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Embroidery Collection (page 41)

Background imageEmbroidery Collection: The Adoration of the Magi, ca. 1340-43. Creator: Unknown

The Adoration of the Magi, ca. 1340-43. Creator: Unknown
The Adoration of the Magi, ca. 1340-43

Background imageEmbroidery Collection: Josef de Jaudenes y Nebot, 1794. Creator: Gilbert Stuart

Josef de Jaudenes y Nebot, 1794. Creator: Gilbert Stuart
Josef de Jaudenes y Nebot, 1794

Background imageEmbroidery Collection: Anne de Pisseleu (1508-1576), Duchesse d Etampes, ca. 1535-40. Creator: Corneille de Lyon

Anne de Pisseleu (1508-1576), Duchesse d Etampes, ca. 1535-40. Creator: Corneille de Lyon
Anne de Pisseleu (1508-1576), Duchesse d Etampes, ca. 1535-40. Renowned for her brilliance and beauty, Anne de Pisseleu was the mistress of Francis I. With letter A embroidered in gold thread

Background imageEmbroidery Collection: Portrait of a Mameluke, Said to Be Roustam Raza (ca. 1781-1845), 1810. Creator: Emile

Portrait of a Mameluke, Said to Be Roustam Raza (ca. 1781-1845), 1810. Creator: Emile
Portrait of a Mameluke, Said to Be Roustam Raza (ca. 1781-1845), 1810

Background imageEmbroidery Collection: Portrait of a Man, Possibly Ottavio Farnese (1524-1586), Duke of Parma and Piacenza, 1563

Portrait of a Man, Possibly Ottavio Farnese (1524-1586), Duke of Parma and Piacenza, 1563

Background imageEmbroidery Collection: The Martyrdom of Saint Barbara, ca. 1510. Creator: Lucas Cranach the Elder

The Martyrdom of Saint Barbara, ca. 1510. Creator: Lucas Cranach the Elder
The Martyrdom of Saint Barbara, ca. 1510

Background imageEmbroidery Collection: Princess Elizabeth (1596-1662), Later Queen of Bohemia, ca. 1606. Creator: Robert Peake I

Princess Elizabeth (1596-1662), Later Queen of Bohemia, ca. 1606. Creator: Robert Peake I
Princess Elizabeth (1596-1662), Later Queen of Bohemia, ca. 1606

Background imageEmbroidery Collection: Henry Frederick (1594-1612), Prince of Wales, with Sir John Harington (1592-1614)

Henry Frederick (1594-1612), Prince of Wales, with Sir John Harington (1592-1614), in the Hunting Field, 1603

Background imageEmbroidery Collection: Portrait of a Woman, ca. 1480. Creator: Piero del Pollaiolo

Portrait of a Woman, ca. 1480. Creator: Piero del Pollaiolo
Portrait of a Woman, ca. 1480

Background imageEmbroidery Collection: Boy with a Fawn, ca. 1720. Creator: Unknown

Boy with a Fawn, ca. 1720. Creator: Unknown
Boy with a Fawn, ca. 1720. Beautiful embroidered coat indicates wealth and privilege, the deer behind is an emblem of longevity and discipline

Background imageEmbroidery Collection: Portrait of a Woman, ca. 1600. Creator: British Painter (ca. 1600)

Portrait of a Woman, ca. 1600. Creator: British Painter (ca. 1600)
Portrait of a Woman, ca. 1600

Background imageEmbroidery Collection: Charles I (1600-1649), King of England, 1629. Creators: Daniel Mytens, King Charles I

Charles I (1600-1649), King of England, 1629. Creators: Daniel Mytens, King Charles I
Charles I (1600-1649), King of England, 1629

Background imageEmbroidery Collection: Portrait of a Woman, ca. 1510-15. Creator: Bernhard Strigel

Portrait of a Woman, ca. 1510-15. Creator: Bernhard Strigel
Portrait of a Woman, ca. 1510-15

Background imageEmbroidery Collection: Portrait of a Woman, late 1560s. Creator: Bernardino Campi

Portrait of a Woman, late 1560s. Creator: Bernardino Campi
Portrait of a Woman, late 1560s

Background imageEmbroidery Collection: Portrait of a Woman. Creator: Alonso Sanchez Coello

Portrait of a Woman. Creator: Alonso Sanchez Coello
Portrait of a Woman

Background imageEmbroidery Collection: The Young Virgin, ca. 1632-33

The Young Virgin, ca. 1632-33

Background imageEmbroidery Collection: German Renaissance embroidery, (1898). Creator: Unknown

German Renaissance embroidery, (1898). Creator: Unknown
German Renaissance embroidery, (1898). Fig 1: Table-cover embroidered in cross-stitch, in the possession of Mr. Schauffele, confectioner at Schwabisch-Hall

Background imageEmbroidery Collection: Embroidery, leather tapestry, goldsmiths work, 17th, 18th and 19th centuries, (1898)

Embroidery, leather tapestry, goldsmiths work, 17th, 18th and 19th centuries, (1898). Fig 1: Embroidery from the Sammlung vaterlandischer Altertumer at Stuttgart

Background imageEmbroidery Collection: Medieval weaving, embroidery, enamel and painted sculpture, (1898). Creator: Unknown

Medieval weaving, embroidery, enamel and painted sculpture, (1898). Creator: Unknown
Medieval weaving, embroidery, enamel and painted sculpture, (1898). Fig 1: Statue of St. Simon in the choir of Cologne Cathedral. Fig 2: Pattern on the robe of another statue ibid

Background imageEmbroidery Collection: Middle eastern weaving, embroidery and painting, (1898). Creator: Unknown

Middle eastern weaving, embroidery and painting, (1898). Creator: Unknown
Middle eastern weaving, embroidery and painting, (1898). Fig 1: Woven carpet of the 14th century, preserved in the church at Nivelles [Belgium]. Fig 2: Embroidered Applique work of the 18th century

Background imageEmbroidery Collection: Indian metal work, embroidery, weaving and painting, (1898). Creator: Unknown

Indian metal work, embroidery, weaving and painting, (1898). Creator: Unknown
Indian metal work, embroidery, weaving and painting, (1898). Fig 1: Ancus (instrument used to drive and train elephants) in chiselled iron

Background imageEmbroidery Collection: Chinese painting, weaving, embroidery and cloisonne, (1898). Creator: Unknown

Chinese painting, weaving, embroidery and cloisonne, (1898). Creator: Unknown
Chinese painting, weaving, embroidery and cloisonne, (1898). Examples of painted decoration, textiles and enamelling: Fig 1: Conventional representations of fruit and flowers painted on porcelain

Background imageEmbroidery Collection: Indian embroidery, weaving, plaiting and lacquerwork, (1898). Creator: Unknown

Indian embroidery, weaving, plaiting and lacquerwork, (1898). Creator: Unknown
Indian embroidery, weaving, plaiting and lacquerwork, (1898). Fig 1: Embroidered carpet of the 16th century. Figs 2-6: Borders from silk-embroideries. Fig 7: Pattern embroidered in silk

Background imageEmbroidery Collection: French Renaissance block printing and embroidery, (1898). Creator: Unknown

French Renaissance block printing and embroidery, (1898). Creator: Unknown
French Renaissance block printing and embroidery, (1898). Figs 1, 2 and 4: Patterns in relief-printing, 17th century. Fig 3: Pattern in flat printing, 17th century

Background imageEmbroidery Collection: Madame Adelaide tatting, 1756, (1903). Creator: Unknown

Madame Adelaide tatting, 1756, (1903). Creator: Unknown
Madame Adelaide tatting, 1756, (1903). Madame Adelaide Faisant De La Frivolite, portrait of French princess Adelaide of France (1732-1800) tatting: a method of making lace with knots and loops

Background imageEmbroidery Collection: Charles Francois Paul Le Normant de Tournehem, 1750, (1903). Creator: Unknown

Charles Francois Paul Le Normant de Tournehem, 1750, (1903). Creator: Unknown
Charles Francois Paul Le Normant de Tournehem, 1750, (1903). M. Lenormant De Tournehem, Directeur Des Batiments Du Roi. Portrait of French financier de Tournehem (1684-1751)

Background imageEmbroidery Collection: Jean-Baptiste-Louis Gresset, c1730s, (1903). Creator: Unknown

Jean-Baptiste-Louis Gresset, c1730s, (1903). Creator: Unknown
Jean-Baptiste-Louis Gresset, c1730s, (1903). Portrait of French poet and dramatist Gresset (1709-1777), famous for his irreverently comic poem of 1734, " Ver-Vert, or the Nunnery Parrot"

Background imageEmbroidery Collection: Mingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736-95

Mingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736-95. This handscroll features a map illustrating the Mingling of Clear

Background imageEmbroidery Collection: Altar Cloth, c. 1350. Creator: Unknown

Altar Cloth, c. 1350. Creator: Unknown
Altar Cloth, c. 1350. This large embroidered altar cloth is one of the rarest, most important medieval church furnishings in existence

Background imageEmbroidery Collection: Woven Chest or Bed Cover, 1700s. Creator: Unknown

Woven Chest or Bed Cover, 1700s. Creator: Unknown
Woven Chest or Bed Cover, 1700s

Background imageEmbroidery Collection: Woven Bed or Chest Cover, 1700s. Creator: Unknown

Woven Bed or Chest Cover, 1700s. Creator: Unknown
Woven Bed or Chest Cover, 1700s

Background imageEmbroidery Collection: Tiraz of Caliph ‘Abd al-Rahman III, from the reliquary of Santa Librada, Cathedral

Tiraz of Caliph ‘Abd al-Rahman III, from the reliquary of Santa Librada, Cathedral
Tiraz of Caliph Abd al-Rahman III, from the reliquary of Santa Librada, Cathedral of Sequenza, 941-942

Background imageEmbroidery Collection: Towel, 1700s. Creator: Unknown

Towel, 1700s. Creator: Unknown
Towel, 1700s

Background imageEmbroidery Collection: Towel End with Beaded Borders, early 1800s. Creator: Unknown

Towel End with Beaded Borders, early 1800s. Creator: Unknown
Towel End with Beaded Borders, early 1800s

Background imageEmbroidery Collection: Valence, 18th-19th century. Creator: Unknown

Valence, 18th-19th century. Creator: Unknown
Valence, 18th-19th century

Background imageEmbroidery Collection: Vajrapani Embroidered Mount with Garuda, painting 1600s, embroidery c. 1300. Creator

Vajrapani Embroidered Mount with Garuda, painting 1600s, embroidery c. 1300. Creator
Vajrapani Embroidered Mount with Garuda, painting 1600s, embroidery c. 1300

Background imageEmbroidery Collection: Two Fragments of a Scarf or Headdress, 1300s. Creator: Unknown

Two Fragments of a Scarf or Headdress, 1300s. Creator: Unknown
Two Fragments of a Scarf or Headdress, 1300s

Background imageEmbroidery Collection: Two Pieces of Embroidery, 1723-1774. Creator: Philippe de Lasalle (French, 1723-1805)

Two Pieces of Embroidery, 1723-1774. Creator: Philippe de Lasalle (French, 1723-1805)
Two Pieces of Embroidery, 1723-1774

Background imageEmbroidery Collection: Turban cover, 1700s-early 1800s. Creator: Unknown

Turban cover, 1700s-early 1800s. Creator: Unknown
Turban cover, 1700s-early 1800s. This exceptionally fine, diaphanous silk turban cover represents the highest quality professional embroidery

Background imageEmbroidery Collection: Two Parts of a Curtain, 1700s. Creator: Unknown

Two Parts of a Curtain, 1700s. Creator: Unknown
Two Parts of a Curtain, 1700s. During the 1700s, stunning large embroidered door curtains such as these hung across doorways onto interior courtyards of multistoried residences

Background imageEmbroidery Collection: Two Fragments of Embroidery, 18th century. Creator: Unknown

Two Fragments of Embroidery, 18th century. Creator: Unknown
Two Fragments of Embroidery, 18th century

Background imageEmbroidery Collection: Thangka with the Seventh Bodhisattva, 1368 - 1424. Creator: Unknown

Thangka with the Seventh Bodhisattva, 1368 - 1424. Creator: Unknown
Thangka with the Seventh Bodhisattva, 1368 - 1424. In remarkably pristine condition, this embroidery is from a dispersed set that included images of protectors and bodhisattvas

Background imageEmbroidery Collection: The Resurrection, from an Embroidered Altar Frontal:, 1375-1400. Creator: Unknown

The Resurrection, from an Embroidered Altar Frontal:, 1375-1400. Creator: Unknown
The Resurrection, from an Embroidered Altar Frontal:, 1375-1400. This scene of the Resurrection, along with 11 additional embroideries of the life of Christ

Background imageEmbroidery Collection: Sampler, 1823. Creator: Unknown

Sampler, 1823. Creator: Unknown
Sampler, 1823

Background imageEmbroidery Collection: Sampler, late 1800s. Creator: Unknown

Sampler, late 1800s. Creator: Unknown
Sampler, late 1800s

Background imageEmbroidery Collection: Sampler, 1840. Creator: Unknown

Sampler, 1840. Creator: Unknown
Sampler, 1840

Background imageEmbroidery Collection: Sampler, 1808. Creator: Unknown

Sampler, 1808. Creator: Unknown
Sampler, 1808

Background imageEmbroidery Collection: Sampler, 1870. Creator: Unknown

Sampler, 1870. Creator: Unknown
Sampler, 1870



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