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Facial Expression Collection (page 12)

Background imageFacial Expression Collection: Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56, printed 1862

Background imageFacial Expression Collection: Figure 22: No painful expression, 1854-56, printed 1862

Figure 22: No painful expression, 1854-56, printed 1862

Background imageFacial Expression Collection: Figure 49: Painful weeping and forward looking. 1854-56, printed 1862

Figure 49: Painful weeping and forward looking. 1854-56, printed 1862

Background imageFacial Expression Collection: Figure 18: Aggression, wickedness, 1854-56, printed 1862

Figure 18: Aggression, wickedness, 1854-56, printed 1862

Background imageFacial Expression Collection: Figure 17: On the right, electrization of m. procerus: severity, aggressi

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention. 1854-56, printed 1862

Background imageFacial Expression Collection: Figure 60: Fright, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 60: Fright, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 60: Fright, 1854-56, printed 1862

Background imageFacial Expression Collection: Figure 70: Head of the Laocoon of Rome, 1854-56, printed 1862

Figure 70: Head of the Laocoon of Rome, 1854-56, printed 1862. Creators: Duchenne de Boulogne, Adrien Alban Tournachon
Figure 70: Head of the Laocoon of Rome, 1854-56, printed 1862

Background imageFacial Expression Collection: Figure 45: Pain and despair. 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 45: Pain and despair. 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 45: Pain and despair. 1854-56, printed 1862

Background imageFacial Expression Collection: Figure 6: The grimace produced is similar to a tic of the face, 1854-56, printed 1862

Figure 6: The grimace produced is similar to a tic of the face, 1854-56, printed 1862

Background imageFacial Expression Collection: Figure 75: Nun saying her prayers, 1854-56, printed 1862

Figure 75: Nun saying her prayers, 1854-56, printed 1862

Background imageFacial Expression Collection: Figure 62: Terror, semiprofile, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 62: Terror, semiprofile, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 62: Terror, semiprofile, 1854-56, printed 1862

Background imageFacial Expression Collection: Figure 78: Scene of coquetry, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 78: Scene of coquetry, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 78: Scene of coquetry, 1854-56, printed 1862

Background imageFacial Expression Collection: Figure 16: Expression of severity, 1854-56, printed 1862

Figure 16: Expression of severity, 1854-56, printed 1862

Background imageFacial Expression Collection: Figure 50: Affected weeping and face in repose, 1854-56, printed 1862

Figure 50: Affected weeping and face in repose, 1854-56, printed 1862

Background imageFacial Expression Collection: Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862

Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862

Background imageFacial Expression Collection: Figure 20: Profound suffering, with resignation, 1854-56, printed 1862

Figure 20: Profound suffering, with resignation, 1854-56, printed 1862

Background imageFacial Expression Collection: Electro-Physiologie, Figure 64, 1854-56, printed 1862. Creator: Adrien Alban Tournachon

Electro-Physiologie, Figure 64, 1854-56, printed 1862. Creator: Adrien Alban Tournachon
Electro-Physiologie, Figure 64, 1854-56, printed 1862

Background imageFacial Expression Collection: Copy of a Lithographic Print, before May 1844. Creator: William Henry Fox Talbot

Copy of a Lithographic Print, before May 1844. Creator: William Henry Fox Talbot
Copy of a Lithographic Print, before May 1844

Background imageFacial Expression Collection: The Laughing Audience, December 1733. December 1733. Creator: William Hogarth

The Laughing Audience, December 1733. December 1733. Creator: William Hogarth
The Laughing Audience, December 1733

Background imageFacial Expression Collection: Characters and Caricaturas, April 1743. April 1743. Creator: William Hogarth

Characters and Caricaturas, April 1743. April 1743. Creator: William Hogarth
Characters and Caricaturas, April 1743

Background imageFacial Expression Collection: Characters and Caricaturas, 1807, (1827). Creator: Thomas Cook

Characters and Caricaturas, 1807, (1827). Creator: Thomas Cook
Characters and Caricaturas, 1807, (1827). Hogarths response to the criticism that his characters were caricatures: above are characters with exaggerated features

Background imageFacial Expression Collection: The Lecture, 1808, (1827). Creator: Thomas Cook

The Lecture, 1808, (1827). Creator: Thomas Cook
The Lecture, 1808, (1827). A group of Oxford scholars listen to William Fisher, Registrar of the University. Engraving after Scholars at a lecture of 1736 by Hogarth

Background imageFacial Expression Collection: Man with expression of horror, 18th century? Creator: Unknown

Man with expression of horror, 18th century? Creator: Unknown
Man with expression of horror, 18th century? Horrour causes the eye brows to be knit, & sinks a great deal more; the eye balls placed at the bottom of the eyes are half cover d by the lower eye lids

Background imageFacial Expression Collection: The Laughing Audience, 1733, (1830s). Creator: Unknown

The Laughing Audience, 1733, (1830s). Creator: Unknown
The Laughing Audience, 1733, (1830s). Scene in a theatre: men and women flirting (above), and the audience reacts to the play (below). Metal spikes separate them from the orchestra pit. [Jones & Co

Background imageFacial Expression Collection: The Lecture, 1736, (1830s). Creator: Unknown

The Lecture, 1736, (1830s). Creator: Unknown
The Lecture, 1736, (1830s). A group of Oxford scholars listen to William Fisher, Registrar of the University. Facsimile of Scholars at a lecture. [Jones & Co. Finsbury Square, London]

Background imageFacial Expression Collection: Imogen Ryall, Ropetackle Arts Centre, Shoreham, West Sussex, Jan 2016. Artist: Brian O Connor

Imogen Ryall, Ropetackle Arts Centre, Shoreham, West Sussex, Jan 2016. Artist: Brian O Connor
Imogen Ryall, Ropetackle Arts Centre, Shoreham, West Sussex, Jan 2016

Background imageFacial Expression Collection: Sarah Jane Morris, Hawth, Crawley, January 2006. Artist: Brian O Connor

Sarah Jane Morris, Hawth, Crawley, January 2006. Artist: Brian O Connor
Sarah Jane Morris, Hawth, Crawley, January 2006

Background imageFacial Expression Collection: Jane Monheit, Brecon Jazz Festival, August, 2004. Artist: Brian O Connor

Jane Monheit, Brecon Jazz Festival, August, 2004. Artist: Brian O Connor
Jane Monheit, Brecon Jazz Festival, August, 2004

Background imageFacial Expression Collection: Mulgrew Miller, Brecon Jazz Festival, August 2002. Artist: Brian O Connor

Mulgrew Miller, Brecon Jazz Festival, August 2002. Artist: Brian O Connor
Mulgrew Miller, Brecon Jazz Festival, August 2002

Background imageFacial Expression Collection: Tania Maria, Fairfield Halls, Croydon, Surrey, July 1987. Artist: Brian O Connor

Tania Maria, Fairfield Halls, Croydon, Surrey, July 1987. Artist: Brian O Connor
Tania Maria, Fairfield Halls, Croydon, Surrey, July 1987

Background imageFacial Expression Collection: Billy Higgins, Brecon Jazz Festival, Powys, Wales, August 2000. Artist: Brian O Connor

Billy Higgins, Brecon Jazz Festival, Powys, Wales, August 2000. Artist: Brian O Connor
Nicholas Payton, Brecon Jazz Festival, Powys, Wales, August 2001

Background imageFacial Expression Collection: Nnenna Freelon, Ronnie Scotts, Soho, London, July 2000. Artist: Brian O Connor

Nnenna Freelon, Ronnie Scotts, Soho, London, July 2000. Artist: Brian O Connor
Nnenna Freelon, Ronnie Scott s, Soho, London, July 2000

Background imageFacial Expression Collection: Maria Ewing, Ronnie Scotts, Soho, London, 2001. Artist: Brian O Connor

Maria Ewing, Ronnie Scotts, Soho, London, 2001. Artist: Brian O Connor
Maria Ewing, Ronnie Scott s, Soho, London, 2001

Background imageFacial Expression Collection: Norma Winstone, Ropetackle Arts Centre, Shoreham, West Sussex, Jan 2016. Artist: Brian O Connor

Norma Winstone, Ropetackle Arts Centre, Shoreham, West Sussex, Jan 2016. Artist: Brian O Connor
Norma Winstone, Ropetackle Arts Centre, Shoreham, West Sussex, Jan 2016

Background imageFacial Expression Collection: Gogi Grant, Pizza on the Park, London, Dec 1993. Artist: Brian O Connor

Gogi Grant, Pizza on the Park, London, Dec 1993. Artist: Brian O Connor
Gogi Grant, Pizza on the Park, London, Dec 1993

Background imageFacial Expression Collection: Dizzy Gillespie meeting baby Gary Colfer at Knebworth, Hertfordshire, July 1982. Artist

Dizzy Gillespie meeting baby Gary Colfer at Knebworth, Hertfordshire, July 1982. Artist
Dizzy Gillespie meeting baby Gary Colfer at Knebworth, Hertfordshire, July 1982. The babys aunt and uncle Pat and Tony Shelvington kept the Lytton Arms pub in Old Knebworth

Background imageFacial Expression Collection: Der Heilige Hieronymus Als Kardinal, (Saint Jerome as Cardinal), c1590-1600, (1938)

Der Heilige Hieronymus Als Kardinal, (Saint Jerome as Cardinal), c1590-1600, (1938). Artist: El Greco
Der Heilige Hieronymus Als Kardinal, (Saint Jerome as Cardinal), c1590-1600, (1938). Jerome, (27 March 347 - 30 September 420) was a priest, confessor, theologian and historian. From El Greco

Background imageFacial Expression Collection: Der Heilige Ludwig, (Saint Louis), c1585 - 1590, (1938). Artist: El Greco

Der Heilige Ludwig, (Saint Louis), c1585 - 1590, (1938). Artist: El Greco
Der Heilige Ludwig, (Saint Louis), c1585 - 1590, (1938). Saint Louis (1214-1270), the king of France, and a page. From El Greco. [George Allen & Unwin Ltd, London, 1938]

Background imageFacial Expression Collection: Kreuztragender Christus, (Christ Carrying the Cross), c1577-1587, (1938). Artist: El Greco

Kreuztragender Christus, (Christ Carrying the Cross), c1577-1587, (1938). Artist: El Greco
Kreuztragender Christus, (Christ Carrying the Cross), c1577-1587, (1938). From El Greco. [George Allen & Unwin Ltd, London, 1938]

Background imageFacial Expression Collection: Christus Am Kreuz, Mit Zwei Stiftern, (Christ on the Cross Adored by Donors), c1590, (1938)

Christus Am Kreuz, Mit Zwei Stiftern, (Christ on the Cross Adored by Donors), c1590, (1938). Artist: El Greco
Christus Am Kreuz, Mit Zwei Stiftern, (Christ on the Cross Adored by Donors), c1590, (1938). From El Greco. [George Allen & Unwin Ltd, London, 1938]

Background imageFacial Expression Collection: Heiliger Petrus, (Saint Peter), c1590-1600, (1938). Artist: El Greco

Heiliger Petrus, (Saint Peter), c1590-1600, (1938). Artist: El Greco
Heiliger Petrus, (Saint Peter), c1590-1600, (1938). From El Greco. [George Allen & Unwin Ltd, London, 1938]

Background imageFacial Expression Collection: Espolio (Entkleidung Christi. ), (Disrobing of Christ), c1577-1579, (1938). Artist: El Greco

Espolio (Entkleidung Christi. ), (Disrobing of Christ), c1577-1579, (1938). Artist: El Greco
Espolio (Entkleidung Christi.), (Disrobing of Christ), c1580-1595, (1938). The Disrobing of Christ or El Expolio was begun in the summer of 1577

Background imageFacial Expression Collection: Don Fernando Nino De Guevara, (Portrait of Cardinal Nino de Guevara), 1598, (1938). Artist: El Greco

Don Fernando Nino De Guevara, (Portrait of Cardinal Nino de Guevara), 1598, (1938). Artist: El Greco
Grossinquisitors Don Fernando Nino De Guevara, (Portrait of Cardinal Nino de Guevara), 1598, (1938). Fernando Nino de Guevara (1541 - 8 January 1609)

Background imageFacial Expression Collection: Die Tempelreinigung, (Christ Cleansing the Temple), c1570, (1938). Artist: El Greco

Die Tempelreinigung, (Christ Cleansing the Temple), c1570, (1938). Artist: El Greco
Die Tempelreinigung, (Christ Cleansing the Temple), c1570, (1938). An angry Christ driving the moneychangers from the Temple. From El Greco. [George Allen & Unwin Ltd, London, 1938]

Background imageFacial Expression Collection: Profile of a Man with Clenched Teeth, c1480 (1945). Artist: Leonardo da Vinci

Profile of a Man with Clenched Teeth, c1480 (1945). Artist: Leonardo da Vinci
Profile of a Man with Clenched Teeth, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageFacial Expression Collection: Head of Christ, c1480 (1945). Artist: Leonardo da Vinci

Head of Christ, c1480 (1945). Artist: Leonardo da Vinci
Head of Christ, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageFacial Expression Collection: Head of an Apostle and Study of Architecture, c1480 (1945). Artist: Leonardo da Vinci

Head of an Apostle and Study of Architecture, c1480 (1945). Artist: Leonardo da Vinci
Head of an Apostle and Study of Architecture, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageFacial Expression Collection: Half-Length of an Apostle with his Right Hand Raised, c1480 (1945). Artist: Leonardo da Vinci

Half-Length of an Apostle with his Right Hand Raised, c1480 (1945). Artist: Leonardo da Vinci
Half-Length of an Apostle with his Right Hand Raised, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]



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