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Plate 32 from Los Caprichos : Because she was susceptible (Por que fue sensible. ), 1799Plate 32 from Los Caprichos :Because she was susceptible (Por que fue sensible.), 1799
Plate 30 from Los Caprichos : Why hide them? (Porque esconderlos?), 1799
Plate 28 from Los Caprichos : Hush (Chiton. ), 1799. Creator: Francisco GoyaPlate 28 from Los Caprichos : Hush (Chiton.), 1799
Plate 26 from Los Caprichos : They ve already got a seat (Ya tienen asiento. ), 1799Plate 26 from Los Caprichos :They ve already got a seat (Ya tienen asiento.), 1799
Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio. ), 1799Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio.), 1799
Plate 22 from Los Caprichos : Poor little girls! (Pobrecitas!), 1799
Plate 21 from Los Caprichos : How they pluck her! (!Qual la descanonanPlate 21 from Los Caprichos : How they pluck her! (aQual la descanonan!), 1799
Plate 18 from Los Caprichos : And his house is on fire (Ysele quema la Casa. ), 1799Plate 18 from Los Caprichos :And his house is on fire (Ysele quema la Casa.), 1799
Plate 17 from Los Caprichos : It is nicely stretched (Bien tirada esta. ), 1799Plate 17 from Los Caprichos : It is nicely stretched (Bien tirada esta.), 1799
Plate 16 from Los Caprichos : For heavens sake: and it was her mother (Dios la PerdonePlate 16 from Los Caprichos :For heavens sake: and it was her mother (Dios la Perdone: Y era su madre), 1799
Plate 15 from Los Caprichos : Pretty Advice (Bellos consejos), 1799
Plate 13 from Los Caprichos : They are Hot (Estan Calientes), 1797-98Plate 13 from Los Caprichos :They are Hot (Estan Calientes), 1797-98
Plate 9 from Los Caprichos : Tantalus (Tantalo. ), 1799. Creator: Francisco GoyaPlate 9 from Los Caprichos : Tantalus (Tantalo.), 1799
Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes. ), 1799Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes.), 1799
Plate 10 from Los Caprichos : Love and death (El amor y la muerte), 1799
Plate 8 from Los Caprichos : They carried her off! (Que se la llevaron!), 1799
Plate 7 from Los Caprichos : Even thus he cannot make her out (Ni asi la distingue.), 1799
Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco. ), 1799Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco.), 1799
Plate 1 from Los Caprichos : Self-portrait of Goya ( Franco. Goya e Lucientes, Pintor), 1799
Old woman on a swing (Vieja columpiandose). n. d. Creator: Francisco GoyaOld woman on a swing (Vieja columpiandose).n.d
Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce.), 1799
Plate 4 from Los Caprichos : Nannys boy (El de la rollona. ), 1799Plate 4 from Los Caprichos : Nannys boy (El de la rollona.), 1799
Plate 2 from Los Caprichos : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), 1799
The cloaked man (El Embozado). Creator: UnknownThe cloaked man (El Embozado)
Isabel of Bourbon, Queen of Spain and wife of Philip IV (D. Isabel de Borbon, Reyna de Espana, muger de Felipe Quarto), 1778
Balthasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de Espana. Hijo del Rey D. Felipe IV), from Etchings after Velazquez, 1778
The Garroted Man (El agarrotado), ca. 1778-80. Creator: Francisco GoyaThe Garroted Man (El agarrotado), ca. 1778-80
The custody is as barbarous as the crime (Tan barbara la seguridad como el delito), ca. 1815
Moenippus (Menipo Filosofo), 1778. Creator: Francisco GoyaMoenippus (Menipo Filosofo), 1778
Aesop (Aesopus), from Etchings after Velazquez, 1778. Creator: Francisco GoyaAesop (Aesopus), from Etchings after Velazquez, 1778
The garroted man (El agarrotado), 1778-80. Creator: Francisco GoyaThe garroted man (El agarrotado), 1778-80
A dwarf (un enano) known as El Primo after Diego Velazquez, 1778
A Maja standing against a dark background (Maja). Creator: Francisco GoyaA Maja standing against a dark background (Maja)
Sebastian Martinez y Perez (1747-1800), 1792. Creator: Francisco GoyaSebastian Martinez y Perez (1747-1800), 1792
Ignacio Garcini y Queralt (1752-1825), Brigadier of Engineers, 1804. Creator: Francisco GoyaIgnacio Garcini y Queralt (1752-1825), Brigadier of Engineers, 1804
Condesa de Altamira and Her Daughter, Maria Agustina, 1787-88. Creator: Francisco GoyaCondesa de Altamira and Her Daughter, Maria Agustina, 1787-88
Infanta Maria Luisa (1782-1824) and Her Son Carlos Luis (1799-1883). CreatorInfanta Maria Luisa (1782-1824) and Her Son Carlos Luis (1799-1883)
Narcisa Baranana de Goicoechea. Creator: Francisco GoyaNarcisa Baranana de Goicoechea
Maria Luisa of Parma (1751-1819), Queen of Spain. Creator: UnknownMaria Luisa of Parma (1751-1819), Queen of Spain
Don Bernardo de Iriarte (1735-1814). Creator: Copy after Goya (Spanish, 1797 or later)Don Bernardo de Iriarte (1735-1814)
Bullfight in a Divided Ring. Creator: Francisco GoyaBullfight in a Divided Ring
A City on a Rock. Creator: UnknownA City on a Rock
Ferdinand VII (1784-1833), When Prince of Asturias. Creator: Francisco GoyaFerdinand VII (1784-1833), When Prince of Asturias
Josefa de Castilla Portugal y van Asbrock de Garcini (1775-about 1850), 1804. CreatorJosefa de Castilla Portugal y van Asbrock de Garcini (1775-about 1850), 1804
Manuel Osorio Manrique de Zuniga (1784-1792), 1787-88. Creator: Francisco GoyaManuel Osorio Manrique de Zuniga (1784-1792), 1787-88
Jose Costa y Bonells (died 1870), Called Pepito, ca. 1810. Creator: Francisco GoyaJose Costa y Bonells (died 1870), Called Pepito, ca. 1810
Tiburcio Perez y Cuervo (1785 / 86-1841), the Architect, 1820. Creator: Francisco GoyaTiburcio Perez y Cuervo (1785/86-1841), the Architect, 1820
Witch riding a goat, late 18th-early 19th century, (1943). Creator: Francisco GoyaWitch riding a goat, late 18th-early 19th century, (1943). Drawing in the Prado Museum, Madrid. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings)
