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Foolish Collection (page 3)

Background imageFoolish Collection: The mares lamentation, or the self-willed Don-Key, 1830. Artist

The mares lamentation, or the self-willed Don-Key, 1830. Artist
The mares lamentation, or the self-willed Don-Key, 1830. Sir John Key, in mayoral robes, with asses ears and legs. The cartoon refers to the cancellation of the Lord Mayors show by Key for fear of

Background imageFoolish Collection: The Wise and Foolish Virgins, c1900, (1911). Artist: JG Lander

The Wise and Foolish Virgins, c1900, (1911). Artist: JG Lander
The Wise and Foolish Virgins, c1900, (1911). From Bibbys Annual 1911, [J. Bibby & Sons, Liverpool, 1911]

Background imageFoolish Collection: A Rakes Progress - 6: The Gaming House, 1733. Artist: William Hogarth

A Rakes Progress - 6: The Gaming House, 1733. Artist: William Hogarth
A Rakes Progress - 6: The Gaming House, 1733. Tom Rakewell is in a gambling house in Covent Garden, London. Having just lost his wifes fortune, he falls to his knees

Background imageFoolish Collection: Loopt Loopt Met Groot Verblyden, , Hier Salmen twyf van Lije Snyden, 17th century

Loopt Loopt Met Groot Verblyden, , Hier Salmen twyf van Lije Snyden, 17th century. Artist: HW Weydman
Loopt Loopt Met Groot Verblyden, Hier Salmen twyf van Lije Snyden, 17th century. This image shows a quack doctor about to make an incision in a womans head to remove the stones that are supposedly

Background imageFoolish Collection: The Parable of the Wise and Foolish Virgins, c1800. Artist: William Blake

The Parable of the Wise and Foolish Virgins, c1800. Artist: William Blake
The Parable of the Wise and Foolish Virgins, c1800. Painting held at the Tate, London. From The Studio Volume 123 [The Studio Ltd, London & New York, 1942.]

Background imageFoolish Collection: A Ruined Devotee of the Turf, c1880-1882. Artist: John Everett Millais

A Ruined Devotee of the Turf, c1880-1882. Artist: John Everett Millais
A Ruined Devotee of the Turf, c1880-1882. Facsimile of the original drawing by John Everett Millais. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London

Background imageFoolish Collection: April - Fooling, c1839. Artist: George Cruikshank

April - Fooling, c1839. Artist: George Cruikshank
April - Fooling, c1839. Illustration from Stubbss Calendar; or, The Fatal Boots by William Makepeace Thackeray, (1839)

Background imageFoolish Collection: Tavern scene from The Rakes Progress, 1735. Artist: William Hogarth

Tavern scene from The Rakes Progress, 1735. Artist: William Hogarth
Tavern scene from The Rakes Progress, 1735. Plate II in William Hogarths series of eight illustrations originally published in 1735. Here the Rake squanders his fortune on drink, women and gambling

Background imageFoolish Collection: French adultery caricature postcard, c1900

French adultery caricature postcard, c1900

Background imageFoolish Collection: The Procession of the Trojan Horse into Troy, c1760. Artist: Giovanni Battista Tiepolo

The Procession of the Trojan Horse into Troy, c1760. Artist: Giovanni Battista Tiepolo
The Procession of the Trojan Horse into Troy, c1760. From the National Gallery, London

Background imageFoolish Collection: Londons Nightmare, 1866. Artist: John Tenniel

Londons Nightmare, 1866. Artist: John Tenniel
Londons Nightmare, 1866. A man holding banner with the word Bumbledom on it, sits on the chest of a woman representing London. He has a particularly stupid expression on his face

Background imageFoolish Collection: Letter R. Creator: Hans Holbein the Younger

Letter R. Creator: Hans Holbein the Younger
Letter R

Background imageFoolish Collection: Plate 27 from Los Caprichos : Which of them is the more overcome? (Quien mas rendido

Plate 27 from Los Caprichos : Which of them is the more overcome? (Quien mas rendido
Plate 27 from Los Caprichos :Which of them is the more overcome? (Quien mas rendido?), 1799

Background imageFoolish Collection: Das Narrenschyff, 1495. 1495. Creator: Albrecht Durer

Das Narrenschyff, 1495. 1495. Creator: Albrecht Durer
Das Narrenschyff, 1495



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