Fertility Gallery

Available as Framed Prints, Photos, Wall Art and Gift Items

Choose from 318 pictures in our Fertility collection for your Wall Art or Photo Gift. Popular choices include Framed Prints, Canvas Prints, Posters and Jigsaw Puzzles. All professionally made for quick delivery.

Allegory of Fertility (Recto), ca. 1640. Creator: Jacob Jordaens

A fresco from the villa of Agrippa Postumus at Boscotrecase, Pompeii

'Loves Baubles', 1897, (c1930). Creator: Byam Shaw

'A Vision of Spring', 1901, (c1930). Creator: Thomas Millie Dow

'Statue of Vertumnus at Frascati', 1907, (c1930). Creator: John Singer Sargent

Pan and Nymph Syrinx. Artist: Ulyanov, Nikolai Pavlovich (1875-1949)

'Portrait of V. I. Arsenyeva', mid-1790s, (1939). Creator: Vladimir Borovikovsky

'An Idyll of Spring', 1897, (c1902). Creator: Unknown

'Raising the May Pole', c1862. Artist: E Goodall

Featured Print

'Portrait of V. I. Arsenyeva', mid-1790s, (1939). Creator: Vladimir Borovikovsky

'Portrait of V. I. Arsenyeva', mid-1790s, (1939). Ekaterina Nikolaevna Arsenyeva (born c1778) was a pupil at the Smolny Finishing School. She was the eldest daughter of Major General Nikolai Arsenyev (chief of staff of Count Alexander Suvorov) and V I Ushakova. She was lady-in-waiting to Empress Marie Fyodorovna, and later married state councillor P F Kozlov. Vladimir Borovikovsky (1757-1825) moved to Saint Petersburg from Myrhorod (Ukraine), at the request of Empress Catherine the Great who admired his work. Painting in the collection of The State Russian Museum, St Petersburg, Russia. From "The Russian State Museum". [State Art Publishers, Moscow and Leningrad, 1939]

Cavallets of Pollenca with the banner painted by Mossgraber, German painter

Cave paintings typical of the Levantine art, found in the Roca dels Moros or Cogull Cave

Tiny foils, so-called euldgubbar , used as sacrificial offerings in

Hollowed out figure of a female goddess of oriental origin

Anatolian idol in the form of a female figure

Petroglyphs; figures brandishing weapons

Featured Print

Hollowed out figure of a female goddess of oriental origin, possibly associated with Astarte

Hollowed out figure of a female goddess of oriental origin, possibly associated with Astarte, seated on a throne-like chair, flanked by two winged sphinxes. Her breasts are perforated so that a libation poured through the opening in her head will gush from her breasts into the bowl she is holding. Culture: Phoenician. Place of Origin: Tomb 20 Hill Real, Tutugi, Galera. Period/ Date: 7th C BC. Material/ Size: Alabaster H=18.5cm. Credit Line: Werner Forman Archive/ National Archaeological Museum, Madrid Location: 01

Stylised low-relief figure of a female spirit, from a mens meeting house at Inyai village

Relief on a block from the Red Chapel of Hatshepsut which was demolished by her successor

Relief from the Red Chapel of Hatshepsut which was demolished by her successor Tuthmosis

Maul or hand hammer for driving in the wedges made from deer antler used to split

The entrance to the community house of Chief Kow-ish-te, Shakes Island, Stikine harbour

Shallow bowl with relief modelled woman at base with prominent vulva

Mask known as hudo worn by Kenyah shaman in dances to contact spirits

A figure probably from an altar which promotes the fertility ofwomen and crops

Featured Print

Ceremonial spoon

Ceremonial spoon. Also called "wakemia" or "wunkirmian" these spoons were used during masquerade ceremonies. One woman from the village, declared as the most hospitable woman, would dance at the day of the feast around the village carrying such a spoon as an emblem of her status. Then with the help of other women she would use the spoon to distribute food and money. Country of Origin: Ivory Coast Culture: Dan. Date/Period: early 20th C. Material/ Size: Wood H=30cm . Credit Line: Werner Forman Archive/ Private Collection. Location 39

Often incorrectly called Nimba, these headdresses known locally as Damba were owned

Fully rounded figure of a male revered ancestor and village founder, used as a focus

Songye power figure, owned by an individual or village, used to heal, to promote fertility

A collection of individual Songye power figures used to heal, to promote fertility

A butterfly mask used in ceremonies to promote rainfall and agricultural fertility

Female shrine figure, part of a family of such figures kept in a village shrine

A shrine figure displaying the attributes of wealth (the horse)

A shrine figure for Orisha Oko, the deity associated with farming, depicting a woman

Maternity figure owned by an Afo village, representing a matrilineal ancestor

These dolls, known as Akua'ba, were carried by girls and young women both to promote

Female figure believed to enhance fertility