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Une erreur excusable, 19th century. Creator: Honore DaumierUne erreur excusable, 19th century. Woman in a large crinoline dress. An understandable mistake. Chickens believing they have found the coop where they spent their youth
Dandies, 1519 and 1819, published January 20, 1819. Creator: William HeathDandies, 1519 and 1819, published January 20, 1819. Male fashions of the 16th and 19th centuries. Attributed to William Heath
Provinciaux visitant les curiosites de Paris (Provinicials Visiting the Curiosities of Paris), c. 1805
Les Invisibles en tete-a-tete (Tete-a-TêLes Invisibles en tete-a-tete (Tete-a-Tete with Poke Bonnets), c. 1805
Characters and Caricaturas, April 1743. Creator: William HogarthCharacters and Caricaturas, April 1743
We Have the Exhibition to Examine, 1810-40. Creator: William HeathWe Have the Exhibition to Examine, 1810-40
Monstrosity of 1829: "Lo this is their very guise", 1829Monstrosity of 1829: " Lo this is their very guise", 1829
Characters in High Life, June 20, 1795. Creator: James GillrayCharacters in High Life, June 20, 1795
Les Invisibles (The Invisible Ones), 1810. Creator: William BrocasLes Invisibles (The Invisible Ones), 1810
Modern Oddities by P. Pry Esq. Plate 1st: The Sleeves Curiously Cut, Ay There sModern Oddities by P. Pry Esq. Plate 1st: The Sleeves Curiously Cut, Ay Theres the Villainy - vide Shakespeare, June 30, 1829
Dandies in Rotten Row, January 21, 1819. Creator: William HeathDandies in Rotten Row, January 21, 1819
The Bum Shop, July 11, 1785. Creator: Attributed to R. RushworthThe Bum Shop, July 11, 1785
Well-a-day, Is this my Son Tom, ca. 1773. Creator: Probably after Samuel Hieronymus GrimmWell-a-day, Is this my Son Tom, ca. 1773
The City Rout, May 20, 1776. Creator: In the manner of Richard St. George Mansergh StThe City Rout, May 20, 1776
The Flower Garden, May 1, 1777. Creator: Matthew DarlyThe Flower Garden, May 1, 1777
Characters and Caricaturas, April 1743. April 1743. Creator: William HogarthCharacters and Caricaturas, April 1743
Characters and Caricaturas, 1807, (1827). Creator: Thomas CookCharacters and Caricaturas, 1807, (1827). Hogarths response to the criticism that his characters were caricatures: above are characters with exaggerated features
A Sportsman of the 16th Century, (c1798). Creator: UnknownA Sportsman of the 16th Century, (c1798). Elizabethans out for a day of sport, wearing elaborately decorated doublet and hose
A Victorian Picnic, c1860, (1944). Creator: UnknownA Victorian Picnic, c1860, (1944). A family having an al fresco meal. As the women recline, their full skirts reveal their bloomers underneath - a comment on the Victorian crinoline
La Francoise a Londres: The French Lady in London or The Head-dress of the Year 1771. A satire on the exaggerated hairstyles of the day
Well-a-day! Is this my son Tom!, 1770. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]
Be not amaz d dear Mother, it is indeed your daughter Anne, 1770. Illustration from Social Caricature in the Eighteenth Century
The New-fashioned Phaeton, 1776. Sic itur ad astra - Thus do we reach the stars. Illustration from Social Caricature in the Eighteenth Century
Phaetona, or Modern Female Taste, 1776. Artist: ColleyPhaetona, or Modern Female Taste, 1776. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds])
The New Gig, 1781. Artist: ColleyThe New Gig. 1781. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)
And catch the living manners as they rise, 1794. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse
Parasols for 1795. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
Waggoners Frocks or No Bodys of 1795, 1795. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]
The Ton at Greenwich: A la festoon dans le park a Greenwich 1777. Illustration from Social Caricature in the Eighteenth Century
French Costume, (1885). A womans elaborate and heavy hairstyle is held up with a stick by her black servant. Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789
Mural of Mercury, Pompeii, Italy. Erotic portrait of a figure with an erection