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Facial Expression Gallery

Available as Prints and Gift Items

Choose from 129 pictures in our Facial Expression collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


A Bust Figure of a Foolish Virgin Holding Her Inverted Lamp. Creator: Urs Graf
A Bust Figure of a Foolish Virgin Holding Her Inverted Lamp. Creator: Urs Graf
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George Washington, 1800. Creator: William Clarke
George Washington, 1800. Creator: William Clarke
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Alexander Condemning False Praise, 1760s. Creator: Mura, Francesco de
Alexander Condemning False Praise, 1760s. Creator: Mura, Francesco de
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The Return of Rip Van Winkle, 1849. Creator: John Quidor
The Return of Rip Van Winkle, 1849. Creator: John Quidor
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Characters and Caricaturas, April 1743. Creator: William Hogarth
Characters and Caricaturas, April 1743. Creator: William Hogarth
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The Laughing Audience, December 1733. Creator: William Hogarth
The Laughing Audience, December 1733. Creator: William Hogarth
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Onoe Kikugoro V as Otowake Neko no ke (Right), Bando Mitsugoro IV as Aisho Michinoku
Onoe Kikugoro V as Otowake Neko no ke (Right), Bando Mitsugoro IV as Aisho Michinoku
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Kabuki Actor Ichikawa Ebizo V as Kumagai Jiro Naozane, ca. 1849
Kabuki Actor Ichikawa Ebizo V as Kumagai Jiro Naozane, ca. 1849
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Nakamura Utaemon IV as Danshichi Kurobei, 1850. Creator: Utagawa Kunimasa
Nakamura Utaemon IV as Danshichi Kurobei, 1850. Creator: Utagawa Kunimasa
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Ichikawa Sadanji as Dozaemon Denkichi in a Kabuki Play, September, 1882
Ichikawa Sadanji as Dozaemon Denkichi in a Kabuki Play, September, 1882
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The Laughing Audience, ca. 1800. Creator: Dent
The Laughing Audience, ca. 1800. Creator: Dent
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Kabuki actors play the role of 47 Ronin (Seichu gishi den)
Kabuki actors play the role of 47 Ronin (Seichu gishi den)
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Onoe Kikugoro V as Otowake Neko no ke (Right), Bando Mitsugoro IV as Aisho Michinoku Featured Print

Onoe Kikugoro V as Otowake Neko no ke (Right), Bando Mitsugoro IV as Aisho Michinoku

Onoe Kikugoro V as Otowake Neko no ke (Right), Bando Mitsugoro IV as Aisho Michinoku (Center), Onoe Kikugoro V as Isogai Mibunosuke (Left) in the Kabuki play Tokai Kidan Nekomata Yashiki, 1870

© Heritage Art/Heritage Images

19th Century, Acting, Actor, Actors, Animal, Artistic School, Butterflies, Butterfly, Century, Color, Colour, Country, Drama, Entertainment, Expression, Facial Expression, Facial Expressions, Guy, Heritage Art, Ink And Colour On Paper, Insect, Insects, Japan, Japanese, Kabuki, Kabuki Actor, Kunichika, Kunichika Toyohara, Location, Male, Man, Meiji Period, Men, Metropolitan Museum Of Art, Museum, Nineteenth Century, People, Printing, The Met, The Metropolitan Museum Of Art, Thespian, Toyohara, Toyohara Kunichika, Triptych Of Polychrome Woodblock Prints, Ukiyo E, Woodblock Print

Utagawa's Lifetime Masterpiece, from the Japanese version of the Shuihu Zhuan
Utagawa's Lifetime Masterpiece, from the Japanese version of the Shuihu Zhuan
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Portrait of Arashi Kichizaburo III (1810-1864) in the Role of Baiomaru, ca. 1840., ca
Portrait of Arashi Kichizaburo III (1810-1864) in the Role of Baiomaru, ca. 1840., ca
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Asahina Fuji Hyoe, 1854 (year of the Horse, 7th month)., 1854 (year of the Horse
Asahina Fuji Hyoe, 1854 (year of the Horse, 7th month)., 1854 (year of the Horse
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Fifty-Three Stations of the Tokaido: Inspired by Famous Pictures, 1864., 1864
Fifty-Three Stations of the Tokaido: Inspired by Famous Pictures, 1864., 1864
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Kabuki Actor Ichikawa Ebijuro I as Token (China Dog) Jubei
Kabuki Actor Ichikawa Ebijuro I as Token (China Dog) Jubei
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Kabuki Actor Arashi Rikan II as Iemon Confronted by an Image of His Murdered Wife, Oiwa
Kabuki Actor Arashi Rikan II as Iemon Confronted by an Image of His Murdered Wife, Oiwa
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Kabuki Actor Arashi Rikan II as Akogi Heiji, from the print series Tosei keshokagami
Kabuki Actor Arashi Rikan II as Akogi Heiji, from the print series Tosei keshokagami
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Three Heroes of the Water Margin Capture the Bandit Queen Ichijosei, 1835., 1835
Three Heroes of the Water Margin Capture the Bandit Queen Ichijosei, 1835., 1835
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Figure 26: Expression of painful attention and attention, attentive gaze
Figure 26: Expression of painful attention and attention, attentive gaze
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Figure 53: Whimpering and false laughter, 1854-56, printed 1862
Figure 53: Whimpering and false laughter, 1854-56, printed 1862
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Figure 39: The attention attracted by an object that provokes lascivious
Figure 39: The attention attracted by an object that provokes lascivious
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Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862
Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862
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Kabuki Actor Arashi Rikan II as Iemon Confronted by an Image of His Murdered Wife, Oiwa Featured Print

Kabuki Actor Arashi Rikan II as Iemon Confronted by an Image of His Murdered Wife, Oiwa

Kabuki Actor Arashi Rikan II as Iemon Confronted by an Image of His Murdered Wife, Oiwa, on a Broken Lantern, Referring to Katsushika Hokusai's Hyaku monogatari (One Hundred Ghost Stories), 1832

© Heritage Art/Heritage Images

19th Century, Acting, Actor, Actors, Afterlife, Artistic School, Century, Color, Colour, Concept, Country, Dead, Death, Drama, Dramatic, Edo Period, Entertainment, Expression, Facial Expression, Ghost, Ghost Story, Ghosts, Guy, Heritage Art, Hokuei, Hokuei Shunbaisai, Ink And Color On Paper, Japan, Japanese, Kabuki, Lantern, Lighting, Location, Male, Man, Men, Metropolitan Museum Of Art, Museum, Nineteenth Century, People, Phantom, Phantoms, Polychrome Woodblock Print, Printing, Scary, Shunbaisai, Shunbaisai Hokuei, The Met, The Metropolitan Museum Of Art, Thespian, Ukiyo E, Woodblock Print

Figure 15: Meditation, mental concentration, 1854-56, printed 1862
Figure 15: Meditation, mental concentration, 1854-56, printed 1862
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Figure 27: Expression proportionally more pained, 1854-56, printed 1862
Figure 27: Expression proportionally more pained, 1854-56, printed 1862
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Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862
Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862
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Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and le
Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and le
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Figure 10: Showing the expressive lines of m. frontalis in a young girl , 1854-56
Figure 10: Showing the expressive lines of m. frontalis in a young girl , 1854-56
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Figure 55: Astonishment badly rendered by the subject: a ridiculous and i
Figure 55: Astonishment badly rendered by the subject: a ridiculous and i
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Figure 21: Painful recollection and recollection or calling something to
Figure 21: Painful recollection and recollection or calling something to
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Figure 71: Same head as in Plate 70, 1854-56, printed 1862
Figure 71: Same head as in Plate 70, 1854-56, printed 1862
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Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862
Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862
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Figure 73: Head of Niobe, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 73: Head of Niobe, 1854-56, printed 1862. Creators: Duchenne de Boulogne
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Figure 12: A study of the contraction of and the expression produced by t
Figure 12: A study of the contraction of and the expression produced by t
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Figure 47: A suggestion of this same weeping, 1854-56, printed 1862
Figure 47: A suggestion of this same weeping, 1854-56, printed 1862
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Figure 12: A study of the contraction of and the expression produced by t Featured Print

Figure 12: A study of the contraction of and the expression produced by t

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi , 1854-56, printed 1862

© Heritage Art/Heritage Images

19th Century, Adrien Alban Tournachon, Adrien Tournachon, Albumen Print, Albumen Silver Print, Albumen Silver Print From Glass Negative, B And, B And W, B W, Black And White, Bodies, Body, Boulogne, Boulogne Duchenne De, Century, Concept, Country, Duchenne, Duchenne De, Duchenne De Boulogne, Duchenne De Boulogne Guillaume Amant, Duchenne Guillaume Benjamin Amand, Electric Shock, Electrical, Electricity, Electrophysiology, Emotion, Experiment, Experimental, Expression, Face, Facial Expression, Faradic Current, Faradisation, Feeling, France, French, Guillaume Amant, Guillaume Amant Duchenne De Boulogne, Guillaume Benjamin Ama, Guillaume Benjamin Amand, Guillaume Benjamin Amand Duchenne, Guillaume Benjamin Amand Duchenne De Boulogne, Guinea Pig, Guy, Heritage Art, Location, Male, Man, Medicine, Men, Metropolitan Museum Of Art, Muscle, Muscles, Museum, Neurology, Nineteenth Century, People, Photography, Science, Stimulation, The Met, The Metropolitan Museum Of Art, Tournachon Adrien, Tournachon Adrien Alban, Unusual, White

Figure 56: Surprise, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 56: Surprise, 1854-56, printed 1862. Creators: Duchenne de Boulogne
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Figure 63: Expression of terror, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 63: Expression of terror, 1854-56, printed 1862. Creators: Duchenne de Boulogne
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Figure 34: Grimace, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 34: Grimace, 1854-56, printed 1862. Creators: Duchenne de Boulogne
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Figure 4: The face in repose of a young man , 1854-56, printed 1862
Figure 4: The face in repose of a young man , 1854-56, printed 1862
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Figure 3: The face of an old man... photographed in repose., 1854-56, printed 1862
Figure 3: The face of an old man... photographed in repose., 1854-56, printed 1862
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Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862
Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862
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Figure 82: Lady Macbeth, strong expression of cruelty , 1854-56, printed 1862
Figure 82: Lady Macbeth, strong expression of cruelty , 1854-56, printed 1862
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Figure 8: Contraction of the right m. frontalis. , 1854-56, printed 1862
Figure 8: Contraction of the right m. frontalis. , 1854-56, printed 1862
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Figure 24: Extreme pain to the point of exhaustion, the head of Christ an
Figure 24: Extreme pain to the point of exhaustion, the head of Christ an
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Icono-photographique. Mecanisme de la Physionomie Humaine. Fig
Icono-photographique. Mecanisme de la Physionomie Humaine. Fig
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Figure 19: Suffering , 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 19: Suffering , 1854-56, printed 1862. Creators: Duchenne de Boulogne
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Figure 48: Mild weeping, pity and feeble false laughter , 1854-56, printed 1862
Figure 48: Mild weeping, pity and feeble false laughter , 1854-56, printed 1862
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