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Fat Collection (page 8)

Background imageFat Collection: Stern Reality, or Last but not Least, 1908. Artist: Lance Thackeray

Stern Reality, or Last but not Least, 1908. Artist: Lance Thackeray
Stern Reality, or Last but not Least, 1908. From The Light Side of Egypt, 1908

Background imageFat Collection: A Nile Sky Line, 1908. Artist: Lance Thackeray

A Nile Sky Line, 1908. Artist: Lance Thackeray
A Nile Sky Line, 1908. From The Light Side of Egypt, 1908

Background imageFat Collection: The Transit of Venus, 1908. Artist: Lance Thackeray

The Transit of Venus, 1908. Artist: Lance Thackeray
The Transit of Venus, 1908. From The Light Side of Egypt, 1908

Background imageFat Collection: George IV, King of Great Britain and Ireland from 1820, (1932). Artist: Rosalind Thornycroft

George IV, King of Great Britain and Ireland from 1820, (1932). Artist: Rosalind Thornycroft
George IV, King of Great Britain and Ireland from 1820, (1932). George Augustus Frederick (1762-1830) ruled as Prince Regent from 1811 until his father George III died in 1820

Background imageFat Collection: Forte Piano, 1829. Artist: George Cruikshank

Forte Piano, 1829. Artist: George Cruikshank
Forte Piano, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]

Background imageFat Collection: Le Joueur De Golf, c1920, (1923). Artist: Maxime Dethomas

Le Joueur De Golf, c1920, (1923). Artist: Maxime Dethomas
Le Joueur De Golf, c1920, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

Background imageFat Collection: A Good Story Wasted, c1900. Artist: Charles Edmund Brock

A Good Story Wasted, c1900. Artist: Charles Edmund Brock
A Good Story Wasted, c1900. From Modern Pen Drawings: European and American, Edited by Charles Holme. [The Offices of the Studio, London, Paris, New York, 1900-01]

Background imageFat Collection: An Appearance of Airiness, 1930. Artist: Gordon Ross

An Appearance of Airiness, 1930. Artist: Gordon Ross
An Appearance of Airiness, 1930. From The Studio Volume 99. [London Offices of the Studio, London, 1930]

Background imageFat Collection: Mrs. Hobson of Markfield, c1895

Mrs. Hobson of Markfield, c1895. Painting housed at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]

Background imageFat Collection: Hotei, 16th century (1886)

Hotei, 16th century (1886). From a picture by Kano Motonobu, engraved in the E-hon te-kagami. Hotei is one of the personages of the popular group of divinities known by the title of Shichi-fuku-jin

Background imageFat Collection: Mr Worldly Wiseman, 1895

Mr Worldly Wiseman, 1895. A character from John Bunyans The Pilgrims Progress. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895

Background imageFat Collection: Ernest Bevin, British Labour politician, 1933

Ernest Bevin, British Labour politician, 1933. Bevin was an outspoken opponent of fascism and of the Conservative governments policy of appeasement during the 1930s

Background imageFat Collection: A seaside postcard from Margate, Kent, 20th century

A seaside postcard from Margate, Kent, 20th century

Background imageFat Collection: Mulai Tayeb, the Sheriff of Wezzan, North Africa, 1895. Artist: Henri Thiriat

Mulai Tayeb, the Sheriff of Wezzan, North Africa, 1895. Artist: Henri Thiriat
Mulai Tayeb, the Sheriff of Wezzan, North Africa, 1895. From The Universal Geography with Illustrations and Maps, division XXII, written by Elisee Reclus and published by Virtue & Co

Background imageFat Collection: Renan, French 19th Century philosopher and critic, 1923. Artist: Rischgitz Collection

Renan, French 19th Century philosopher and critic, 1923. Artist: Rischgitz Collection
Renan, French 19th Century philosopher and critic, 1923. Published in The Outline of Literature, by John Drinkwater, London, 1923

Background imageFat Collection: Mons. Hugon De Sennecterre, 1923. Artist: Gustave Dore

Mons. Hugon De Sennecterre, 1923. Artist: Gustave Dore
Mons. Hugon De Sennecterre, 1923. Published in The Outline of Literature, by John Drinkwater, London, 1923

Background imageFat Collection: Charles Augustin Sainte-Beuve, French 19th Century Critic, 1923

Charles Augustin Sainte-Beuve, French 19th Century Critic, 1923. Published in The Outline of Literature, by John Drinkwater, London, 1923

Background imageFat Collection: Mr Pickwick, 1923. Artist: Hodder & Stoughton Ltd

Mr Pickwick, 1923. Artist: Hodder & Stoughton Ltd
Mr Pickwick, 1923. Published in The Outline of Literature, by John Drinkwater, London, 1923

Background imageFat Collection: William Penn, founded the Province of Pennsylvania, 1823. Artist: Chapman & Co

William Penn, founded the Province of Pennsylvania, 1823. Artist: Chapman & Co
William Penn, founded the Province of Pennsylvania, 1823

Background imageFat Collection: Omar Khayyam, 1904. Artist: Max Beerbohm

Omar Khayyam, 1904. Artist: Max Beerbohm
Omar Khayyam, 1904. Illustration from The Poets Corner, by Max Beerbohm, (London, 1904)

Background imageFat Collection: H. R. H, The Dow, DSS. Of Albany, 1908. Artist: WD & HO Wills

H. R. H, The Dow, DSS. Of Albany, 1908. Artist: WD & HO Wills
H.R.H, The Dow, DSS. Of Albany, 1908. Portraits of European Royalty, Willss Cigarette Cards, Bristol & London

Background imageFat Collection: Mr Edward Bright (1721-1750), 1751

Mr Edward Bright (1721-1750), 1751. Bright was a grocer from Maldon, Essex. At the time of his death he was reputed to be the fattest man in England; his coat was said to be large enough to have

Background imageFat Collection: Ulrich Varnbuler, 1521, (1936). Artist: Albrecht Durer

Ulrich Varnbuler, 1521, (1936). Artist: Albrecht Durer
Ulrich Varnbuler, 1521, (1936). Found in the collection of the Graphische Sammlung Albertin, Vienna, Austria. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Background imageFat Collection: Willibald Pirckheimer, 1503, (1936). Artist: Albrecht Durer

Willibald Pirckheimer, 1503, (1936). Artist: Albrecht Durer
Willibald Pirckheimer, 1503, (1936). Found in the collection of the Kupferstichkabinett, Berlin, Germany. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Background imageFat Collection: Dugald Stewart, 19th century. Artist: William Home Lizars

Dugald Stewart, 19th century. Artist: William Home Lizars
Dugald Stewart, 19th century

Background imageFat Collection: Cartoon from the ship board paper The Comet, troopship RMS Caronia, 1916-1917

Cartoon from the ship board paper The Comet, troopship RMS Caronia, 1916-1917

Background imageFat Collection: The Hostile View of Lady Hamilton, 19th century

The Hostile View of Lady Hamilton, 19th century. Caricature by Gillray, entitled Dido in Despair

Background imageFat Collection: Sergeant Buzfuz, 1904. Artist:s Hildesheimer & Co

Sergeant Buzfuz, 1904. Artist:s Hildesheimer & Co
Sergeant Buzfuz, 1904. Buzfuz is a character from Dickens The Pickwick Papers

Background imageFat Collection: A portly gentleman looking through a telescope, 19th century

A portly gentleman looking through a telescope, 19th century

Background imageFat Collection: H. R. H Prince Gustavus of Denmark, 1908. Artist: WD & HO Wills

H. R. H Prince Gustavus of Denmark, 1908. Artist: WD & HO Wills
H.R.H Prince Gustavus of Denmark, 1908. Portraits of European Royalty, Willss Cigarette Cards, Bristol & London

Background imageFat Collection: The English Lady at Paris, 1771. Artist: Charles Brandoin

The English Lady at Paris, 1771. Artist: Charles Brandoin
The English Lady at Paris, 1771. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London)

Background imageFat Collection: A Voluptuary Under the Horrors of Digestion, 1792. Artist: James Gillray

A Voluptuary Under the Horrors of Digestion, 1792. Artist: James Gillray
A Voluptuary Under the Horrors of Digestion, 1792. Engraving of the Prince Regent, (later King George IV), who was famous for his gluttonous appetite

Background imageFat Collection: Starving poet and publisher, late 18th century. Artist: Thomas Rowlandson

Starving poet and publisher, late 18th century. Artist: Thomas Rowlandson
Starving poet and publisher, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

Background imageFat Collection: A Spencer and a Threadpaper, 1792

A Spencer and a Threadpaper, 1792. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

Background imageFat Collection: Waggoners Frocks or No Bodys of 1795, 1795

Waggoners Frocks or No Bodys of 1795, 1795. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Background imageFat Collection: Enter Cowslip with a bowl of cream, 1795

Enter Cowslip with a bowl of cream, 1795. As a cedar tall and slender, sweet cowslips grace, is her nom tive case, and shes of the feminine gender - John O Keefe (1747-1833)

Background imageFat Collection: 1784, or the Fashions of the Day, 1784. Artist: Thomas Rowlandson

1784, or the Fashions of the Day, 1784. Artist: Thomas Rowlandson
1784, or the Fashions of the Day, 1784. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Background imageFat Collection: Taste a la mode, 1745. Artist: F Patton

Taste a la mode, 1745. Artist: F Patton
Taste a la mode, 1745. Satire on the fashion for wide skirts. Illustration from Social Caricature in the Eighteenth Century

Background imageFat Collection: Captain Francis Grose By Himself, 18th century. Artist: Francis Grose

Captain Francis Grose By Himself, 18th century. Artist: Francis Grose
Captain Francis Grose By Himself, 18th century. Self-portrait of Grose (1731-1791), antiquary and friend of Robert Burns. Illustration from Social Caricature in the Eighteenth Century

Background imageFat Collection: Richard Arkwright, 18th century British industrialist and inventor, (1836)

Richard Arkwright, 18th century British industrialist and inventor, (1836). Artist: James Posselwhite
Richard Arkwright, 18th century British industrialist and inventor, (1836). Arkwright (1732-1792) was the inventor of textile manufacturing machinery which included the first practical means of

Background imageFat Collection: Inconvenience of a Crowded Drawing Room, 1818. Artist: George Cruikshank

Inconvenience of a Crowded Drawing Room, 1818. Artist: George Cruikshank
Inconvenience of a Crowded Drawing Room, 1818

Background imageFat Collection: Falstaff, 1891

Falstaff, 1891. Sir John Falstaff, a character from Henry IV Parts I and II, and The Merry Wives of Windsor. A colour lithograph from Shakespeares Heroes and Heroines after Sir A Callcott

Background imageFat Collection: A Peep at Christies, 1796. Artist: James Gillray

A Peep at Christies, 1796. Artist: James Gillray
A Peep at Christies, 1796. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageFat Collection: Charons Boat, or the Ghosts of all the Talents taking their last voyage, 1807. Artist: James Gillray

Charons Boat, or the Ghosts of all the Talents taking their last voyage, 1807. Artist: James Gillray
Charons Boat, or the Ghosts of all the Talents taking their last voyage, 1807. Gillray, James (1757-1815). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Background imageFat Collection: The Judge and the Litigants, 1866. Artist: Henry Bonaventure Monnier

The Judge and the Litigants, 1866. Artist: Henry Bonaventure Monnier
The Judge and the Litigants, 1866

Background imageFat Collection: Grandure and decadence

Grandure and decadence. The front cover of the Le Petit Journal Illustre

Background imageFat Collection: Fat-rumped sheep of Tartary, 1848

Fat-rumped sheep of Tartary, 1848. An engraving from the Natural History of Man, by James Cowles Prichard, (Hippolyte Bailliere, London, third edition, 1848)

Background imageFat Collection: Fat-tailed sheep of Syria, 1848

Fat-tailed sheep of Syria, 1848. An engraving from the Natural History of Man, by James Cowles Prichard, (Hippolyte Bailliere, London, third edition, 1848)



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