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Engraving Collection (page 14)

Background imageEngraving Collection: The Hon. William Shee, one of the Judges of the Court of Queen's Bench, 1864. Creator: Unknown

The Hon. William Shee, one of the Judges of the Court of Queen's Bench, 1864. Creator: Unknown
The Hon. William Shee, one of the Judges of the Court of Queen's Bench, 1864. Engraving of a photograph by John and Charles Watkins

Background imageEngraving Collection: Views at the Seat of the War in New Zealand: village on the Waikato River, 1864. Creator: Unknown

Views at the Seat of the War in New Zealand: village on the Waikato River, 1864. Creator: Unknown
Views at the Seat of the War in New Zealand: village on the Waikato River, 1864. Engraving from a photograph by Mr. A.E. Smith

Background imageEngraving Collection: Views at the Seat of the War in New Zealand: Waikato Heads, 1864. Creator: Unknown

Views at the Seat of the War in New Zealand: Waikato Heads, 1864. Creator: Unknown
Views at the Seat of the War in New Zealand: Waikato Heads, 1864. Engraving from a photograph by Mr. A.E. Smith. 'The bush with which the Waikato Heads are covered

Background imageEngraving Collection: Group of the Police Force newly organised in Bengal, 1864. Creator: Mason Jackson

Group of the Police Force newly organised in Bengal, 1864. Creator: Mason Jackson
Group of the Police Force newly organised in Bengal, 1864. Engraving from a photograph. 'The group consists of the district Superintendent, two Inspectors, a head constable, a constable

Background imageEngraving Collection: A squad of elephants saluting the Commandant at Dinapore, India, 1864. Creator: Mason Jackson

A squad of elephants saluting the Commandant at Dinapore, India, 1864. Creator: Mason Jackson
A squad of elephants saluting the Commandant at Dinapore, India, 1864. 'The Illustration affords another evidence of the elephant's sagacity

Background imageEngraving Collection: 'The Age of Innocence', by Sir Joshua Reynolds, in the South Kensington Museum, 1864

"The Age of Innocence", by Sir Joshua Reynolds, in the South Kensington Museum, 1864. Creator: W Thomas
"The Age of Innocence", by Sir Joshua Reynolds, in the South Kensington Museum, 1864. The charm of this picture '...resides in its unobtrusive truth, its delicate feeling

Background imageEngraving Collection: The Peninsular and Oriental Company's new paddle-wheel steamer Nyanza, 1864. Creator: Smyth

The Peninsular and Oriental Company's new paddle-wheel steamer Nyanza, 1864. Creator: Smyth
The Peninsular and Oriental Company's new paddle-wheel steamer Nyanza, 1864. A ship built by the Thames Ironworks and Shipbuilding Company from designs by Mr. G. C

Background imageEngraving Collection: St. Saviour's Church, Clapham, 1864. Creator: Unknown

St. Saviour's Church, Clapham, 1864. Creator: Unknown
St. Saviour's Church, Clapham, [London], 1864. 'The new church in Cedars-road, Clapham-common was built by the Rev. Wentworth Bowyer, Rector of Clapham, at a cost of about £10,000

Background imageEngraving Collection: New building of the Garrick Club, King-Street, Covent-Garden, 1864. Creator: Unknown

New building of the Garrick Club, King-Street, Covent-Garden, 1864. Creator: Unknown
New building of the Garrick Club, King-Street, Covent-Garden, 1864. '...view of the new Garrick Club, just erected by Mr

Background imageEngraving Collection: Government House, Auckland, New Zealand, 1864. Creator: Unknown

Government House, Auckland, New Zealand, 1864. Creator: Unknown
Government House, Auckland, New Zealand, 1864. '...we present a View of the Government House at Auckland, the capital of the colony, where Sir George Grey, the present Governor, usually resides

Background imageEngraving Collection: Ethiopian, 1558. Creator: Vico, Enea (1523-1567)

Ethiopian, 1558. Creator: Vico, Enea (1523-1567)
Ethiopian, 1558. Found in the Collection of the Civica Raccolta delle Stampe Archille Bertarelli.

Background imageEngraving Collection: Portrait of Laura Dianti with a young servant, 1600-1625. Creator: Sadeler, Aegidius (1575-1629)

Portrait of Laura Dianti with a young servant, 1600-1625. Creator: Sadeler, Aegidius (1575-1629)
Portrait of Laura Dianti with a young servant, 1600-1625. Private Collection

Background imageEngraving Collection: Emblem 50. The dragon killed the woman and she killed him, and both are covered in blood, 1816

Emblem 50. The dragon killed the woman and she killed him, and both are covered in blood, 1816
Emblem 50. The dragon killed the woman and she killed him, and both are covered in blood. From "Atalanta fugiens" by Mich, 1816. Private Collection

Background imageEngraving Collection: Emblem 49. The philosophical child recognizes three fathers, like Orion, 1816

Emblem 49. The philosophical child recognizes three fathers, like Orion, 1816
Emblem 49. The philosophical child recognizes three fathers, like Orion. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageEngraving Collection: Emblem 48. The king gets an illness from drinking water, but when healed by doctors he..., 1816

Emblem 48. The king gets an illness from drinking water, but when healed by doctors he..., 1816
Emblem 48. The king gets an illness from drinking water, but when healed by doctors he regains health. From "Atalanta f, 1816. Private Collection

Background imageEngraving Collection: Emblem 47. The wolf coming from the staircase and the dog coming from the staircase have..., 1816

Emblem 47. The wolf coming from the staircase and the dog coming from the staircase have..., 1816
Emblem 47. The wolf coming from the staircase and the dog coming from the staircase have bitten each other. From "Atalanta fugiens" v, 1816. Private Collection

Background imageEngraving Collection: Emblem 46. Two eagles, one from the east, the other from the west, come together, 1816

Emblem 46. Two eagles, one from the east, the other from the west, come together, 1816
Emblem 46. Two eagles, one from the east, the other from the west, come together. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageEngraving Collection: Emblem 45. The sun and its shadow accomplish the work, 1816. Creator: Merian, Matthäus

Emblem 45. The sun and its shadow accomplish the work, 1816. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 45. The sun and its shadow accomplish the work. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageEngraving Collection: Emblem 44. Through deceit Typhon kills Osiris and scatters his members

Emblem 44. Through deceit Typhon kills Osiris and scatters his members, which in turn brings...,1816 Creator: Merian
Emblem 44. Through deceit Typhon kills Osiris and scatters his members, which in turn brings together Isis, as far as is known, 1816. Private Collection

Background imageEngraving Collection: Emblem 43. Listen to the talking vulture, who in no way deceives you, 1816

Emblem 43. Listen to the talking vulture, who in no way deceives you, 1816
Emblem 43. Listen to the talking vulture, who in no way deceives you. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageEngraving Collection: Emblem 42. To him who is in Chymicis be nature, reason, experience and reading..., 1816

Emblem 42. To him who is in Chymicis be nature, reason, experience and reading..., 1816
Emblem 42. To him who is in Chymicis be nature, reason, experience and reading as a guide, staff, glasses and, 1816. Private Collection

Background imageEngraving Collection: Emblem 41. Adonis is slain by a boar, and as Venus comes running she colours the Roses..., 1816

Emblem 41. Adonis is slain by a boar, and as Venus comes running she colours the Roses..., 1816
Emblem 41. Adonis is killed by a wild boar. As Venus wanted to help him, she colored the roses red with blood. Ow, 1816. Private Collection

Background imageEngraving Collection: Emblem 40. Make two waters into one, and it will be the water of health, 1816

Emblem 40. Make two waters into one, and it will be the water of health, 1816
Emblem 40. Make two waters into one, and it will be the water of health. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageEngraving Collection: Emblem 39. Oedipus, after defeating the Sphynx and killing his father, takes his mother..., 1816

Emblem 39. Oedipus, after defeating the Sphynx and killing his father, takes his mother..., 1816
Emblem 39. Oedipus, after defeating the Sphynx and killing his father, takes his mother as his wife. From "Atalanta fugiens" by Mich, 1816. Private Collection

Background imageEngraving Collection: Emblem 38. The Rebis like a hermaphrodite is born from two mountains, Mercurius and Venus, 1816

Emblem 38. The Rebis like a hermaphrodite is born from two mountains, Mercurius and Venus, 1816
Emblem 38. The Rebis like a hermaphrodite is born from two mountains, Mercurius and Venus. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageEngraving Collection: Emblem 37. Three things are sufficient for mastery, the white smoke, which is water..., 1816

Emblem 37. Three things are sufficient for mastery, the white smoke, which is water..., 1816
Emblem 37. Three things are sufficient for mastery, the white smoke, which is water, the green lion, the ore Hermes, and the embroidery, 1816. Private Collection

Background imageEngraving Collection: Emblem 36. This stone is cast on the earth and lifted up on the mountains, dwells in the air

Emblem 36. This stone is cast on the earth and lifted up on the mountains, dwells in the air and is fed in rivers, that is, 1816. Private Collection

Background imageEngraving Collection: Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so

Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so the ..., 1816 Creator: Merian
Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so the artist should use the stone, 1816. Private Collection

Background imageEngraving Collection: Emblem 34. He is conceived in a water bath and born in the air, but when he turns..., 1816

Emblem 34. He is conceived in a water bath and born in the air, but when he turns..., 1816
Emblem 34. He is conceived in a water bath and born in the air, but when he turns red he leaves the water. From "Atala, 1816. Private Collection

Background imageEngraving Collection: Emblem 33. The hermaphrodite, lying like a dead person in darkness, needs fire, 1816

Emblem 33. The hermaphrodite, lying like a dead person in darkness, needs fire, 1816
Emblem 33. The hermaphrodite, lying like a dead person in darkness, needs fire. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageEngraving Collection: Emblem 32. The coral as it grows under the water and is hardened by air, so does the stone, 1816

Emblem 32. The coral as it grows under the water and is hardened by air, so does the stone, 1816
Emblem 32. The coral as it grows under the water and is hardened by air, so does the stone. From "Atalanta fugiens" v, 1816. Private Collection

Background imageEngraving Collection: Emblem 31. The king, swimming in the sea, cries out with a loud voice: Whoever saves me..., 1816

Emblem 31. The king, swimming in the sea, cries out with a loud voice: Whoever saves me..., 1816
Emblem 31. The king, swimming in the sea, cries out with a loud voice: Whoever saves me will receive a great gift. From "At, 1816. Private Collection

Background imageEngraving Collection: Emblem 30. The sun needs the moon, like the rooster needs the hens, 1618. Creator: Merian, Matthäus

Emblem 30. The sun needs the moon, like the rooster needs the hens, 1618. Creator: Merian, Matthäus
Emblem 30. The sun needs the moon, like the rooster needs the hens. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageEngraving Collection: Emblem 28. The king bathes in the airy bath and is rid of the black bile by Pharut, 1618

Emblem 28. The king bathes in the airy bath and is rid of the black bile by Pharut, 1618
Emblem 28. The king bathes in the airy bath and is rid of the black bile by Pharut. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageEngraving Collection: Emblem 27. Whoever wants to go in the philosopher's rose garden without the key is like a..., 1618

Emblem 27. Whoever wants to go in the philosopher's rose garden without the key is like a..., 1618
Emblem 27. Whoever wants to go in the philosopher's rose garden without the key is like a man who wants to go without feet, 1618. Private Collection

Background imageEngraving Collection: Emblem 26. The fruit of human wisdom is the wood of life, 1618

Emblem 26. The fruit of human wisdom is the wood of life, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 26. The fruit of human wisdom is the wood of life. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageEngraving Collection: Emblem 25. The dragon does not die unless killed by his brother and sister, which are Sol..., 1618

Emblem 25. The dragon does not die unless killed by his brother and sister, which are Sol..., 1618
Emblem 25. The dragon does not die unless killed by his brother and sister, which are Sol & Luna. A, 1618. Private Collection

Background imageEngraving Collection: Emblem 24. The wolf ate the king, and how he burned the life back to him, 1618

Emblem 24. The wolf ate the king, and how he burned the life back to him, 1618
Emblem 24. The wolf ate the king, and how he burned the life back to him. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageEngraving Collection: Emblem 23. It rains gold as Pallas is born at Rhodes and the sun is at Venus, 1618

Emblem 23. It rains gold as Pallas is born at Rhodes and the sun is at Venus, 1618
Emblem 23. It rains gold as Pallas is born at Rhodes and the sun is at Venus. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageEngraving Collection: Emblem 22. If you have the white lead, do the woman's work, that is, cooking, 1618

Emblem 22. If you have the white lead, do the woman's work, that is, cooking, 1618
Emblem 22. If you have the white lead, do the woman's work, that is, cooking. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageEngraving Collection: Emblem 21. Make a circle of man and woman, out of it a square, out of that into a triangle..., 1618

Emblem 21. Make a circle of man and woman, out of it a square, out of that into a triangle..., 1618
Emblem 21. Make a circle of man and woman, out of it a square, out of that into a triangle, make a circle, and you shall have, 1618. Private Collection

Background imageEngraving Collection: Emblem 20. Nature teaches nature to overcome fire. From 'Atalanta fugiens' by Michael Maier, 1618

Emblem 20. Nature teaches nature to overcome fire. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageEngraving Collection: Emblem 19. If you kill one of the four, soon they will all die, 1618

Emblem 19. If you kill one of the four, soon they will all die, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 19. If you kill one of the four, soon they will all die. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageEngraving Collection: Emblem 18. Fire makes fiery, not gold, but gold. From 'Atalanta fugiens' by Michael Maier, 1618

Emblem 18. Fire makes fiery, not gold, but gold. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageEngraving Collection: Emblem 16. This lion has no feathers, but that one has. From 'Atalanta fugiens' by Michael..., 1618

Emblem 16. This lion has no feathers, but that one has. From "Atalanta fugiens" by Michael..., 1618
Emblem 16. This lion has no feathers, but that one has. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageEngraving Collection: Emblem 17. A fourfold ball of fire governs this work. From 'Atalanta fugiens' by Michael Maier

Emblem 17. A fourfold ball of fire governs this work. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageEngraving Collection: Emblem 15. The potter's work, consisting of dry and wet, shall teach you, 1618

Emblem 15. The potter's work, consisting of dry and wet, shall teach you, 1618
Emblem 15. The potter's work, consisting of dry and wet, shall teach you. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageEngraving Collection: Emblem 14. This is the dragon eating its own tail. From 'Atalanta fugiens' by Michael Maier, 1618

Emblem 14. This is the dragon eating its own tail. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection



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