Fertility Gallery

Available as Framed Photos, Canvas Prints, Wall Art and Gift Items

Choose from 321 pictures in our Fertility collection for your Wall Art or Photo Gift. Popular choices include Framed Photos, Canvas Prints, Posters and Jigsaw Puzzles. All professionally made for quick delivery.

Figurine thought to represent a sleeping mother goddess or possibly a representation of

Cybele, or Magna Mater (Great Mother), Phrygian/Roman goddess, 1702

Wilton Album, folio 10a: Priapus and Lotis, ca. 1530-50. Creator: Unknown

Jupiter and Antiope, 1540-45. Creator: Antonio Fantuzzi

A fresco from the villa of Agrippa Postumus at Boscotrecase, Pompeii

Allegory of Fertility (Recto), ca. 1640. Creator: Jacob Jordaens

Loves Baubles, 1897, (c1930). Creator: Byam Shaw

A Vision of Spring, 1901, (c1930). Creator: Thomas Millie Dow

Statue of Vertumnus at Frascati, 1907, (c1930). Creator: John Singer Sargent

Pan and Nymph Syrinx. Artist: Ulyanov, Nikolai Pavlovich (1875-1949)

Portrait of V. I. Arsenyeva, mid-1790s, (1939). Creator: Vladimir Borovikovsky

Featured Print

Portrait of V. I. Arsenyeva, mid-1790s, (1939). Creator: Vladimir Borovikovsky

Portrait of V. I. Arsenyeva, mid-1790s, (1939). Ekaterina Nikolaevna Arsenyeva (born c1778) was a pupil at the Smolny Finishing School. She was the eldest daughter of Major General Nikolai Arsenyev (chief of staff of Count Alexander Suvorov) and V I Ushakova. She was lady-in-waiting to Empress Marie Fyodorovna, and later married state councillor P F Kozlov. Vladimir Borovikovsky (1757-1825) moved to Saint Petersburg from Myrhorod (Ukraine), at the request of Empress Catherine the Great who admired his work. Painting in the collection of The State Russian Museum, St Petersburg, Russia. From "The Russian State Museum". [State Art Publishers, Moscow and Leningrad, 1939]

An Idyll of Spring, 1897, (c1902). Creator: Unknown

Raising the May Pole, c1862. Artist: E Goodall

Cavallets of Pollenca with the banner painted by Mossgraber, German painter

Cave paintings typical of the Levantine art, found in the Roca dels Moros or Cogull Cave

Featured Print

A fertility figure of a woman

A fertility figure of a woman. Fibres with small mud pearls stuck on were once threaded through the little holes in the hair. The elaborate headdress, prominent breasts and pudenda highlight the erotic nature of the figure. Country of Origin: Egypt. Culture: Ancient Egyptian. Date/Period: Middle Kingdom. Material Size: clay, h=19cm. Credit Line: Werner Forman Archive/ Egyptian Museum, Berlin . Location: 37

Tiny foils, so-called euldgubbar , used as sacrificial offerings in

Hollowed out figure of a female goddess of oriental origin

Anatolian idol in the form of a female figure

Petroglyphs; figures brandishing weapons

Stylised low-relief figure of a female spirit, from a mens meeting house at Inyai village

Relief on a block from the Red Chapel of Hatshepsut which was demolished by her successor

Relief from the Red Chapel of Hatshepsut which was demolished by her successor Tuthmosis

Maul or hand hammer for driving in the wedges made from deer antler used to split

The entrance to the community house of Chief Kow-ish-te, Shakes Island, Stikine harbour

Featured Print

Hollowed out figure of a female goddess of oriental origin, possibly associated with Astarte

Hollowed out figure of a female goddess of oriental origin, possibly associated with Astarte, seated on a throne-like chair, flanked by two winged sphinxes. Her breasts are perforated so that a libation poured through the opening in her head will gush from her breasts into the bowl she is holding. Culture: Phoenician. Place of Origin: Tomb 20 Hill Real, Tutugi, Galera. Period/ Date: 7th C BC. Material/ Size: Alabaster H=18.5cm. Credit Line: Werner Forman Archive/ National Archaeological Museum, Madrid Location: 01

Shallow bowl with relief modelled woman at base with prominent vulva

Mask known as hudo worn by Kenyah shaman in dances to contact spirits

A figure probably from an altar which promotes the fertility ofwomen and crops

Often incorrectly called Nimba, these headdresses known locally as Damba were owned

Fully rounded figure of a male revered ancestor and village founder, used as a focus

Songye power figure, owned by an individual or village, used to heal, to promote fertility

A collection of individual Songye power figures used to heal, to promote fertility

A butterfly mask used in ceremonies to promote rainfall and agricultural fertility

Female shrine figure, part of a family of such figures kept in a village shrine

A shrine figure displaying the attributes of wealth (the horse)