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Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco GoyaPlate 80 from Los Caprichos : It is time (Ya es hora.), 1799
Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco GoyaPllate 60 from Los Caprichos : Trials (Ensayos.), 1799
Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799Plate 25 from Los Caprichos : If he broke the pot (Si quebro el Cantaro.), 1799
The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de GoyaThe Duke of Wellington, c. 1812
Senora Sabasa Garcia, c. 1806 / 1811. Creator: Francisco GoyaSenora Sabasa Garcia, c. 1806/1811
Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de GoyaCharles IV of Spain as Huntsman, c. 1799/1800
BartolomeSureda y Miserol, c. 1803 / 1804. Creator: Francisco GoyaBartolome Sureda y Miserol, c. 1803/1804
Young Lady Wearing a Mantilla and Basquina, c. 1800 / 1805. Creator: Francisco GoyaYoung Lady Wearing a Mantilla and Basquina, c. 1800/1805
Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon, 1783
Victor Guye, 1810. Creator: Francisco GoyaVictor Guye, 1810
Therese Louise de Sureda, c. 1803 / 1804. Creator: Francisco GoyaTherese Louise de Sureda, c. 1803/1804
Don Antonio Noriega, 1801. Creator: Francisco GoyaDon Antonio Noriega, 1801
The Marquesa de Pontejos, c. 1786. Creator: Francisco GoyaThe Marquesa de Pontejos, c. 1786
Portrait of a Young Man, ca. 1820. Creator: Formerly attributed to GoyaPortrait of a Young Man, ca. 1820
Philip IV on horseback, after Velazquez, 1778. Creator: Francisco GoyaPhilip IV on horseback, after Velazquez, 1778
Plate 28 from The Disasters of War (Los Desastres de la Guerra): Rabble. (Populacho.), 1810 (published 1863)
Plate 79 from The Disasters of War (Los Desastres de la Guerra): Truth has died. (Murio la verdad.), after 1814-15 (published 1863)
Plate 26 from The Disasters of War (Los Desastres de la Guerra): One can t look. (No se puede mirar.), 1810-20, published 1863
Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by aPlate 32 from the Tauromaquia :Two teams of picadors thrown one after the other by a single bull. 1816
Plate 31 of the Tauromaquia : Banderillas with firecrackers. 1816
Plate 30 of the Tauromaquia : Pedro Romero killing the halted bull. 1816
Plate 29 of the Tauromaquia : Pepe Illo making the pass of the recorte. 1816
Plate 24 of the Tauromaquia : The same Ceballos mounted on another bull breaks short spears in the ring at Madrid. 1816
Plate 22 from the Tauromaquia : Manly courage of the celebrated Pajuelera in [the ring]Plate 22 from the Tauromaquia :Manly courage of the celebrated Pajuelera in [the ring] at Saragossa. 1816
Plate 19 of the Tauromaquia : Another madness of his in the same ring. 1816
Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816
Plate 13 of the Tauromaquia : A Spanish mounted knight in the ring breaking short spears without the help of assistants, , 1816
Plate 16 of the Tauromaquia : The same man throws a bull in the ring at Madrid. 1816
Plate 14 from the Tauromaquia : The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body. 1816
Plate 9 of the Tauromaquia : A Spanish knight kills the bull after having lost his horse. 1816
Plate 8 of the Tauromaquia : A Moor caught by the bull in the ring, 1816
Plate 1 from The Tauromaquia : The way in which the ancient Spaniards hunted bulls on horseback in the open country, 1816
Plate 3 of the Tauromaquia : The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, 1816
Baltasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de Espana. Hijo del Rey D. Felipe IV), 1778
Plate 16 from the Disparates : Wounds heal quicker than hasty words, ca. 1816-23 (published 1864)
Plate 18 from the Disparates : Birds of a feather flock together, caPlate 18 from the Disparates :Birds of a feather flock together, ca. 1816-23 (published 1864)
Plate 11 from the Disparates : Poor Folly, ca. 1816-23 (published 1864)
Plate 9 from the Disparates : General folly, ca. 1816-23 (published 1864)Plate 9 from the Disparates :General folly, ca. 1816-23 (published 1864)
Plate 2 of the Tauromaquia : Another way of hunting on foot, 1816
Plate C: The dogs let loose on the bull. ca. 1816. Creator: Francisco GoyaPlate C: The dogs let loose on the bull. ca. 1816
Plate 33 from the Tauromaquia : The unlucky death of Pepe Illo in the ring at Madrid. 1816
Plate 27 from the Tauromaquia : The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike, 1816
Plate 23 from the Tauromaquia : Mariano Ceballos, alias the IndianPlate 23 from the Tauromaquia :Mariano Ceballos, alias the Indian, kills the bull from his horse. 1816
Plate 21 from the Tauromaquia : Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, 1816
Plate 20 from the Tauromaquia : The agility and audacity of Juanito ApiñPlate 20 from the Tauromaquia :The agility and audacity of Juanito Apinani in [the ring] at Madrid. 1816
Plate 12 from the Tauromaquia : The crowd hamstrings the bull with lances, sickles, banderillas and other arms. 1816
Plate 11 from the Tauromaquia : The Cid campeador spearing another bull. 1816
Plate 10 from La Tauromaquia : Charles V spearing a bull in the ring at Valladolid, 1816
Plate 6 from The Tauromaquia : The Moors make a different play in the ring calling thePlate 6 from The Tauromaquia :The Moors make a different play in the ring calling the bull with their burnous. 1816
Plate 5 from The Tauromaquia : The spirited Moor Gazul is the first to spear bulls according to the rules, 1816
Plate D from the Disparates : Fools- or Little Bulls - folly, ca. 1816-23 (published 1877)
Plate 4 from the Disparates : Simpleton, ca. 1816-23 (published between 1854-63)
Plate 12 from the Disparates : If Marion will dance, then she has... caPlate 12 from the Disparates : If Marion will dance, then she has to take the consequences, ca. 1816-23 (published 1864)
Plate 5 from the Disparates : Flying Folly, ca. 1816-23 (private printing ca. 1854)Plate 5 from the Disparates : Flying Folly, ca. 1816-23 (private printing ca.1854)
Plate 7 from the Disparates : Disorderly Folly, ca. 1816-23 (published 1864)
Plate 6 from the Disparates : It is amazing-and we were made by God, ca. 1816-23 (published 1864)
Plate 2 from the Disparates : Folly of Fear, ca. 1816-23 (published ca. 1848)
Plate 1 from the Disparates : Feminine folly. ca. 1816-23 (published 1864)
Plate 17 from the Disparates : Loyalty, ca. 1816-23 (published 1864)
Plate 10 from the Disparates : The horse abductor, ca. 1816-23 (published 1864)
Plate 8 from the Disparates : The men in sacks, ca. 1816-23 (published 1864)
Disparates (Los Proverbios), ca. 1816-23 (published 1864). Creator: Francisco GoyaDisparates (Los Proverbios), ca. 1816-23 (published 1864)
Plate D from the Disparates : Fools- or Little Bulls - fo... caPlate D from the Disparates : Fools- or Little Bulls - folly, ca. 1816-23 (published before 1877)
Plate C from the Disparates : Animal Folly, ca. 1816-23 (published before 1877)
Plate B from the Disparates : Punctual Folly, ca. 1816-23 (published before 1877)Plate B from the Disparates :Punctual Folly, ca. 1816-23 (published before 1877)
Plate A from the Disparates : Well-Known Folly, ca. 1816-23 (published before 1877)Plate A from the Disparates :Well-Known Folly, ca. 1816-23 (published before 1877)
Plate 15 from the Disparates : Clear Folly, ca. 1816-23 (published 1864)
Plate 14 from the Disparates : Carnival Folly, ca. 1816-23 (published 1864)
Plate 13 from the Disparates : A Way of Flying, ca. 1816-23 (published 1864)
Plate 80 from The Disasters of War (Los Desastres de la Guerra): Will she rise again? (Si resucitara?), 1810-20, published 1863
Plate 78 from The Disasters of War (Los Desastres de la Guerra): He defends himself well. (Se defiende bien.), after 1814-15 (published 1863)
Plate 77 from The Disasters of War (Los Desastres de la Guerra): May the cord break. (Que se rompe la cuerda.), after 1814-15 (published 1863)
Plate 76 from The Disasters of War (Los Desastres de la Guerra): The carnivorous vulture. (El buitre carnivoro.), after 1814-15 (published 1863)
Plate 72 from The Disasters of War (Los Desastres de la Guerra): The Consequences. (Las resultas.), after 1814-15 (published 1863)
Plate 75 from The Disasters of War (Los Desastres de la Guerra): Charlatans show. (Farandula de charlatanes.), after 1814-15 (published 1863)
Plate 73 from The Disasters of War (Los Desastres de la Guerra): Feline pantomime. (Gatesca pantomima.), after 1814-15 (published 1863)
Plate 71 from The Disasters of War (Los Desastres de la Guerra): Against the common good. (Contra el bien general.), after 1814-15 (published 1863)
Plate 69 from The Disasters of War (Los Desastres de la Guerra): Nothing. The event will tell. (Nada. Ello dira.), 1810-20, published 1863
Plate 68 from The Disasters of War (Los Desastres de la Guerra): What madness!. (Que locura!), after 1814-15 (published 1863)
Plate 67 from The Disasters of War (Los Desastres de la Guerra): This is not less so. (Esta no lo es menos.), after 1814-15 (published 1863)
Plate 66 from The Disasters of War (Los Desastres de la Guerra): Strange devotion! (Extrana devocion!), after 1814-15 (published 1863)
Plate 65 from The Disasters of War (Los Desastres de la Guerra): What is this hubbub? (Que alboroto es este?), after 1814-15 (published 1863)
Plate 60 from The Disasters of War (Los Desastres de la Guerra): There is no one to help them. (No hay quien los socorra.), 1811-12 (published 1863)
Plate 62 from The Disasters of War (Los Desastres de la Guerra): The beds of death. (Las camas de la muerte.), 1811-12 (published 1863)
