mail_outline sales@mediastorehouse.com
La Mode Illustree, 1880, 1943. Creator: UnknownLa Mode Illustree, 1880, 1943. Hand coloured lithorgraph of Victorian fashion from French magazine La Mode Illustree. From " Fashions and Fashion Plates 1800-1900", by James Laver
La Mode Artistique, 1890, 1943. Creator: UnknownLa Mode Artistique, 1890, 1943. Hand coloured Victorian fashion plate for French publication La Mode Artistique. From " Fashions and Fashion Plates 1800-1900", by James Laver
The Young Englishwoman, 1871, 1943. Creator: UnknownThe Young Englishwoman, 1871, 1943. Hand coloured lithograph of French fashions modelled for British womens magazine The Young Englishwoman
Petit Courrier des Dames, 1857, 1943. Creator: UnknownPetit Courrier des Dames, 1857, 1943. Hand coloured engraving from Petit Courrier des Dames, a weekly French fashion magazine published in Paris
Petit Courrier des Dames, 1835, 1943. Creator: UnknownPetit Courrier des Dames, 1835, 1943. Hand coloured engraving from Petit Courrier des Dames, a weekly French fashion magazine published in Paris
La Belle Assemblee, 1831, 1943. Creator: UnknownLa Belle Assemblee, 1831, 1943. La Belle Assemblee - British womens magazine published 1806-1837, founded by John Bell (1745-1831)
Le Beau Monde, 1807, (1943). Creator: UnknownLe Beau Monde, 1807, 1943. Beau monde - the fashionable world of high society. From " Fashions and Fashion Plates 1800-1900", by James Laver
To Printers - The Art Reproduction Co. Ltd advertisement, 1909. Creator: UnknownTo Printers - The Art Reproduction Co. Ltd advertisement, 1909. From " The British Printer Vol. XXII". [Raithby, Lawrence & Co. Ltd, London and Leicester, 1909]
On Board H. M. S. Calcutta, c. 1877, (1948). Creator: James TissotOn Board H.M.S. Calcutta, c.1877, (1948). From " English Fashion", by Alison Settle. [Collins, London, 1948]
The Royal Waterloo Bath, pub. 1819. Creator: English School (19th Century)The Royal Waterloo Bath, pub. 1819 (colour engraving). This was a floating bath which was moored near Waterloo Bridge; consisted of a plunging bath
Milsom Street, c1883. Creator: R. Woodroffe (fl. 1835-1854)Milsom Street, from Views of Bath, c.1883 (litho)
Wisdom (Sapience) teaching the author the precepts of temperance, c1455. CreatorWisdom (Sapience) teaching the author the precepts of temperance, from Horologium Sapientiae by Henri Suso, c.1455 (vellum). La Sagesse (Sapience) enseigne a l auteur le preceptes de la temperance
Crinoline in the Ball Room, c1859. Artist: CJ CullifordCrinoline in the Ball Room. Valse Ala Mode. My Dear Tiney is Fretting exceedingly at being kept Solitary so long. c1859. Victorian couple dancing the waltz - the woman is showing bloomers under her
Fashion and its Developement. early 19th century. Artist: Thomas Francois GuerinFashion and its Developement. early 19th century. Our Fathers - Our Husbands: Which is the Most Absurd. A comment on mens clothing
The Common, Southsea, c1896. Artist: Poulton & CoThe Common, Southsea, c1896. From Pictorial England and Wales. [Cassell and Company, Limited, London, Paris & Melbourne, c1896]
Society in the Mall, 1741, (1920). Artist: James SmithSociety in the Mall, 1741, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]
Taste A La Mode, 1745, (1920). Artist: F PattonTaste A La Mode, 1745, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]
Fashionable Portraits, a scene in Hyde Park, 1819. Artist: Isaac CruikshankFashionable Portraits, a scene in Hyde Park, 1819. Two dandies approach a woman in fashionable dress. She walks in through an opening in the rails
A crossing-sweeper, 1791A crossing-sweeper clearing the street for a fashionably dressed woman, 1791
The Rotunda in Ranelagh Gardens, Chelsea, London, c1750. Artist: Thomas BowlesThe Rotunda in Ranelagh Gardens, Chelsea, London, c1750. Interior of the fashionable Rotunda where the well-to-do came to see and be seen
Hummingbirds or A Dandy Trio, pub. 1835 (hand coloured engraving)
Le Retour de Paris, or, the Neice presented to her Relatives by her French Governess, 1835Le Retour de Paris, or, the Neice presented to her Relatives by her French Governess, pub. 1835 (hand coloured etching)
John Grouse and Mother Goose, Sung by Mr Emery of Covent Garden, 1808John Grouse and Mother Goose, Sung by Mr Emery of Covent Garden, pub. 1808 (hand coloured engraving)
Inconveniences of a Crowded Drawing Room, 1835Inconveniences of a Crowded Drawing Room, pub. 1835 (hand coloured etching)
Gudgeon Fishing a la Conservatory, 1811Gudgeon Fishing a la Conservatory, pub. 1811 (hand coloured engraving). George IV (1762-1830) when Prince Regent at Carlton House
London Dandies or Monstrosities of 1815, 1835London Dandies or Monstrosities of 1815, Hyde Park, pub. 1835 (hand coloured engraving)
Dandies of 1817 and Monstrosities of 1818, 1835Dandies of 1817 and Monstrosities of 1818, pub. 1835 (hand coloured aquatint)
A Peep at Christies or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, 1796A Peep at Christies or Tally-ho and his Nimeney-Pimmeney taking the Morning Lounge, pub. 1796 (hand coloured engraving)
Humming-birds--or--a Dandy Trio, 1819Humming-birds--or--a Dandy Trio, pub. 1819 hand coloured engraving)
Lodgings to Let, 1814Lodgings to Let, pub. 1814 (hand coloured engraving)
The Mall in 1732, c1870The Mall in 1732, 1870. The Mall is a road in the City of Westminster, central London, between Buckingham Palace at its western end and Trafalgar Square via Admiralty Arch to the east
The Mall, c1870. The Mall is a road in the City of Westminster, central London, between Buckingham Palace at its western end and Trafalgar Square via Admiralty Arch to the east
Hyde Park Corner in 1822, c1870. Artist: George CruikshankHyde Park Corner in 1822, c1870. Hyde Park Corner is an area of London, located around a major road junction at the southeastern corner of Hyde Park
The Botafogo end of the fashionable Rua Sao Clemente. Corcovado in the distance, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]
Knickerbockers in Venice, 1893, (1894). Artist: Dudley HardyKnickerbockers in Venice, 1893, (1894). From The Studio Volume 3. [London Offices of the Studio, London, 1894]
Decorative Female Golfer 1, c1904
A Nobleman. End of Fourteenth Century, 1926. Artist: Herbert NorrisA Nobleman. End of Fourteenth Century, 1926. From Costume & Fashion, Volume Two, Senlac to Bosworth 1066-1485, by Herbert Norris. [J. M. Dent and Sons Ltd. London and Toronto, 1927]
A Nobleman, 1926. Artist: Herbert NorrisA Nobleman, 1926. A Nobleman in the fashion of Edward III (1312-1377). From Costume & Fashion, Volume Two, Senlac to Bosworth 1066-1485, by Herbert Norris. [J. M. Dent and Sons Ltd
The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. Artist: John Raphael SmithThe Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]
A House in Grosvenor Road, Westminster (Thames Embankment). G. & A. Gilbert Scott, Architects, c1921. 129 Grosvenor Road, Westminster, became The Riviera Dance Club which was one of London
Rotten Row, London, c1900. Rotten Row, Hyde Park, London, 20th Century. Rotten Row was established in the late 17th century by William III
We are Off, c1900
An Amusing Story, 1877, (1938). Artist: Giovanni Battista QuadroneAn Amusing Story, 1877, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd
Konigin Luise von Preussen, c1910. Duchess Louise of Mecklenburg-Strelitz (Luise Auguste Wilhelmine Amalie, (1776-1810), Queen consort of Prussia as the wife of King Frederick William III
The Virtuous Parent. Laetitia Endeavours In Vain By Parents To Reconcile Her Parents, 1789. Artist: John Raphael SmithThe Virtuous Parent. Laetitia Endeavours In Vain By Presents To Reconcile Her Parents, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]
A French Petit Maitre and his Valet, late 18th century. Artist: Charles GrignionA French Petit Maitre and his Valet, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston
Characters in High Life... 1795Characters in High Life sketched at The New Rooms Opera House - Delightful Task! to teach the young idea how to shoot, 1795. Illustration from Social Caricature in the Eighteenth Century
1784, or the Fashions of the Day, 1784. Artist: Thomas Rowlandson1784, or the Fashions of the Day, 1784. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]
