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Geoffrey Holme Collection (page 8)

Background imageGeoffrey Holme Collection: Well, My Kate, I See You Have Changed Your Dress As I Bade You. 1912, (1923). Artist: Hugh Thomson

Well, My Kate, I See You Have Changed Your Dress As I Bade You. 1912, (1923). Artist: Hugh Thomson
Well, My Kate, I See You Have Changed Your Dress As I Bade You. 1912, (1923). She Stoops to Conquer is a comedy by Anglo-Irish author Oliver Goldsmith that was first performed in London in 1773

Background imageGeoffrey Holme Collection: The Letter. Unpublished Pen Drawing, 1890, 1923. Artist: Edwin Austin Abbey

The Letter. Unpublished Pen Drawing, 1890, 1923. Artist: Edwin Austin Abbey
The Letter. Unpublished Pen Drawing, 1890, 1923. Edwin Austin Abbey RA (1852-1911) was an American muralist, illustrator, and painter

Background imageGeoffrey Holme Collection: The Crew Was Complete. From The Hunting of the Snark (Lewis Carroll), 1874-1876, (1923)

The Crew Was Complete. From The Hunting of the Snark (Lewis Carroll), 1874-1876, (1923). Artist: Henry Holiday
The Crew Was Complete. From The Hunting of the Snark (Lewis Carroll), 1874-1876, (1923). The Hunting of the Snark (An Agony in 8 Fits) is a poem written by Lewis Carroll

Background imageGeoffrey Holme Collection: Water-Colour Drawing for Colour Wood-Block Print, 1880-1890, (1923). Artist: Catherine Greenaway

Water-Colour Drawing for Colour Wood-Block Print, 1880-1890, (1923). Artist: Catherine Greenaway
Water-Colour Drawing for Colour Wood-Block Print, 1880-1890, (1923). Catherine Kate Greenaway (1846-1901) was an English childrens book illustrator and writer

Background imageGeoffrey Holme Collection: Juvenile Party, From Punch, 1864, (1923). Artist: John Leech

Juvenile Party, From Punch, 1864, (1923). Artist: John Leech
Juvenile Party, From Punch, 1864, (1923). A work devoted to the serious glorification of juvenile aristocracy. From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme

Background imageGeoffrey Holme Collection: Boxing Night. Pen Drawing on Wood, c1890, (1923). Artist: Luke Fildes

Boxing Night. Pen Drawing on Wood, c1890, (1923). Artist: Luke Fildes
Boxing Night. Pen Drawing on Wood, 1923. Sir Samuel Luke Fildes (1843-1927) was an English painter and illustrator born in Liverpool and trained at the South Kensington and Royal Academy schools

Background imageGeoffrey Holme Collection: The Shepheards Calendar - March, 1898, (1923). Artist: Walter Crane

The Shepheards Calendar - March, 1898, (1923). Artist: Walter Crane
The Shepheards Calendar - March, 1898, (1923).. Cranes cover design for Spensers Shepheards Calender is bold in its blatantly illustrative style

Background imageGeoffrey Holme Collection: Queen Catherine: Lord Cardinal, -To You I Speak c1890, (1923) Artist: Sir John Gilbert

Queen Catherine: Lord Cardinal, -To You I Speak c1890, (1923) Artist: Sir John Gilbert
Queen Catherine: Lord Cardinal, -To You I Speak. c1890, (1923). From King Henry The Eighth, Act II, Scene 4. From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme

Background imageGeoffrey Holme Collection: Vanity Fair. From The Pilgrims Progress (Bunyan), c1861, (1923). Artist: Frederic Shields

Vanity Fair. From The Pilgrims Progress (Bunyan), c1861, (1923). Artist: Frederic Shields
Vanity Fair. From The Pilgrims Progress (Bunyan), 1861, (1923). A 1678 Christian allegory written by John Bunyan. It is regarded as one of the most significant works of religious English literature

Background imageGeoffrey Holme Collection: The Trial Sermon, c1862, (1923). Artist: James Abbott McNeill Whistler

The Trial Sermon, c1862, (1923). Artist: James Abbott McNeill Whistler
The Trial Sermon, 1862, (1923). James Abbott McNeill Whistler (1834-1903) was an American artist, active during the American Gilded Age and based primarily in the United Kingdom

Background imageGeoffrey Holme Collection: Vanity Fair. From The Pilgrims Progress (John Bunyan), c1850-1890, (1923)

Vanity Fair. From The Pilgrims Progress (John Bunyan), c1850-1890, (1923). Artist: John Dawson Watson
Vanity Fair. From The Pilgrims Progress (John Bunyan), c1850-1890, (1923). A 1678 Christian allegory written by John Bunyan

Background imageGeoffrey Holme Collection: Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). Artist: Helen Paterson Allingham

Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). Artist: Helen Paterson Allingham
Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). She Had Wandered Off Into This Day-Dream, and Almost Forgotten Mr

Background imageGeoffrey Holme Collection: The Passion Flowers of Life. c1860-1890, (1923). Artist: John Pettie

The Passion Flowers of Life. c1860-1890, (1923). Artist: John Pettie
The Passion Flowers of Life. c1860-1890, (1923). John Pettie RA (1839-1893) was a Scottish painter who spent most of his career in England

Background imageGeoffrey Holme Collection: The Escaped Convict. From Great Expectations (Dickens), c1830-1870, (1923). Artist: James Mahoney

The Escaped Convict. From Great Expectations (Dickens), c1830-1870, (1923). Artist: James Mahoney
The Escaped Convict. From Great Expectations (Dickens), c1830-1870, (1923). Great Expectations is the thirteenth novel by Charles Dickens

Background imageGeoffrey Holme Collection: Joy. Frontispiece to Golden Thoughts from Golden Fountains, 1867, (1923). Artist: Dalziel Brothers

Joy. Frontispiece to Golden Thoughts from Golden Fountains, 1867, (1923). Artist: Dalziel Brothers
Joy. Frontispiece to Golden Thoughts from Golden Fountains, 1867, (1923). Fifty-two wood engravings by the Dalziel brothers; after Arthur Boyd Houghton

Background imageGeoffrey Holme Collection: Illustration from poem A Becketts Troth. c1860-1875, (1923). Artist: George John Pinwell

Illustration from poem A Becketts Troth. c1860-1875, (1923). Artist: George John Pinwell
Illustration from poem A Becketts Troth. c1860-1875, (1923). Gilbert a Becket. Romantic story of a 12th-century crusader, Gilbert O Becket, who is rescued by a Saracen woman

Background imageGeoffrey Holme Collection: Elijah and the Widows Son, c1840-1890, (1923). Artist: Ford Madox Brown

Elijah and the Widows Son, c1840-1890, (1923). Artist: Ford Madox Brown
Elijah and the Widows Son, c1840-1890, (1923).From the Book of Kings; God told Elijah to go to the town of Sarepta and to seek out a widow that would find him water and food (vv.7-9)

Background imageGeoffrey Holme Collection: Illustration from Sister Annes Probation, c1850-1890, (1923). Artist: John Everett Millais

Illustration from Sister Annes Probation, c1850-1890, (1923). Artist: John Everett Millais
Illustration from Sister Annes Probation, c1850-1890, (1923). Harriet Martineau (1802-1876) was a British social theorist and Whig writer, often cited as the first female sociologist

Background imageGeoffrey Holme Collection: The Translator Presenting His Book to the Duke of Norfolk. c1500-1520, (1923)

The Translator Presenting His Book to the Duke of Norfolk. c1500-1520, (1923). Artist: Richard Pynson
The Translator Presenting His Book to the Duke of Norfolk. c1500-1520, 1923. Alexander Barclays Version of Sallusts Jugurtha

Background imageGeoffrey Holme Collection: Illustrations to The Vicar of Wakefield (Goldsmith). c1800-1860, (1923). Artist: William Mulready

Illustrations to The Vicar of Wakefield (Goldsmith). c1800-1860, (1923). Artist: William Mulready
Illustrations to The Vicar of Wakefield (Goldsmith). c1800-1860, (1923). The Vicar of Wakefield subtitled A Tale, Supposed to be written by Himself is a novel by Irish writer Oliver Goldsmith

Background imageGeoffrey Holme Collection: The Concert. From Matthew Brambles Trip to Bath. c1780-1820, (1923). Artist: Thomas Rowlandson

The Concert. From Matthew Brambles Trip to Bath. c1780-1820, (1923). Artist: Thomas Rowlandson
The Concert. From Matthew Brambles Trip to Bath. c1780-1820, (1923). Thomas Rowlandson (1756-1827), watercolour, pen & ink and pencil on paper laid on mount

Background imageGeoffrey Holme Collection: The Lord Answering Job Out of the Whirlwind. From Job. c1780-1820, (1923). Artist: William Blake

The Lord Answering Job Out of the Whirlwind. From Job. c1780-1820, (1923). Artist: William Blake
The Lord Answering Job Out of the Whirlwind. From Job. c1780-1820, (1923). Job is the central figure of the Book of Job in the Bible

Background imageGeoffrey Holme Collection: The Dystruccion of Jherusalem, by Vaspazian and Tytus, c16th century, (1923)

The Dystruccion of Jherusalem, by Vaspazian and Tytus, c16th century, (1923). Artist: Wynkyn de Worde
The Dystruccion of Jherusalem, by Vaspazian and Tytus, c16th century, (1923). The Siege of Jerusalem in the year AD70 was the decisive event of the First Jewish-Roman War

Background imageGeoffrey Holme Collection: Let Me Think of the Comfortable Family Dinners. 1862, (1923). Artist: Charles Edmund Brock

Let Me Think of the Comfortable Family Dinners. 1862, (1923). Artist: Charles Edmund Brock
Let Me Think of the Comfortable Family Dinners. 1862, (1923). Dreamthorp: a Book of Essays Written in the Country, had a running theme in an understanding that human finiteness contributes to our

Background imageGeoffrey Holme Collection: From Christmas. Alexander Smiths Essays Dreamthorp, 1862, (1923). Artist: Charles Edmund Brock

From Christmas. Alexander Smiths Essays Dreamthorp, 1862, (1923). Artist: Charles Edmund Brock
From Christmas. Alexander Smiths Essays Dreamthorp, 1862, (1923). Charles Edmund Brock (1870-1938) was a widely published English painter, line artist and book illustrator

Background imageGeoffrey Holme Collection: But This Course Did Not Please His Subjects. 1899, (1923). Artist: Byam Shaw

But This Course Did Not Please His Subjects. 1899, (1923). Artist: Byam Shaw
But This Course Did Not Please His Subjects. 1899, (1923). (Griselda) From Tales from Boccaccio (Joseph Jacobs). A woman whose husband tests her loyalty by convincing her that he killed their

Background imageGeoffrey Holme Collection: Viola: Yet A Barful Strife! Whoe er I Woo, Myself Would Be His Wife. 1923. Artist: W Heath Robinson

Viola: Yet A Barful Strife! Whoe er I Woo, Myself Would Be His Wife. 1923. Artist: W Heath Robinson
Viola: Yet A Barful Strife! Whoe er I Woo, Myself Would Be His Wife. 1923. From Twelfth Night, Act 1, Scene 4 (Shakespeare). A ship is wrecked on the rocks



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