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Framed Pictures, Canvas Prints
Posters & Jigsaws since 2004

Electricity Gallery

Available as Framed Prints, Photos, Wall Art and Gift Items

Choose from 244 pictures in our Electricity collection for your Wall Art or Photo Gift. Popular choices include Framed Prints, Canvas Prints, Posters and Jigsaw Puzzles. All professionally made for quick delivery.


New Power Stations, advert for British Electricity, 1951. Artist: Norman Wilkinson
New Power Stations, advert for British Electricity, 1951. Artist: Norman Wilkinson
Copper station, Nine Elms, Telegraph, 1844. Creator: Unknown
Copper station, Nine Elms, Telegraph, 1844. Creator: Unknown
The Electric Telegraph Station, at Slough, 1844. Creator: Unknown
The Electric Telegraph Station, at Slough, 1844. Creator: Unknown
Figure 26: Expression of painful attention and attention, attentive gaze
Figure 26: Expression of painful attention and attention, attentive gaze
Figure 53: Whimpering and false laughter, 1854-56, printed 1862
Figure 53: Whimpering and false laughter, 1854-56, printed 1862
Figure 39: The attention attracted by an object that provokes lascivious
Figure 39: The attention attracted by an object that provokes lascivious
Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862
Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862
Figure 15: Meditation, mental concentration, 1854-56, printed 1862
Figure 15: Meditation, mental concentration, 1854-56, printed 1862
Figure 27: Expression proportionally more pained, 1854-56, printed 1862
Figure 27: Expression proportionally more pained, 1854-56, printed 1862
Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862
Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862
Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and le
Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and le
Figure 10: Showing the expressive lines of m. frontalis in a young girl , 1854-56
Figure 10: Showing the expressive lines of m. frontalis in a young girl , 1854-56
Copper station, Nine Elms, Telegraph, 1844. Creator: Unknown Featured Print

Copper station, Nine Elms, Telegraph, 1844. Creator: Unknown

Copper station, Nine Elms, Telegraph, 1844. Such is its velocity, that when this [Electric Printing Telegraph] shall be laid down the entire line, the time occupied in the transit of a message, from Nine Elms to Portsmouth, and receiving the answer in town, will not exceed two minutes and a quarter...Two instruments, precisely similar, are placed, one at Wimbledon, the other at Nine Elms; the only connexion between them being a single copper wire, conveyed in a thin layer of asphalte. Beneath or near the machine, at Nine Elms, imbedded in the earth, and attached to the apparatus by a copper wire is a plate of copper; and, in like manner, at Wimbledon, a plate of zinc; and these, with the action of the earth's moisture, form a natural battery, complete the electric circuit, and cause the telegraph to perform its various functions. From "Illustrated London News", 1844, Vol I

© The Print Collector/Heritage Images

Figure 55: Astonishment badly rendered by the subject: a ridiculous and i
Figure 55: Astonishment badly rendered by the subject: a ridiculous and i
Figure 21: Painful recollection and recollection or calling something to
Figure 21: Painful recollection and recollection or calling something to
Figure 71: Same head as in Plate 70, 1854-56, printed 1862
Figure 71: Same head as in Plate 70, 1854-56, printed 1862
Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862
Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862
Figure 73: Head of Niobe, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 73: Head of Niobe, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 12: A study of the contraction of and the expression produced by t
Figure 12: A study of the contraction of and the expression produced by t
Figure 47: A suggestion of this same weeping, 1854-56, printed 1862
Figure 47: A suggestion of this same weeping, 1854-56, printed 1862
Figure 56: Surprise, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 56: Surprise, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 63: Expression of terror, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 63: Expression of terror, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 34: Grimace, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 34: Grimace, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 4: The face in repose of a young man , 1854-56, printed 1862
Figure 4: The face in repose of a young man , 1854-56, printed 1862
Figure 3: The face of an old man... photographed in repose., 1854-56, printed 1862
Figure 3: The face of an old man... photographed in repose., 1854-56, printed 1862
Figure 12: A study of the contraction of and the expression produced by t Featured Print

Figure 12: A study of the contraction of and the expression produced by t

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi , 1854-56, printed 1862

© Heritage Art/Heritage Images

19th Century, Adrien Alban Tournachon, Adrien Tournachon, Albumen Print, Albumen Silver Print, Albumen Silver Print From Glass Negative, B And, B And W, B W, Black And White, Bodies, Body, Boulogne, Boulogne Duchenne De, Century, Concept, Country, Duchenne, Duchenne De, Duchenne De Boulogne, Duchenne De Boulogne Guillaume Amant, Duchenne Guillaume Benjamin Amand, Electric Shock, Electrical, Electricity, Electrophysiology, Emotion, Experiment, Experimental, Expression, Face, Facial Expression, Faradic Current, Faradisation, Feeling, France, French, Guillaume Amant, Guillaume Amant Duchenne De Boulogne, Guillaume Benjamin Ama, Guillaume Benjamin Amand, Guillaume Benjamin Amand Duchenne, Guillaume Benjamin Amand Duchenne De Boulogne, Guinea Pig, Guy, Heritage Art, Location, Male, Man, Medicine, Men, Metropolitan Museum Of Art, Muscle, Muscles, Museum, Neurology, Nineteenth Century, People, Photography, Science, Stimulation, The Met, The Metropolitan Museum Of Art, Tournachon Adrien, Tournachon Adrien Alban, Unusual, White

Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862
Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862
Figure 82: Lady Macbeth, strong expression of cruelty , 1854-56, printed 1862
Figure 82: Lady Macbeth, strong expression of cruelty , 1854-56, printed 1862
Figure 8: Contraction of the right m. frontalis. , 1854-56, printed 1862
Figure 8: Contraction of the right m. frontalis. , 1854-56, printed 1862
Figure 24: Extreme pain to the point of exhaustion, the head of Christ an
Figure 24: Extreme pain to the point of exhaustion, the head of Christ an
Icono-photographique. Mecanisme de la Physionomie Humaine. Fig
Icono-photographique. Mecanisme de la Physionomie Humaine. Fig
Figure 19: Suffering , 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 19: Suffering , 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 48: Mild weeping, pity and feeble false laughter , 1854-56, printed 1862
Figure 48: Mild weeping, pity and feeble false laughter , 1854-56, printed 1862
Figure 25: Not an expression of pain, 1854-56, printed 1862
Figure 25: Not an expression of pain, 1854-56, printed 1862
Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862
Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862
Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862
Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862
Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56
Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56
Figure 22: No painful expression , 1854-56, printed 1862
Figure 22: No painful expression , 1854-56, printed 1862
Figure 24: Extreme pain to the point of exhaustion, the head of Christ an Featured Print

Figure 24: Extreme pain to the point of exhaustion, the head of Christ an

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze. , 1854-56, printed 1862

© Heritage Art/Heritage Images

19th Century, Adrien Alban Tournachon, Adrien Tournachon, Albumen Print, Albumen Silver Print, Albumen Silver Print From Glass Negative, B And, B And W, B W, Black And White, Bodies, Body, Boulogne, Boulogne Duchenne De, Brow, Century, Concept, Country, Duchenne, Duchenne De, Duchenne De Boulogne, Duchenne De Boulogne Guillaume Amant, Duchenne Guillaume Benjamin Amand, Ecstasy, Ecstatic, Electric Shock, Electrical, Electricity, Electrophysiology, Emotion, Exhausted, Exhaustion, Experiment, Experimental, Expression, Face, Facial Expression, Faradic Current, Faradisation, Feeling, Forehead, France, French, Guillaume Amant, Guillaume Amant Duchenne De Boulogne, Guillaume Benjamin Ama, Guillaume Benjamin Amand, Guillaume Benjamin Amand Duchenne, Guillaume Benjamin Amand Duchenne De Boulogne, Guinea Pig, Guy, Heritage Art, Location, Male, Man, Medicine, Men, Metropolitan Museum Of Art, Muscle, Muscles, Museum, Neurology, Nineteenth Century, Pain, People, Photography, Science, Stimulation, The Met, The Metropolitan Museum Of Art, Tournachon Adrien, Tournachon Adrien Alban, Unusual, White, Wrinkled

Figure 49: Painful weeping and forward looking., 1854-56, printed 1862
Figure 49: Painful weeping and forward looking., 1854-56, printed 1862
Figure 18: Aggression, wickedness, 1854-56, printed 1862
Figure 18: Aggression, wickedness, 1854-56, printed 1862
Figure 17: On the right, electrization of m. procerus: severity, aggressi
Figure 17: On the right, electrization of m. procerus: severity, aggressi
Figure 60: Fright, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 60: Fright, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 70: Head of the Laocoon of Rome, 1854-56, printed 1862
Figure 70: Head of the Laocoon of Rome, 1854-56, printed 1862
Figure 45: Pain and despair. , 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 45: Pain and despair. , 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 6: The grimace produced is similar to a tic of the face , 1854-56, printed 1862
Figure 6: The grimace produced is similar to a tic of the face , 1854-56, printed 1862
Figure 75: Nun saying her prayers, 1854-56, printed 1862
Figure 75: Nun saying her prayers, 1854-56, printed 1862
Figure 62: Terror, semiprofile, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 62: Terror, semiprofile, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 78: Scene of coquetry, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 78: Scene of coquetry, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 16: Expression of severity , 1854-56, printed 1862
Figure 16: Expression of severity , 1854-56, printed 1862
Figure 50: Affected weeping and face in repose, 1854-56, printed 1862
Figure 50: Affected weeping and face in repose, 1854-56, printed 1862