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Telegraph diagram and reading-plate of Sir F. Ronald's electric telegraph, 1870. Creator: UnknownTelegraph diagram and reading-plate of Sir F. Ronald's electric telegraph, 1870. Diagrams of '...the instrument contrived by Mr
Sections of the hull of H.M.S. Terpsichore, showing effect of the torpedo explosion at Chatham, 1865 Creator: UnknownSections of the hull of H.M.S. Terpsichore, showing effect of the torpedo explosion at Chatham, 1865. Official drawings...by Mr. P
Experiments with torpedo-shells at Chatham: blowing-up of the Terpsichore by a 75-pounder, 1865. Creator: UnknownExperiments with torpedo-shells at Chatham: blowing-up of the Terpsichore by a 75-pounder, 1865. Preparations were now made for destroying the Terpsichore, 18-gun sailing-frigate
Experiments with torpedo-shells at Chatham: explosion of a 440-pounder, 1865. Creator: UnknownExperiments with torpedo-shells at Chatham: explosion of a 440-pounder, 1865....Mr. Donald M'Kay, the extensive shipowner, of Boston
Students conducting electrical experiments with batteries, Western High... Washington DC, (1899?)Students conducting electrical experiments with batteries, Western High School, Washington, D.C. (1899?)
Alternators made in Budapest, Hungary, in the power generating hall of a... between 1905-1915Alternators made in Hungary, in the power generating hall of a hydroelectric station in Iolotan on the Murghab River, between 1905 and 1915. Factory Interior with Electrical Generators
Woman aircraft worker, Vega Aircraft Corporation, Burbank, Calif. 1942. Creator: David BransbyWoman aircraft worker, Vega Aircraft Corporation, Burbank, Calif. Shown checking electrical assemblies
Fuel Cell, Gemini, Cutaway, ca. 1965. Creator: General Electric CompanyThis fuel cell is a cutaway version of the electric-power generating device used on the two-astronaut Gemini spacecraft during ten missions in 1965-66
Figure 26: Expression of painful attention and attention, attentive gaze. 1854-56, printed 1862
Figure 53: Whimpering and false laughter, 1854-56, printed 1862
Figure 39: The attention attracted by an object that provokes lascivious ideas and desires. 1854-56, printed 1862
Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862
Figure 15: Meditation, mental concentration, 1854-56, printed 1862
Figure 27: Expression proportionally more pained, 1854-56, printed 1862
Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862
Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness. 1854-56, printed 1862
Figure 10: Showing the expressive lines of m. frontalis in a young girl, 1854-56, printed 1862
Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression. 1854-56, printed 1862
Figure 21: Painful recollection and recollection or calling something to mind, 1854-56, printed 1862
Figure 71: Same head as in Plate 70, 1854-56, printed 1862. Creators: Duchenne de Boulogne, Adrien Alban TournachonFigure 71: Same head as in Plate 70, 1854-56, printed 1862
Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862
Figure 73: Head of Niobe, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 73: Head of Niobe, 1854-56, printed 1862
Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi, 1854-56, printed 1862
Figure 47: A suggestion of this same weeping, 1854-56, printed 1862
Figure 56: Surprise, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 56: Surprise, 1854-56, printed 1862
Figure 63: Expression of terror, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 63: Expression of terror, 1854-56, printed 1862
Figure 34: Grimace, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 34: Grimace, 1854-56, printed 1862
Figure 4: The face in repose of a young man, 1854-56, printed 1862
Figure 3: The face of an old man... photographed in repose. 1854-56, printed 1862
Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862
Figure 82: Lady Macbeth, strong expression of cruelty, 1854-56, printed 1862
Figure 8: Contraction of the right m. frontalis. 1854-56, printed 1862
Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze. 1854-56, printed 1862
Icono-photographique. Mecanisme de la Physionomie Humaine. Fig. 65, 1854-56, printed 1862
Figure 19: Suffering, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 19: Suffering, 1854-56, printed 1862
Figure 48: Mild weeping, pity and feeble false laughter, 1854-56, printed 1862
Figure 25: Not an expression of pain, 1854-56, printed 1862
Faradisation du muscle frontal, 1854-56, printed 1862. Creators: Duchenne de BoulogneFaradisation du muscle frontal, 1854-56, printed 1862
Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862
Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862
Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56, printed 1862
Figure 22: No painful expression, 1854-56, printed 1862
Figure 49: Painful weeping and forward looking. 1854-56, printed 1862
Figure 18: Aggression, wickedness, 1854-56, printed 1862
Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention. 1854-56, printed 1862
Figure 60: Fright, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 60: Fright, 1854-56, printed 1862
Figure 70: Head of the Laocoon of Rome, 1854-56, printed 1862. Creators: Duchenne de Boulogne, Adrien Alban TournachonFigure 70: Head of the Laocoon of Rome, 1854-56, printed 1862
Figure 45: Pain and despair. 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 45: Pain and despair. 1854-56, printed 1862
Figure 6: The grimace produced is similar to a tic of the face, 1854-56, printed 1862
Figure 75: Nun saying her prayers, 1854-56, printed 1862
Figure 62: Terror, semiprofile, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 62: Terror, semiprofile, 1854-56, printed 1862
Figure 78: Scene of coquetry, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 78: Scene of coquetry, 1854-56, printed 1862
Figure 16: Expression of severity, 1854-56, printed 1862
Figure 50: Affected weeping and face in repose, 1854-56, printed 1862
Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862
Figure 20: Profound suffering, with resignation, 1854-56, printed 1862
Electro-Physiologie, Figure 64, 1854-56, printed 1862. Creator: Adrien Alban TournachonElectro-Physiologie, Figure 64, 1854-56, printed 1862
Getting Electric Light ready -- H. M. S. Edinburgh, c1900. Creator: UnknownGetting Electric Light ready -- H.M.S. Edinburgh, c1900. From " The British Navy - Primus Magic Lantern Slides - Junior Lecturers Series B". [W. Butcher & Sons]
Tester or multimeter, device used for measurement of voltage, current and electrical resistance
Breda electrical automotive to 3000 Volts DC
Edison and Steinmetz Join Forces to Achieve Success, 1922, (c1925). Thomas Alva Edison, (1847-1931), American inventor and businessman
Alexander Graham Bell and assistant use an electrical detector to find a bullet in the torso of ail Artist: W ShinkleAlexander Graham Bell and assistant use an electrical detector to find a bullet in the torso of ailing US President James Garfield, 1881, c1882, (1938)
The Ignitron tube, 1938. Invented by Joseph Slepian, an employee of Westinghouse, the Ignitron is a gas-filled tube known as a mercury-arc rectifier
Electrical Power Station at Water Orton, Hams Hall, near Birmingham, 1928. From The Studio Volume 98 [London Offices of the Studio, London, 1929.]
Electrical Artificer, 1937. Artist: WA & AC ChurchmanElectrical Artificer, 1937. Churchmans Cigarette Series, The Navy At Work
Electricity, c1891Electricity. Various aspects of electricity and electrical apparatus, including Edelmanns Quarter-Cylinder Electrometer (1), Leyden Jar (2), Wimshurst Influence Machine (3), Electrophorus (4, 5)
Electrical Experiment, 1777. Artist: Amedee van LooElectrical Experiment, 1777. Found in the collection of the State Museum Arkhangelskoye Estate, Moscow
Electricity In The Art Of Healing, 1881. Artist: W ShinkleElectricity In The Art Of Healing, 1881. US President James Garfield has medical attention from an electrical detector. Illustration from Adventures of America, 1857-1900, by John A Kouwenhoven