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Follower Of Collection

Background imageFollower Of Collection: Hovering Angel, 18th century, (1928). Artist: Follower of Tiepolo

Hovering Angel, 18th century, (1928). Artist: Follower of Tiepolo
Hovering Angel, 18th century, (1928). Pen and wash on paper. At one time known to have been in the collection of the Kupferstichkabinett, Berlin, Germany

Background imageFollower Of Collection: The Rest on the Flight into Egypt, ca. 1540. Creator: Follower of Quentin Metsys

The Rest on the Flight into Egypt, ca. 1540. Creator: Follower of Quentin Metsys
The Rest on the Flight into Egypt, ca. 1540

Background imageFollower Of Collection: Portrait of a Young Man, c. 1530. Creator: Dosso Dossi (Italian, c. 1490-aft 1541), follower of

Portrait of a Young Man, c. 1530. Creator: Dosso Dossi (Italian, c. 1490-aft 1541), follower of
Portrait of a Young Man, c. 1530. Like other paintings from the Dossi workshop, this work conveys the sitters social status and self-confidence. He holds a crumpled letter written in Italian

Background imageFollower Of Collection: Venus and Adonis, mid-1700s. Creator: Georg Raphael Donner (Austrian, 1693-1741), follower of

Venus and Adonis, mid-1700s. Creator: Georg Raphael Donner (Austrian, 1693-1741), follower of
Venus and Adonis, mid-1700s. Venus, the goddess of love, fell in love with the mortal Adonis. Here she urges him not to pursue the dangerous sport of hunting boar, advice he ignored

Background imageFollower Of Collection: Virgin and Child with Angels, c. 1460. Creator: Filippo Lippi (Italian, c. 1406-1469), follower of

Virgin and Child with Angels, c. 1460. Creator: Filippo Lippi (Italian, c. 1406-1469), follower of
Virgin and Child with Angels, c. 1460. This painting, produced by one of Fra Filippo Lippis many imitators in the city of Florence

Background imageFollower Of Collection: Virgin and Child, 1400s. Creator: Lorenzo di Credi (Italian, 1459-1537), follower of

Virgin and Child, 1400s. Creator: Lorenzo di Credi (Italian, 1459-1537), follower of
Virgin and Child, 1400s

Background imageFollower Of Collection: The Triumph of the Church, after 1628. Creator: Peter Paul Rubens (Flemish, 1577-1640)

The Triumph of the Church, after 1628. Creator: Peter Paul Rubens (Flemish, 1577-1640)
The Triumph of the Church, after 1628. This work is likely a copy after Rubenss oil sketch for the Triumph of the Eucharist tapestry series

Background imageFollower Of Collection: The Ponte dellAbbadia at Vulci, first half 19th century. Creator: Jean-Auguste-Dominique Ingres

The Ponte dellAbbadia at Vulci, first half 19th century. Creator: Jean-Auguste-Dominique Ingres
The Ponte dellAbbadia at Vulci, first half 19th century

Background imageFollower Of Collection: Salome with the Head of Saint John the Baptist, 1500s or later. Creator: Bernardino Luini (Italian)

Salome with the Head of Saint John the Baptist, 1500s or later. Creator: Bernardino Luini (Italian)
Salome with the Head of Saint John the Baptist, 1500s or later. Salomes dancing so pleased her stepfather Herod that he offered her anything she wanted

Background imageFollower Of Collection: Portrait of Mrs. George Collier, 18th century. Creator: Joshua Reynolds (British, 1723-1792)

Portrait of Mrs. George Collier, 18th century. Creator: Joshua Reynolds (British, 1723-1792)
Portrait of Mrs. George Collier, 18th century. Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds

Background imageFollower Of Collection: Portrait of Sir Thomas More, 17th century. Creator: Hans Holbein (German, 1497 / 98-1543)

Portrait of Sir Thomas More, 17th century. Creator: Hans Holbein (German, 1497 / 98-1543)
Portrait of Sir Thomas More, 17th century

Background imageFollower Of Collection: Portrait of a Young Man Standing on the Quirinal with the Turris Comitum in the Background, 1800s

Portrait of a Young Man Standing on the Quirinal with the Turris Comitum in the Background, 1800s

Background imageFollower Of Collection: Landscape, late 1500s-early 1600s. Creator: Sessh? T?y? (Japanese, 1420-1506), follower of

Landscape, late 1500s-early 1600s. Creator: Sessh? T?y? (Japanese, 1420-1506), follower of
Landscape, late 1500s-early 1600s. These two paintings belong to a group of eight that were likely mounted as a pair of four-panel folding screens representing the Eight Views of the Xiao

Background imageFollower Of Collection: Lion Hunt, 1581 or later. Creator: Moderno (Italian, 1467-1528), follower of

Lion Hunt, 1581 or later. Creator: Moderno (Italian, 1467-1528), follower of
Lion Hunt, 1581 or later

Background imageFollower Of Collection: Leaf from a Book of Hours: Presentation in the Temple with Roundels of the Casting of Lots

Leaf from a Book of Hours: Presentation in the Temple with Roundels of the Casting of Lots, the Deposition, and Pieta (None, Office of the Virgin), c. 1460-70

Background imageFollower Of Collection: Copy of Raphaels Massacre of the Innocents, after 1510. Creator: Raphael (Italian

Copy of Raphaels Massacre of the Innocents, after 1510. Creator: Raphael (Italian
Copy of Raphaels Massacre of the Innocents, after 1510

Background imageFollower Of Collection: Flying Cupid, c. 1602. Creator: Annibale Carracci (Italian, c. 1560-1609), follower of

Flying Cupid, c. 1602. Creator: Annibale Carracci (Italian, c. 1560-1609), follower of
Flying Cupid, c. 1602

Background imageFollower Of Collection: Chrysanthemums by a Stream, late 1700s-early 1800s. Creator: Ogata Korin (Japanese

Chrysanthemums by a Stream, late 1700s-early 1800s. Creator: Ogata Korin (Japanese
Chrysanthemums by a Stream, late 1700s-early 1800s. The two lines of script prominently written on the outermost panel of this screen ( byobu ) identify the author as Korin

Background imageFollower Of Collection: Christ and the Woman Taken in Adultery, mid 1700s. Creator: Sebastiano Ricci (Italian

Christ and the Woman Taken in Adultery, mid 1700s. Creator: Sebastiano Ricci (Italian
Christ and the Woman Taken in Adultery, mid 1700s

Background imageFollower Of Collection: Madonna and Child, c. 1440 / 50. Creator: Stefano da Zevio (Italian, c. 1374-aft 1438), follower of

Madonna and Child, c. 1440 / 50. Creator: Stefano da Zevio (Italian, c. 1374-aft 1438), follower of
Madonna and Child, c. 1440/50

Background imageFollower Of Collection: Dwelling in the Longmian ( Sleeping Dragon ) Mountains, 1100s-1200s. Creator

Dwelling in the Longmian ( Sleeping Dragon ) Mountains, 1100s-1200s. Creator
Dwelling in the Longmian (" Sleeping Dragon" ) Mountains, 1100s-1200s

Background imageFollower Of Collection: Leaf from a Book of Hours: St. Matthew, c. 1415-20. Creator: Limbourg Brothers (Netherlandish)

Leaf from a Book of Hours: St. Matthew, c. 1415-20. Creator: Limbourg Brothers (Netherlandish)
Leaf from a Book of Hours: St. Matthew, c. 1415-20. The Limbourg Brothers were famous Dutch miniature painters from the city of Nijmegen

Background imageFollower Of Collection: Leaf from a Psalter: Historiated Initial D with The Trinity, c

Leaf from a Psalter: Historiated Initial D with The Trinity, c.1310. Although English, the design of this psalter page follows the fashion of French book illumination

Background imageFollower Of Collection: Birds and Flowers in a Landscape of the Four Seasons, second half of the 1500s. Creator

Birds and Flowers in a Landscape of the Four Seasons, second half of the 1500s. Creator
Birds and Flowers in a Landscape of the Four Seasons, second half of the 1500s

Background imageFollower Of Collection: Book of Hours (Use of Paris): Presentation at the Temple, c. 1420. Creator: Boucicaut Master

Book of Hours (Use of Paris): Presentation at the Temple, c. 1420. Creator: Boucicaut Master
Book of Hours (Use of Paris): Presentation at the Temple, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Background imageFollower Of Collection: Book of Hours (Use of Paris): Decorated Initial, c. 1420. Creator: Boucicaut Master (French)

Book of Hours (Use of Paris): Decorated Initial, c. 1420. Creator: Boucicaut Master (French)
Book of Hours (Use of Paris): Decorated Initial, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Background imageFollower Of Collection: Book of Hours (Use of Paris): Crucifixion, c. 1420. Creator: Boucicaut Master (French

Book of Hours (Use of Paris): Crucifixion, c. 1420. Creator: Boucicaut Master (French
Book of Hours (Use of Paris): Crucifixion, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Background imageFollower Of Collection: Book of Hours (Use of Paris): Adoration of the Magi, c. 1420. Creator: Boucicaut Master (French)

Book of Hours (Use of Paris): Adoration of the Magi, c. 1420. Creator: Boucicaut Master (French)
Book of Hours (Use of Paris): Adoration of the Magi, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Background imageFollower Of Collection: Book of Hours (Use of Paris), c. 1420. Creator: Boucicaut Master (French, Paris, active

Book of Hours (Use of Paris), c. 1420. Creator: Boucicaut Master (French, Paris, active
Book of Hours (Use of Paris), c. 1420. The Boucicaut Master takes his name from the book of hours he made for Jean de Boucicaut (died 1421), marshal of France

Background imageFollower Of Collection: Book of Hours (Use of Paris): Annunciation, c. 1420. Creator: Boucicaut Master (French

Book of Hours (Use of Paris): Annunciation, c. 1420. Creator: Boucicaut Master (French
Book of Hours (Use of Paris): Annunciation, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Background imageFollower Of Collection: Antiphonary: Initial, angel, c. 1470-1480. Creator: Girolamo da Cremona (Italian), follower of

Antiphonary: Initial, angel, c. 1470-1480. Creator: Girolamo da Cremona (Italian), follower of
Antiphonary: Initial, angel, c. 1470-1480. The initial A with the resurrected Christ, shown here, was painted by an immediate follower of Girolamo da Cremona

Background imageFollower Of Collection: Antiphonary: Initial A, Resurrection, c. 1470-1480. Creator: Girolamo da Cremona (Italian)

Antiphonary: Initial A, Resurrection, c. 1470-1480. Creator: Girolamo da Cremona (Italian)
Antiphonary: Initial A, Resurrection, c. 1470-1480. The initial A with the resurrected Christ, shown here, was painted by an immediate follower of Girolamo da Cremona

Background imageFollower Of Collection: Antiphonary, c. 1470-1480. Creator: Girolamo da Cremona (Italian), follower of

Antiphonary, c. 1470-1480. Creator: Girolamo da Cremona (Italian), follower of
Antiphonary, c. 1470-1480. The initial A with the resurrected Christ, shown here, was painted by an immediate follower of Girolamo da Cremona

Background imageFollower Of Collection: An Elderly Man in Prayer, 1660s or later. Creator: Rembrandt van Rijn (Dutch, 1606-1669)

An Elderly Man in Prayer, 1660s or later. Creator: Rembrandt van Rijn (Dutch, 1606-1669)
An Elderly Man in Prayer, 1660s or later. Toward the end of his life, Rembrandt explored religious themes from an intimate perspective, producing a number of works for a possible Apostle series

Background imageFollower Of Collection: Detail from Allegory of Poverty, early-mid 14th century, (1943). Creator: Follower of Giotto

Detail from Allegory of Poverty, early-mid 14th century, (1943). Creator: Follower of Giotto
Detail from Allegory of Poverty, early-mid 14th century, (1943). Angels, and figure holding a falcon. Sketch after Giottos fresco in the Lower Basilica of the Church of San Francesco, Assisi, Italy

Background imageFollower Of Collection: The Battle of Pavia

The Battle of Pavia. Found in the Collection of Art History Museum, Vienne

Background imageFollower Of Collection: Portrait of Sultan Mehmed II with a young dignitary. Artist: Bellini, Gentile, (Follower of)

Portrait of Sultan Mehmed II with a young dignitary. Artist: Bellini, Gentile, (Follower of)
Portrait of Sultan Mehmed II with a young dignitary. Private Collection

Background imageFollower Of Collection: Portrait of Archibald Campbell, 1st Marquess of Argyll (1607-1661)

Portrait of Archibald Campbell, 1st Marquess of Argyll (1607-1661). Artist: Scougall, David, Follower of
Portrait of Archibald Campbell, 1st Marquess of Argyll (1607-1661). Found in the collection of University of St Andrews

Background imageFollower Of Collection: Sultan Suleiman I the Magnificent, c. 1520. Artist: Bellini, Gentile, (Follower of)

Sultan Suleiman I the Magnificent, c. 1520. Artist: Bellini, Gentile, (Follower of)
Sultan Suleiman I the Magnificent, c. 1520. Private Collection

Background imageFollower Of Collection: The Sultan Mehmet II, 16th century. Artist: Bellini, Gentile, (Follower of)

The Sultan Mehmet II, 16th century. Artist: Bellini, Gentile, (Follower of)
The Sultan Mehmet II, 16th century. Private Collection

Background imageFollower Of Collection: Portuguese Carracks off a Rocky Coast, c. 1540. Artist: Patinir, Joachim, follower of

Portuguese Carracks off a Rocky Coast, c. 1540. Artist: Patinir, Joachim, follower of
Portuguese Carracks off a Rocky Coast, c.1540. From a private collection

Background imageFollower Of Collection: Rest on the Flight into Egypt (Triptych), ca 1515. Artist: Patinir, Joachim, follower of

Rest on the Flight into Egypt (Triptych), ca 1515. Artist: Patinir, Joachim, follower of
Rest on the Flight into Egypt (Triptych), ca 1515. Found in the collection of the National Museum of Western Art, Tokyo

Background imageFollower Of Collection: The Liberation of Saint Peter. Artist: Terbrugghen, Hendrick, follower of

The Liberation of Saint Peter. Artist: Terbrugghen, Hendrick, follower of
The Liberation of Saint Peter. Found in the collection of the National Museum of Western Art, Tokyo



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