Skip to main content
sales@mediastorehouse.co.uk
Framed Pictures, Canvas Prints
Posters & Jigsaws since 2004

Geometric Gallery

Available as Framed Photos, Canvas Prints, Wall Art and Gift Items

Choose from 176 pictures in our Geometric collection for your Wall Art or Photo Gift. Popular choices include Framed Photos, Canvas Prints, Posters and Jigsaw Puzzles. All professionally made for quick delivery.


Portrait of Federico da Montefeltro, Duke of Urbino, c1465. Artist: Pietro della Francesca Featured Print

Portrait of Federico da Montefeltro, Duke of Urbino, c1465. Artist: Pietro della Francesca

Portrait of Federico da Montefeltro, Duke of Urbino, c 1465. On the front the two panels show profile portraits of Federico da Montefeltro, Duke of Urbino, and his wife, Battista Sforza. The reverse shows allegorical representations of their virtues

© Art Media / Heritage-Images

15th Century, Art Media, Century, Clothes, Color, Colour, Country, Dress, Duke, Duke Of Urbino, Expression, Federico Da, Federico Da Montefeltro, Fifteenth Century, Francesca, Geometric, Hat, Italian, Italy, Location, Montefeltro, People, Piero De Franceschi, Piero Della Francesco, Pietro Della, Pietro Della Francesca, Portrait, Print Collector3, Profile, Red, Renaissance, Royal, Royalty, Tempera

Medieval stone mosaic, (1898). Creator: Unknown Featured Print

Medieval stone mosaic, (1898). Creator: Unknown

Medieval stone mosaic, (1898). Figs 1-8: Engraved stone-flags from the old cathedral at St. Omer, 13th century (ground brown, interior design of horse and horseman filled up with red). Figs 9 and 10: Mosaic floors of burnt clay, enamelled, from a collection at Dresden (black and red centres with white edging) 13th century. Figs 11 and 12: Mosaic floors of burnt clay, enamelled, from the cloister-church Colombe-les-Sens (red, black and yellow), 12th century. Figs 13 and 14: Mosaic floors of burnt clay, enamelled, from the abbey-church at St. Denis (red, black and yellow), 12th century. Figs 15 and 16: Mosaic floors of burnt clay, enamelled, from the old abbey-church at Pontigny, 12th century (yellow, red and black on green ground). Figs 17-23: Enamelled clay-tiles from St. Pierre-sur-Dive, 12th century (yellow and black-brown). Figs 24 and 25: Enamelled clay-tiles from the church at Bloxham, 13th century (red and yellow). Figs 26 and 27: Enamelled clay-tiles from Beddington-Church in Surrey, 15th century (red and yellow). Fig 28: Engraved clay-tiles from the town-hall at Ravensburg (natural colour without glazing), 14th century. Fig 29: Engraved clay-tiles from a patrician house ibid., 14th century. Fig 30: Clay-tiles with deepened ground, natural colour without glazing, 14th century, from the church at Gaildorf. Fig 31: Clay-tiles with deepened ground and relief-figures from the cloister at Alpirsbach, 12th century. Plate 38 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]

© The Print Collector/Heritage Images

Byzantine incrusted enamel, marble mosaic, glass mosaic, (1898). Creator: Unknown Featured Print

Byzantine incrusted enamel, marble mosaic, glass mosaic, (1898). Creator: Unknown

Byzantine incrusted enamel, marble mosaic, glass mosaic, (1898). Fig 1: Christ enthroned on a rainbow and surrounded by the symbols of the four Evangelists - book-cover of gilt bronze decorated with incrusted enamel and stones, 12th century, in the Museo Correi at Venice. Figs 2, 3 and 5: Marble mosaics from floors in S. Alessio at Rome. Fig 4: Marble mosaics from floors in S. Maria in Cosmedin ibid. Fig 6: Marble mosaics from floors in S. Vitale at Ravenna. Fig 7: Glass mosaics from S. Maria in Araceli at Rome. Fig 8: Glass mosaics from S. Alessio at Rome. Figs 9 and 10: Glass mosaics from the Duomo at Messina. Figs 11-13: Glass mosaics from the Duomo at Monreale. Figs 14-16: Glass mosaics from the Facade of the Cathedral of Orvieto. Figs 17 and 18: Marble-mosaic-bands from capitals in St. Mark's at Venice. Figs 19 and 20: Marble-mosaic-bands from the walls of Sta. Sofia, Constantinople [Istanbul]. (Fig 1, after an original drawing by A. Borkhardt, architect at Stutgarl. Figs 2-5, 7, 8, 14, 15 and 16 after original drawings by H. Dolmersch al Stuttgart. Plate 32 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]

© The Print Collector/Heritage Images