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Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco GoyaPlate 80 from Los Caprichos : It is time (Ya es hora.), 1799
Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco GoyaPllate 60 from Los Caprichos : Trials (Ensayos.), 1799
Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799Plate 25 from Los Caprichos : If he broke the pot (Si quebro el Cantaro.), 1799
Portrait of Asensio Julià, 1798. Creator: Francisco GoyaPortrait of Asensio Julia, 1798
Portrait of Ferdinand VII, 1814. Creator: Francisco GoyaPortrait of Ferdinand VII, 1814
El tío Paquete, 1819. Creator: Francisco GoyaEl tio Paquete, 1819. Tio Paquete was a well known blind man in Madrid who was to be found in the area of the church of San Felipe el Real
Pretty Teachings (Bellos Consejos), 1799, Printed 1868. Creator: Francisco GoyaPretty Teachings (Bellos Consejos), 1799, Printed 1868
They Spruce Themselves Up (Se Repulen), 1799. Creator: Francisco GoyaThey Spruce Themselves Up (Se Repulen), 1799
There Was No Remedy (No Hubo Remedio), 1799. Creator: Francisco GoyaThere Was No Remedy (No Hubo Remedio), 1799
Blow (Sopla), 1799. Creator: Francisco GoyaBlow (Sopla), 1799
Majas on a Balcony, ca. 1800-1810. Creator: Francisco GoyaMajas on a Balcony, ca. 1800-1810
Truth, Time and History, late 18th-early 19th century. Creator: Francisco GoyaTruth, Time and History, late 18th-early 19th century
The Architect Ventura Rodriguez, 1784. Creator: Francisco GoyaThe Architect Ventura Rodriguez, 1784
Poetry and Poets, 1800s. Creator: Francisco GoyaPoetry and Poets, 1800s. Poetry is symbolised by a woman with a lyre. She is seated near the top of Mount Helicon, abode of the muses, goddesses of poetry
Portrait of Don Ramón Satué, 1823. Creator: Francisco GoyaPortrait of Don Ramon Satue, 1823. Other Title(s): Portrait of Don Ramon Satue y Allue (1765-1824) Alcalde de Corte (Judge of the Fifth Chamber of the Council of Castile in La Corte)
Skinned Head of an Ox, 1688-1691. Creators: Francisco Goya, Felice BoselliSkinned Head of an Ox, 1688-1691
Costume of the Time of Goya, n.d. Creator: Mariano Jose Maria Bernardo Fortuny y CarboCostume of the Time of Goya, n.d
The Hanged Monk, c. 1810. Creator: Francisco GoyaThe Hanged Monk, c. 1810
Winter Scene, c. 1786. Creator: Francisco GoyaWinter Scene, c. 1786
Portrait of General JoseManuel Romero, c. 1810. Creator: Francisco GoyaPortrait of General Jose Manuel Romero, c. 1810
El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806
Portrait of Isidoro Maiquez, c. 1807. Creator: Francisco GoyaPortrait of Isidoro Maiquez, c. 1807
Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806. Creator: Francisco GoyaFriar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806
Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, c. 1806
Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806. Creator: Francisco GoyaFriar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806
Friar Pedro Wrests the Gun from El Maragato, c. 1806. Creator: Francisco GoyaFriar Pedro Wrests the Gun from El Maragato, c. 1806
Boy on a Ram, 1786 / 87. Creator: Francisco GoyaBoy on a Ram, 1786/87
Friar Pedro Binds El Maragato with a Rope, c. 1806. Creator: Francisco GoyaFriar Pedro Binds El Maragato with a Rope, c. 1806
The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de GoyaThe Duke of Wellington, c. 1812
Senora Sabasa Garcia, c. 1806 / 1811. Creator: Francisco GoyaSenora Sabasa Garcia, c. 1806/1811
Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de GoyaCharles IV of Spain as Huntsman, c. 1799/1800
BartolomeSureda y Miserol, c. 1803 / 1804. Creator: Francisco GoyaBartolome Sureda y Miserol, c. 1803/1804
Young Lady Wearing a Mantilla and Basquina, c. 1800 / 1805. Creator: Francisco GoyaYoung Lady Wearing a Mantilla and Basquina, c. 1800/1805
Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon, 1783
Victor Guye, 1810. Creator: Francisco GoyaVictor Guye, 1810
Therese Louise de Sureda, c. 1803 / 1804. Creator: Francisco GoyaTherese Louise de Sureda, c. 1803/1804
Don Antonio Noriega, 1801. Creator: Francisco GoyaDon Antonio Noriega, 1801
The Marquesa de Pontejos, c. 1786. Creator: Francisco GoyaThe Marquesa de Pontejos, c. 1786
Portrait of a Young Man, ca. 1820. Creator: Formerly attributed to GoyaPortrait of a Young Man, ca. 1820
Philip IV on horseback, after Velazquez, 1778. Creator: Francisco GoyaPhilip IV on horseback, after Velazquez, 1778
Plate 28 from The Disasters of War (Los Desastres de la Guerra): Rabble. (Populacho.), 1810 (published 1863)
Plate 79 from The Disasters of War (Los Desastres de la Guerra): Truth has died. (Murio la verdad.), after 1814-15 (published 1863)
Plate 26 from The Disasters of War (Los Desastres de la Guerra): One can t look. (No se puede mirar.), 1810-20, published 1863
Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by aPlate 32 from the Tauromaquia :Two teams of picadors thrown one after the other by a single bull. 1816
Plate 31 of the Tauromaquia : Banderillas with firecrackers. 1816
Plate 30 of the Tauromaquia : Pedro Romero killing the halted bull. 1816
Plate 29 of the Tauromaquia : Pepe Illo making the pass of the recorte. 1816
Plate 24 of the Tauromaquia : The same Ceballos mounted on another bull breaks short spears in the ring at Madrid. 1816
Plate 22 from the Tauromaquia : Manly courage of the celebrated Pajuelera in [the ring]Plate 22 from the Tauromaquia :Manly courage of the celebrated Pajuelera in [the ring] at Saragossa. 1816
Plate 19 of the Tauromaquia : Another madness of his in the same ring. 1816
Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816
Plate 13 of the Tauromaquia : A Spanish mounted knight in the ring breaking short spears without the help of assistants, , 1816
Plate 16 of the Tauromaquia : The same man throws a bull in the ring at Madrid. 1816
Plate 14 from the Tauromaquia : The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body. 1816
Plate 9 of the Tauromaquia : A Spanish knight kills the bull after having lost his horse. 1816
Plate 8 of the Tauromaquia : A Moor caught by the bull in the ring, 1816
Plate 1 from The Tauromaquia : The way in which the ancient Spaniards hunted bulls on horseback in the open country, 1816
Plate 3 of the Tauromaquia : The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, 1816
Baltasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de Espana. Hijo del Rey D. Felipe IV), 1778
Plate 16 from the Disparates : Wounds heal quicker than hasty words, ca. 1816-23 (published 1864)
Plate 18 from the Disparates : Birds of a feather flock together, caPlate 18 from the Disparates :Birds of a feather flock together, ca. 1816-23 (published 1864)
Plate 11 from the Disparates : Poor Folly, ca. 1816-23 (published 1864)
Plate 9 from the Disparates : General folly, ca. 1816-23 (published 1864)Plate 9 from the Disparates :General folly, ca. 1816-23 (published 1864)
Plate 2 of the Tauromaquia : Another way of hunting on foot, 1816
Plate C: The dogs let loose on the bull. ca. 1816. Creator: Francisco GoyaPlate C: The dogs let loose on the bull. ca. 1816
Plate 33 from the Tauromaquia : The unlucky death of Pepe Illo in the ring at Madrid. 1816
Plate 27 from the Tauromaquia : The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike, 1816
Plate 23 from the Tauromaquia : Mariano Ceballos, alias the IndianPlate 23 from the Tauromaquia :Mariano Ceballos, alias the Indian, kills the bull from his horse. 1816
Plate 21 from the Tauromaquia : Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, 1816
Plate 20 from the Tauromaquia : The agility and audacity of Juanito ApiñPlate 20 from the Tauromaquia :The agility and audacity of Juanito Apinani in [the ring] at Madrid. 1816
Plate 12 from the Tauromaquia : The crowd hamstrings the bull with lances, sickles, banderillas and other arms. 1816
Plate 11 from the Tauromaquia : The Cid campeador spearing another bull. 1816
Plate 10 from La Tauromaquia : Charles V spearing a bull in the ring at Valladolid, 1816
Plate 6 from The Tauromaquia : The Moors make a different play in the ring calling thePlate 6 from The Tauromaquia :The Moors make a different play in the ring calling the bull with their burnous. 1816
Plate 5 from The Tauromaquia : The spirited Moor Gazul is the first to spear bulls according to the rules, 1816
Plate D from the Disparates : Fools- or Little Bulls - folly, ca. 1816-23 (published 1877)
Plate 4 from the Disparates : Simpleton, ca. 1816-23 (published between 1854-63)
Plate 12 from the Disparates : If Marion will dance, then she has... caPlate 12 from the Disparates : If Marion will dance, then she has to take the consequences, ca. 1816-23 (published 1864)
Plate 5 from the Disparates : Flying Folly, ca. 1816-23 (private printing ca. 1854)Plate 5 from the Disparates : Flying Folly, ca. 1816-23 (private printing ca.1854)
Plate 7 from the Disparates : Disorderly Folly, ca. 1816-23 (published 1864)
Plate 6 from the Disparates : It is amazing-and we were made by God, ca. 1816-23 (published 1864)
Plate 2 from the Disparates : Folly of Fear, ca. 1816-23 (published ca. 1848)
Plate 1 from the Disparates : Feminine folly. ca. 1816-23 (published 1864)
Plate 17 from the Disparates : Loyalty, ca. 1816-23 (published 1864)
