric Science, 1883. The fatal Mesmeric Duel in the Bois de Boulogne, between the Chevalier Lenoir, of Paris, and Professor Schwartz, of Berlin
Hypnotism, 1891. Male hypnotist putting a young woman into an hypnotic trance. Animal magnetism or hypnotism had a revival at the end of the 19th century
A Conscious Martyr, 1881 (1891). Artist: George du MaurierA Conscious Martyr, 1881 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch
Awkward Incident in Fashionable Life, 1876 (1891). Artist: SwainAwkward Incident in Fashionable Life, 1876 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch
Music at Home, 1872 (1891). Artist: George du MaurierMusic at Home, 1872 (1891). Study of an amateur comic singer struggling with an unsympathising audience. A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I
Modest Assurance, 1879 (1891). Artist: SwainModest Assurance, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891
Circumstantial Evidence, 1879 (1891). Artist: George du MaurierCircumstantial Evidence, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891
Episodes in High Life, 1879 (1891). Artist: George du MaurierEpisodes in High Life, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891
Alarming Scarcity, 1874 (1891). Artist: George du MaurierAlarming Scarcity, 1874 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891
Rivals in Social Success, 1880 (1891). Artist: George du MaurierRivals in Social Success, 1880 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891
A Speciality, 1882 (1891). Artist: George du MaurierA Speciality, 1882. A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891
A Brilliant Idea, 1881 (1891). Artist: George du MaurierA Brilliant Idea, 1881 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891
A Different Thing, 1877 (1891). Artist: George du MaurierA Different Thing, 1877 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891
Impenitent, 1878 (1891). Artist: George du MaurierImpenitent, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891
International Reciprocity, 1879 (1891). Artist: George du MaurierInternational Reciprocity, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891
The Terrors of the Law, 1881 (1891). Artist: George du MaurierThe Terrors of the Law, 1881 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891
Doux Souvenir de Fontainebleau, 1886 (1891). Artist: George du MaurierDoux Souvenir de Fontainebleau, 1886 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891
Amenities of the Tennis Lawn, 1883 (1891). Artist: George du MaurierAmenities of the Tennis Lawn, 1883 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891
Tempora Mutantur!, 1886 (1891). Artist: George du MaurierTempora Mutantur!, 1886 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891
A Reminiscence of Lords Cricket Ground (Eton vs Harrow), 1878 (1891). Artist: George du MaurierA Reminiscence of Lords Cricket Ground (Eton vs Harrow), 1878 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891
Barbarous Technicalities of Lawn Tennis, 1882 (1891). Artist: George du MaurierBarbarous Technicalities of Lawn Tennis, 1882 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891
Comforting, 1882 (1891). Artist: George du MaurierComforting, 1882 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891
A Business-like Offer, 1886 (1891). Artist: George du MaurierA Business-like Offer, 1886 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891
Induction, 1878 (1891). Artist: George du MaurierInduction, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891
The Main Chance, 1878 (1891). Artist: George du MaurierThe Main Chance, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891
Music at Home, 1885 (1891). Artist: George du MaurierMusic at Home, 1885 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891
Consolation, 1880 (1891). Artist: George du MaurierConsolation, 1880 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891
A Struggle for Supremacy, 1875 (1891). Artist: George du MaurierA Struggle for Supremacy, 1875 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891
Excess a Fault, 1875 (1891). Artist: SwainExcess a Fault, 1875 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891
Its not so difficult to speak French, after all, 1882 (1891). Artist: George du MaurierIts not so difficult to speak French, after all, 1882 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891
Social Beings, 1876 (1891). Artist: George du MaurierSocial Beings, 1876 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch
Disastrous Result of Beautymania, 1879 (1891). Artist: George du MaurierDisastrous Result of Beautymania, 1879 (1891). The last new beauty, having an innocent cast of countenance, has been painted, sculptured, and photographed with her head on one side
The Ruling Passion, 1872 (1891). Artist: George du MaurierThe Ruling Passion, 1872 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch
Circumstantial Evidence, 1886 (1891). Artist: George du MaurierCircumstantial Evidence, 1886 (1891). Edwin: I ve just found a shot in my bit of partridge!. Angelina: How odd, so have I! Poor things, they ve had to shoot it twice!
Two Thrones, 1879 (1891). Artist: George du MaurierTwo Thrones, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch
The Festive Season, 1883 (1891). Artist: George du MaurierThe Festive Season, 1883 (1891). Mistress: And you may all of you ask a friend to dinner, you know; and, Smithers, you can ask your wife. Butler: Thanks you, ma am; I think not, if you please
Art in Excelsis, 1874 (1891). Artist: George du MaurierArt in Excelsis, 1874 (1891). The Montgomery Spiffunses have just had their drawing-room ceiling elaborately decorated by artistic hands
A Graceless Child, 1872 (1891). Artist: George du MaurierA Graceless Child, 1872 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch
Happy Thought!, 1887 (1891). Artist: George du MaurierHappy Thought!, 1887 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch
Aggravating Flippancy, 1870 (1891). Artist: George du MaurierAggravating Flippancy, 1870 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch
A Sweet Delusion, 1878 (1891). Artist: SwainA Sweet Delusion, 1878 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch
Ceremony, 1872 (1891). Artist: George du MaurierCeremony, 1872 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch
Darwinian Ancestor, 1887. Artist: George du MaurierDarwinian Ancestor, 1887. Charles Darwin (1809-1882) said to the Scottish geologist Charles Lyell (1797-1875) Our ancestor was an animal which breathed water, had a swim-bladder
George du Maurier cartoon from Punch illustrating Darwinism, 1887. Artist: George du MaurierDevelopment of Species Under Civilisation, 1887. The old evolutionary argument of Nature or Nurture: it would be a brave person who came to a conclusion on this evidence. Cartoon from Punch
The Survival of the Fittest; application of Darwinism in the 21st century, 1880. Artist: George du MaurierThe Survival of the Fittest ; application of Darwinism in the 21st century, 1880. The term Survival of the fittest was first used by Herbert Spencer (1820-1903) in 1851
Honour to Agneta Frances Ramsay! Cambridge, June, 1887. Artist: George du MaurierHonour to Agneta Frances Ramsay! Cambridge, June, 1887. Mr Punch bows to Agneta Frances Ramsay who sat, and passed with First Class Honours, the papers set
The Coming Race, 1872. Artist: George du MaurierThe Coming Race, 1872. Cartoon showing the patronising attitude women in the medical profession could expect from male colleagues. From Punch, London, 14 September 1872
A Misnomer, Surely!, 1880. Artist: George du MaurierA Misnomer, Surely!, 1880. A large party of Cooks Tourists queueing outside a restaurant. Cartoon from Punch, 25th September 1880