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Emotion Gallery

Available as Prints and Gift Items


The Return of the Prodigal Son, c1668. Artist: Rembrandt Harmensz van Rijn
Melancholy, 1894-1895. Artist: Edvard Munch
Sadness (from Heads Representing the Various Passions of the Soul; as they are Expressed i... 1765. Creator: Anon)
Simple Bodily Pain (from Heads Representing the Various Passions of the Soul; as they are... 1765. Creator: Anon)
Hatred or Jealousy (from Heads Representing the Various Passions of the Soul; as they are... 1765. Creator: Anon)
Terror or Fright (from Heads Representing the Various Passions of the Soul; as they are E... 1765. Creator: Anon)
Desire (from Heads Representing the Various Passions of the Soul; as they are Expressed in... 1765. Creator: Anon)
'Ride a Cock Horse to Banbury Cross';Blanche of Namur, Queen of Sweden, and her son... 1890. Creator: Unknown
Jupiter Beguiled by Juno, 18th / early 19th century. Artist: James Barry
Feelings, 1937. Creator: Ernst Kirchner
Edmund Kean in the Character of Macbeth, 1814. Creator: George Henry Harlow
Figure 26: Expression of painful attention and attention, attentive gaze
Figure 53: Whimpering and false laughter, 1854-56, printed 1862
Figure 39: The attention attracted by an object that provokes lascivious
Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862
Figure 15: Meditation, mental concentration, 1854-56, printed 1862
Figure 27: Expression proportionally more pained, 1854-56, printed 1862
Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862
Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and le
Figure 10: Showing the expressive lines of m. frontalis in a young girl, 1854-56
Figure 55: Astonishment badly rendered by the subject: a ridiculous and i
Figure 21: Painful recollection and recollection or calling something to
Figure 71: Same head as in Plate 70, 1854-56, printed 1862
Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862
Figure 73: Head of Niobe, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 12: A study of the contraction of and the expression produced by t
Figure 47: A suggestion of this same weeping, 1854-56, printed 1862
Figure 56: Surprise, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 63: Expression of terror, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 34: Grimace, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 4: The face in repose of a young man, 1854-56, printed 1862
Figure 3: The face of an old man... photographed in repose. 1854-56, printed 1862
Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862
Figure 82: Lady Macbeth, strong expression of cruelty, 1854-56, printed 1862
Figure 8: Contraction of the right m. frontalis. 1854-56, printed 1862
Figure 24: Extreme pain to the point of exhaustion, the head of Christ an
Icono-photographique. Mecanisme de la Physionomie Humaine. Fig
Figure 19: Suffering, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 48: Mild weeping, pity and feeble false laughter, 1854-56, printed 1862
Figure 25: Not an expression of pain, 1854-56, printed 1862
Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862
Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862
Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56
Figure 22: No painful expression, 1854-56, printed 1862
Figure 49: Painful weeping and forward looking. 1854-56, printed 1862
Figure 18: Aggression, wickedness, 1854-56, printed 1862
Figure 17: On the right, electrization of m. procerus: severity, aggressi
Figure 60: Fright, 1854-56, printed 1862. Creators: Duchenne de Boulogne

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