François Bonvin Collection

A Woman Reading, after Pieter Janssens Elinga, 1846-47. Creator: Francois Bonvin
A Woman Reading, after Pieter Janssens Elinga, 1846-47

Still life with fruit, bottle and pottery, 1827-1887. Creator: Francois Bonvin
Still life with fruit, bottle and pottery, 1827-1887

Still life, 1871. Creator: Francois Bonvin
Still life, 1871

The Maid, c. 1875. Creator: Francois Bonvin
The Maid, c. 1875

Young Woman with a Mandolin, Portrait of Louison Kohler, c. 1873-1874. Creator
Young Woman with a Mandolin, Portrait of Louison Kohler, c. 1873-1874. Bonvin was fascinated by the realism of 17th-century Dutch, Flemish, and Spanish still life paintings

The Stretcher Bearer (Study for Le Couvreur tombe ), 1876. Creator
The Stretcher Bearer (Study for " Le Couvreur tombe" ), 1876

The Letter of Admission, Interior of a Convent, c. 1867. Creator: Francois Bonvin (French
The Letter of Admission, Interior of a Convent, c. 1867

Country Street in Alouette, 1861. Creator: Francois Bonvin (French, 1817-1887)
Country Street in Alouette, 1861

Guitar Player, 1861. Creator: Francois Bonvin (French, 1817-1887)
Guitar Player, 1861

Woman at the Spinet, 1860. Creator: Francois Bonvin (French, 1817-1887)
Woman at the Spinet, 1860. The subject of the woman at the piano was a recurrent theme in Bonvins oeuvre. The pianist depicted here was likely Celine Prunaire

Water Carrier Seated on His Yoke, 1861. Creator: Francois Bonvin (French, 1817-1887)
Water Carrier Seated on His Yoke, 1861

A Nun Seated at a Table Knitting, 1862. Creator: Francois Bonvin (French, 1817-1887)
A Nun Seated at a Table Knitting, 1862. Francois Bonvin was a prolific watercolourist, and he developed a lifelong interest in modest religious subjects showing scenes of everyday life

Boat on a Beach, Le Treport, 1854. Creator: Francois Bonvin (French, 1817-1887)
Boat on a Beach, Le Treport, 1854

Attributes of Music, 1863. Creator: Francois Bonvin (French, 1817-1887)
Attributes of Music, 1863. A lute and flute rest on top of sheet music. This painting was intended to hang above a door, opposite still lifes that represented the other fine arts of painting

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