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Woman Selling Vegetables, 1825-1845. Creator: Lambertus Johannes HansenWoman Selling Vegetables, 1825-1845
Physionomies de spectateurs de la Porte St-Martin... 1852. Creator: Honore DaumierPhysionomies de spectateurs de la Porte St-Martin... 1852. Physionomies de spectateurs de la Porte-St.-Martin pendant une represantation de Richard III
Tu m'embêtes, mon épouse!...v'là une heure... 1843. Creator: Honore DaumierTu m'embetes, mon epouse!...v'la une heure... 1843. Tu m'embetes, mon epouse!...v'la une heure que tu me dis qu'il neige; je le vois fichtre bien
Rev. Joseph Goodall, D.D, 1828. Creator: Charles TurnerRev. Joseph Goodall, D.D, 1828
The Jew and Morris Bosle Begin to Understand Each Other, 1830s. Creator: George CruikshankThe Jew and Morris Bosle Begin to Understand Each Other, 1830s
Romain s'apprêtant à transpercer sa propre soeur... 1852. Creator: Honore DaumierRomain s'appretant a transpercer sa propre soeur... 1852. Romain s'appretant a transpercer sa propre soeur pour cause de rimes inconvenantes
Dans une salle de spectacle, 1854. Creator: Honore DaumierDans une salle de spectacle, 1854. Scene in a theatre. From Paris l'ete, no. 2
Lecture d'un testament, 1853. Creator: Honore DaumierLecture d'un testament, 1853. The reading of a will. From La Comedie humaine, no. 1
Les Spectateurs de l'orchestre, 1864. Creator: Honore DaumierLes Spectateurs de l'orchestre, 1864. Il y a de jolies jambes...tous satisfaits! Audience in the front stalls. There are some lovely legs...everyone's happy
Madame Cabassol se promène... 1845. Creator: Honore DaumierMadame Cabassol se promene... 1845. Madame Cabassol se promene sentimentalement au jardin des plantes avec le plus jeune ami de son epoux. Rencontre inopinee de ce dernier non loin d'un cerf
1830 et 1833, 1833. Creator: Honore Daumier1830 et 1833, 1833. Caricatures of Louis-Philippe I three years apart. Louis Philippe (1773-1850) was King of the French from 1830 to 1848. Periodical: La Caricature, 15 August 1833, no
The Adoration of the Shepherds, 1615. Creator: Hendrik GoltziusThe Adoration of the Shepherds, 1615
Sortez!...(Bajazet), 1841. Creator: Honore DaumierSortez!...(Bajazet), 1841. Go away! From Physionomies tragico-classiques (Physiognomy of the Characters of Classical Tragedy)
Je suis jeune, il est vrai, mais aux âmes bien neés...(Le Cid), 1841. Creator: Honore DaumierJe suis jeune, il est vrai, mais aux ames bien nees. La valeur n'attend pas le nombre des annees! (Le Cid), 1841. I am young, it is true, but with a well-born soul
Nourri dans le sérail, j'en connais les détours (Bajaset), 1841. Creator: Honore DaumierNourri dans le serail, j'en connais les detours (Bajaset), 1841. Nourished in the seraglio, I know the twists and turns
Rodrigue as-tu du coeur? (Le Cid), 1841. Creator: Honore DaumierRodrigue as-tu du coeur? (Le Cid), 1841. Don Diego asks his son Rodrigo do you have heart?'. From Physionomies tragico-classiques (Physiognomy of the Characters of Classical Tragedy)
Laissez-moi donc tranquille, Bah! Bah! est-ce qu'on meurt jamais de faim... 1838. Creator: Honore DaumierLaissez-moi donc tranquille, Bah!...Bah!...est-ce qu'on meurt jamais de faim... 1838. Oh leave me alone, Bah!...Bah!...are we dying of hunger?'. From Croquis d'expressions, plate 15
Ecstatic Heads. Creator: Ernst JosephsonEcstatic Heads, unknown date
Landscape with Soldiers, 1836. Creator: John Wilhelm NahlLandscape with Soldiers, 1836
Theatre audience, 1840-1886. Creator: Hippolyte MichaudTheatre audience, 1840-1886. Couple flirting at top right
Hermione Rejecting Orestes, c. 1799. Creator: Girodet de Roucy-TriosonHermione Rejecting Orestes, c. 1799
Un comité écoutant la lecture d'une tragédie, 19th century. Creator: Honore DaumierUn comite ecoutant la lecture d'une tragedie, 19th century. Whatever you want - A committee listening to the reading of a tragedy
Drawing: Expressions of Emotion (Hate or Jealousy, Anger, Desire, Physical Pain), from... 1762/77. Creator: A. JDrawing: Expressions of Emotion (Hate or Jealousy, Anger, Desire, Physical Pain), from Encyclopedie, 1762/77
Drawing: Expressions of Emotion (Laughter, Weeping, Compassion, Sadness), from Encyclop... 1762/77. Creator: A. JDrawing: Expressions of Emotion (Laughter, Weeping, Compassion, Sadness), from Encyclopedie, 1762/77
Drawing: Expressions of Emotion (Wonder, Love, Veneration, Rapture), from Encyclopédie, 1762/77. Creator: A. J. DefehrtDrawing: Expressions of Emotion (Wonder, Love, Veneration, Rapture), from Encyclopedie, 1762/77
One Person, Six Expressions (Hitori rokumenso), Japan, 1884. Creator: Kobayashi KiyochikaOne Person, Six Expressions (Hitori rokumenso), Japan, 1884
The Actors Nakamura Nakazo I as Matsukaze (right), and Ichikawa Komazo I as... c. 1771The Actors Nakamura Nakazo I as Matsukaze (right), and Ichikawa Komazo I as Yukihira (left), in the Play Kuni no Hana Ono no Itsumoji, Performed at the Nakamura Theater in the Eleventh Month, 1771
The Actors Nakamura Nakazo I as Tenjiku Tokubei (?) (right) and Bando Kumajuro as... cThe Actors Nakamura Nakazo I as Tenjiku Tokubei (?) (right) and Bando Kumajuro as the Shopman Dempachi (?) (left), in the Play Keisei Katabira ga Tsuji (?), Performed at the Ichimura Theater ()
The Warrior Watanabe no Tsuna Fighting the Demon at Rashomon, Japan, c. 1770. Creator: ShunshoThe Warrior Watanabe no Tsuna Fighting the Demon at Rashomon, Japan, c. 1770
The Warrior Omori Hikoshichi Carrying a Female Demon on His Back, Japan, c. 1772. Creator: ShunshoThe Warrior Omori Hikoshichi Carrying a Female Demon on His Back, Japan, c. 1772
Honcho furisode no hajime, Susanoo no mikoto yokai ? no zu, Japan, 19th century
The actors Ichikawa Yaozo III (R) as Fuwa Banzaemon and Sakata Hangoro III (L) as Kosodate... 1794The actors Ichikawa Yaozo III (R) as Fuwa Banzaemon and Sakata Hangoro III (L) as Kosodate Kannonbo, 1794
The actor Ichikawa Danjuro VII and woman watching boy write first calligraphy of the New Year, 1831The actor Ichikawa Danjuro VII and a woman watching boy write first calligraphy of the New Year, 1831
Actors as Ushiwakamaru, Kisanta, Kiichi Hogen, and Minazuru-hime, c. 1847 / 52Actors as Ushiwakamaru, Kisanta, Kiichi Hogen, and Minazuru-hime, c. 1847/52
The actors Ichikawa Danjuro VII as Takamoto no kitsune and Segawa Kikunojo V as Izumi... 1818The actors Ichikawa Danjuro VII as Takamoto no kitsune and Segawa Kikunojo V as Izumi no Chieda-gitsune, 1818
Actors as Hotei Ichiemon and Gokuin Chiemon, c. 1847 / 52. Creator: Utagawa KuniyoshiActors as Hotei Ichiemon and Gokuin Chiemon, c. 1847/52
Caricatures of Laughing Actors Scribbled on a Wall (Hakumensho kabe no mudagaki), c. 1848/51
Jealousy, the Rival, 1803. Creator: Thomas RowlandsonJealousy, the Rival, 1803. Does not this drawing with its foreground arrangement of profoundly expressive figures become something greater than the subject might suggerst
A Daimyo Talking to One of His Retainers, late 18th century. Creator: Katsukawa ShunkoA Daimyo Talking to One of His Retainers, late 18th century
The Art Connoisseurs, 1823-28. Creator: Louis Leopold BoillyThe Art Connoisseurs, 1823-28
Onoe Kikugoro V as Otowake Neko no ke (Right), Bando Mitsugoro IV as Aisho Michinoku (Center), Onoe Kikugoro V as Isogai Mibunosuke (Left) in the Kabuki play Tokai Kidan Nekomata Yashiki, 1870
Nakajima Wadaemon and Nakamura Konozo as Bodara no Chozaemon and Kanagawaya no Gon in the Play " Katakiuchi noriyaibanashi", 1794
Utagawas Lifetime Masterpiece, from the Japanese version of the Shuihu Zhuan, 1863 (5th month)
Fifty-Three Stations of the Tokaido: Inspired by Famous Pictures, 1864. 1864Fifty-Three Stations of the Tokaido: Inspired by Famous Pictures, 1864
Un coup de feu!, 1839. Creator: Honore DaumierUn coup de feu!, 1839. Man having heat treatment on his hair. Series: Types Parisiens, plate 35; Periodical: Le Charivari, 27 October 1839
La Cinquième acte à la Gaîté, 1848. Creator: Honore DaumierLa Cinquieme acte a la Gaite, 1848. The Fifth Act at the Gaiety (Theatre). Series: Tout ce qu'on voudra, no. 25; Periodical: Le Charivari, 7 February 1848
Un Léger Manuscrit, 1845. Creator: Honore DaumierUn Leger Manuscrit, 1845. - Je crois que Mr. le Directeur va etre satisfait de la lecture de mon melodrame...je regrette meme de ne l'avoir fait qu'en six actes!...'. A Weak Manuscript