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Fighting Collection (page 47)

Background imageFighting Collection: Men fighting with spears, Paestum, c4th century BC

Men fighting with spears, Paestum, c4th century BC. Paestum was a major ancient Greek city on the coast of the Tyrrhenian Sea in Magna Graecia (southern Italy)

Background imageFighting Collection: Men fighting with shields, Paestum, c4th century BC

Men fighting with shields, Paestum, c4th century BC. Paestum was a major ancient Greek city on the coast of the Tyrrhenian Sea in Magna Graecia (southern Italy)

Background imageFighting Collection: Greek Vase Painting, Hoplite Fighta Scythian, c6th century BC

Greek Vase Painting, Hoplite Fighta Scythian, c6th century BC. At National Museum, Athens

Background imageFighting Collection: Detail from the Francois Vase, Satyr and Warrior fighting, c6th century BC

Detail from the Francois Vase, Satyr and Warrior fighting, c6th century BC. Artists: Ergotimos, Kleitias
Detail from the Francois Vase, Satyr and Warrior fighting, c6th century BC. Greek Vase signed by Clitias (painter) and Ergotimos (potter), c560 BC

Background imageFighting Collection: Roman clay lamp with design of gladiators, 3rd century

Roman clay lamp with design of gladiators, 3rd century
Roman clay lamp with design of gladiators from Trier, Germany, 3rd century

Background imageFighting Collection: Ivory diptych from Constantinople, 6th century

Ivory diptych from Constantinople, 6th century
Ivory diptych from Constantinople, showing men fighting lions at games. Now in the Hermitage Museum in St Petersburg, 6th century

Background imageFighting Collection: Calvin, Luther and the Pope fighting each other, published 1600

Calvin, Luther and the Pope fighting each other, published 1600. Facsimile of French cartoon of 1600. Engraving

Background imageFighting Collection: Mycenaean gold seal-ring, 17th-12th century BC

Mycenaean gold seal-ring, 17th-12th century BC
Mycenaean gold seal-ring from Shaft Grave IV at Myceneae, Greece. It shows a warrior fighting three enemies, and is apparently influenced by Cretan work, 17th-12th century BC

Background imageFighting Collection: Etruscan sarcophagus showing a battle scene

Etruscan sarcophagus showing a battle scene, with a fury coming to take the soul of a dying man, from the British Museums collection

Background imageFighting Collection: Roman floor mosaic of gladiators, c. 3rd century

Roman floor mosaic of gladiators, c. 3rd century
Floor mosaic of gladiators from the Roman villa at Bignor, Sussex, c.3rd century

Background imageFighting Collection: Frieze showing Roman soldiers fighting barbarians

Frieze showing Roman soldiers fighting barbarians from a Roman sarcophagus

Background imageFighting Collection: Scene from the Gigantomachy on the north frieze of the Siphnian Treasury, 6th century BC

Scene from the Gigantomachy on the north frieze of the Siphnian Treasury, 6th century BC
Scene from the Gigantomachy on the north frieze of the Siphnian Treasury, showing one of Cybeles lions attacking a giant. In Delphi Museum, 6th century BC

Background imageFighting Collection: Russian battery in action, Russo-Japanese War, 1904-5

Russian battery in action, Russo-Japanese War, 1904-5
Russian battery in action during the siege of Port Arthur, January 1905, Russo-Japanese War 1904-5

Background imageFighting Collection: Illustration from a poster advertising a theatrical production of Uncle Toms Cabin, 1870

Illustration from a poster advertising a theatrical production of Uncle Toms Cabin, 1870. George, defending his wife and child from recapture

Background imageFighting Collection: Charles Martel, King of the Franks, at the Battle of Poitiers, 732 (1892)

Charles Martel, King of the Franks, at the Battle of Poitiers, 732 (1892). Charles Martel (the Hammer) (c688-741) depicted wielding a battleaxe

Background imageFighting Collection: St Michael the Archangel fighting a dragon with a sword, c1484-1526. Artist: Bernardino Zenale

St Michael the Archangel fighting a dragon with a sword, c1484-1526. Artist: Bernardino Zenale
St Michael the Archangel fighting a dragon with a sword, c1484-1526. In his left hand he holds a balance to weigh mens souls. from the Galleria degli Uffizi, Florence

Background imageFighting Collection: The Battle of Love and Chastity, 1504-1523 Artist: Perugino

The Battle of Love and Chastity, 1504-1523 Artist: Perugino
The Battle of Love and Chastity, 1504-1523. A combat between the forces of virtue and lust. From the Musee du Louvre, Paris

Background imageFighting Collection: Before Ladysmith, 1899

Before Ladysmith, 1899. British horse artillery under attack from the Boers, galloping to take up a new position. During the 2nd Boer War (1899-1902)

Background imageFighting Collection: Battle of Blood River, 2nd Boer War, 17 September 1901. Artist: Frederick Judd Waugh

Battle of Blood River, 2nd Boer War, 17 September 1901. Artist: Frederick Judd Waugh
Battle of Blood River, 2nd Boer War, 17 September 1901. Boers charging Major Goughs force at Blood River. The British were overwhelmed by Bothas Boers who captured much-needed supplies of ammunition

Background imageFighting Collection: American reinforcements to aid the Allied troops before the main US Army arrived, World War 1, 1918

American reinforcements to aid the Allied troops before the main US Army arrived, World War 1, 1918. Cartoon by L. Ravenhill from Punch, London, 10 April, 1918

Background imageFighting Collection: Dispute over who was the first to reach the North Pole, 1909

Dispute over who was the first to reach the North Pole, 1909. American naval officer and explorer Robert E Peary (1856-1920)

Background imageFighting Collection: Assault on Wagon Hill, 2nd Boer War, 6 January 1900

Assault on Wagon Hill, 2nd Boer War, 6 January 1900. Wagon Hill, 5km south of Ladysmith, was an important British position during the Siege of Ladysmith which lasted from 1 November 1899 to 28

Background imageFighting Collection: 92nd Gordon Highlanders in retreat, Battle of Majuba Hill, 1st Boer War, 26-27 February 1881

92nd Gordon Highlanders in retreat, Battle of Majuba Hill, 1st Boer War, 26-27 February 1881. British troops under Major-General George Colley took Majuba Hill

Background imageFighting Collection: Charge of the 5th Lancers at Elandslaagte, 2nd Boer War, 21 November 1899

Charge of the 5th Lancers at Elandslaagte, 2nd Boer War, 21 November 1899. Artist: Richard Caton Woodville II
Charge of the 5th Lancers at Elandslaagte, 2nd Boer War, 21 November 1899. British cavalry pursuing the retreating Boers. The British forces were under the command of Major-General John French

Background imageFighting Collection: Relief of Ladysmith - the last rush at Hlangwane Hill, 19 February 1900

Relief of Ladysmith - the last rush at Hlangwane Hill, 19 February 1900. During the 2nd Boer War (1899-1902) the British in Ladysmith were besieged by the Boers from 1 November 1899 to 28 February

Background imageFighting Collection: Laocoonte, 1789. Artist: Paolo Andrea Triscornia

Laocoonte, 1789. Artist: Paolo Andrea Triscornia
Laocoonte, 1789. Found in the collection of The Hermitage, St Petersburg

Background imageFighting Collection: Only His Play, 1885. Artist: Joseph Swain

Only His Play, 1885. Artist: Joseph Swain
Only His Play, 1885. The British Lion and the Indian Tiger watch in consternation as the Russian Bear attacks the Afghan wolves

Background imageFighting Collection: No You Don t!, 1885. Artist: Joseph Swain

No You Don t!, 1885. Artist: Joseph Swain
No You Don t!, 1885. The British Lion warns the Russian Bear not to cross over into Afghanistan, seen in the distance in this cartoon

Background imageFighting Collection: A French Lesson, 1871. Artist: Joseph Swain

A French Lesson, 1871. Artist: Joseph Swain
A French Lesson, 1871. Britannia remarks Is That the sort of thing you want, you Little Idiot? Britannia has grabbed a man promoting British Republicanism by the scruff of the neck

Background imageFighting Collection: The Russian Garotter, 1870. Artist: Joseph Swain

The Russian Garotter, 1870. Artist: Joseph Swain
The Russian Garotter, 1870. The Russian exclaims No one Looking! Nows the Time to Hit Him! A Russian is seen creeping up on Turkey as he stands watching the bitter fighting between Prussia

Background imageFighting Collection: Silencing The Trumpet (after Aesop. ), 1870. Artist: Joseph Swain

Silencing The Trumpet (after Aesop. ), 1870. Artist: Joseph Swain
Silencing The Trumpet (after Aesop.), 1870. Mr Gladstone, the Liberal Prime Minister, is depicted in the uniform of the chief constable in this cartoon

Background imageFighting Collection: Wheres The (Irish) Police?, 1870. Artist: Joseph Swain

Wheres The (Irish) Police?, 1870. Artist: Joseph Swain
Wheres The (Irish) Police?, 1870. This cartoon relates to Irelands recent rise in the levels of agrarian crime and Mr Gladstone muses on whether or not he should take any action

Background imageFighting Collection: Neutrality Under Difficulties, 1876. Artist: Joseph Swain

Neutrality Under Difficulties, 1876. Artist: Joseph Swain
Neutrality Under Difficulties, 1876. The Conservative Prime Minister, Benjamin Disraeli, sits comfortably in a chair, whilst Britannia urges him to look up from his book at the fighting in

Background imageFighting Collection: Keeping the Ring, 1876. Artist: Joseph Swain

Keeping the Ring, 1876. Artist: Joseph Swain
Keeping the Ring, 1876. Turkey, brandishing a sword, is beset on all sides by the dogs of war, Servia, Montenegro, Herzegovina and Bosnia

Background imageFighting Collection: Athletics, 1869. Artist: George du Maurier

Athletics, 1869. Artist: George du Maurier
Athletics, 1869. Then, as now, boxing was a dangerous sport and, in this cartoon, Punch offers advice on a means of increasing its safety. From Punch, or the London Charivari, September 4, 1869

Background imageFighting Collection: Le Duel a Mort, 1869. Artist: George du Maurier

Le Duel a Mort, 1869. Artist: George du Maurier
Le Duel a Mort, 1869. In an effort to stem the rising tide of his unpopularity, Napoleon III had relaxed press censorship in France

Background imageFighting Collection: Self-Sacrifice, 1866

Self-Sacrifice, 1866. Tom tries to convince his young cousin Reginald to let him squeeze the nasty juice from his unwholesome orange, as he wants the orange himself

Background imageFighting Collection: The Real Irish Court; Or, The Head Centre And The Dis-Senters, 1866. Artist: John Tenniel

The Real Irish Court; Or, The Head Centre And The Dis-Senters, 1866. Artist: John Tenniel
The Real Irish Court; or, The Head Centre and The Dis-Senters, 1866.This cartoon depicts an outbreak of violence amongst the Irish Fenian movement

Background imageFighting Collection: Extremes Meet, 1863. Artist: John Tenniel

Extremes Meet, 1863. Artist: John Tenniel
Extremes Meet, 1863. This cartoon depicts Abraham Lincoln on the left and Alexander II on the right, shaking hands across the divide, and with fighting and death taking place behind them

Background imageFighting Collection: Cardinal Wisemans Lambs, 1862. Artist: John Tenniel

Cardinal Wisemans Lambs, 1862. Artist: John Tenniel
Cardinal Wisemans Lambs, 1862. This cartoon depicts Cardinal Wiseman, head of the Catholic Church in England. He sits on a mossy rock, playing his pipes and holding his shepherds crook

Background imageFighting Collection: Over the Way, 1861

Over the Way, 1861. At the time the American Civil War began, Britain imported the bulk of its cotton from the United States

Background imageFighting Collection: A Family Quarrel, 1861

A Family Quarrel, 1861. On the left is President Lincoln and, facing him is Mrs Carolina, representative of the Southern States

Background imageFighting Collection: The Armistice, 1859

The Armistice, 1859. Napoleon remarks Well, Brother, haven t they had almost Enough of This? Napoleon III and Francis Joseph are seen setting their eagles in the manner of those setting their

Background imageFighting Collection: Mr. Bright offers to give satisfaction to the Liberal Party, 1858

Mr. Bright offers to give satisfaction to the Liberal Party, 1858. Mr John Bright (on the left) had made a speech at Manchester in which he forcefully reiterated his well-known views on the subjects



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