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Figure 26: Expression of painful attention and attention, attentive gaze. 1854-56, printed 1862
Figure 53: Whimpering and false laughter, 1854-56, printed 1862
Figure 39: The attention attracted by an object that provokes lascivious ideas and desires. 1854-56, printed 1862
Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862
Figure 15: Meditation, mental concentration, 1854-56, printed 1862
Figure 27: Expression proportionally more pained, 1854-56, printed 1862
Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862
Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness. 1854-56, printed 1862
Figure 10: Showing the expressive lines of m. frontalis in a young girl, 1854-56, printed 1862
Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression. 1854-56, printed 1862
Figure 21: Painful recollection and recollection or calling something to mind, 1854-56, printed 1862
Figure 71: Same head as in Plate 70, 1854-56, printed 1862. Creators: Duchenne de Boulogne, Adrien Alban TournachonFigure 71: Same head as in Plate 70, 1854-56, printed 1862
Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862
Figure 73: Head of Niobe, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 73: Head of Niobe, 1854-56, printed 1862
Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi, 1854-56, printed 1862
Figure 47: A suggestion of this same weeping, 1854-56, printed 1862
Figure 56: Surprise, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 56: Surprise, 1854-56, printed 1862
Figure 63: Expression of terror, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 63: Expression of terror, 1854-56, printed 1862
Figure 34: Grimace, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 34: Grimace, 1854-56, printed 1862
Figure 4: The face in repose of a young man, 1854-56, printed 1862
Figure 3: The face of an old man... photographed in repose. 1854-56, printed 1862
Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862
Figure 82: Lady Macbeth, strong expression of cruelty, 1854-56, printed 1862
Figure 8: Contraction of the right m. frontalis. 1854-56, printed 1862
Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze. 1854-56, printed 1862
Icono-photographique. Mecanisme de la Physionomie Humaine. Fig. 65, 1854-56, printed 1862
Figure 19: Suffering, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 19: Suffering, 1854-56, printed 1862
Figure 48: Mild weeping, pity and feeble false laughter, 1854-56, printed 1862
Figure 25: Not an expression of pain, 1854-56, printed 1862
Faradisation du muscle frontal, 1854-56, printed 1862. Creators: Duchenne de BoulogneFaradisation du muscle frontal, 1854-56, printed 1862
Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862
Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862
Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56, printed 1862
Figure 22: No painful expression, 1854-56, printed 1862
Figure 49: Painful weeping and forward looking. 1854-56, printed 1862
Figure 18: Aggression, wickedness, 1854-56, printed 1862
Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention. 1854-56, printed 1862
Figure 60: Fright, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 60: Fright, 1854-56, printed 1862
Figure 70: Head of the Laocoon of Rome, 1854-56, printed 1862. Creators: Duchenne de Boulogne, Adrien Alban TournachonFigure 70: Head of the Laocoon of Rome, 1854-56, printed 1862
Figure 45: Pain and despair. 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 45: Pain and despair. 1854-56, printed 1862
Figure 6: The grimace produced is similar to a tic of the face, 1854-56, printed 1862
Figure 75: Nun saying her prayers, 1854-56, printed 1862
Figure 62: Terror, semiprofile, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 62: Terror, semiprofile, 1854-56, printed 1862
Figure 78: Scene of coquetry, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 78: Scene of coquetry, 1854-56, printed 1862
Figure 16: Expression of severity, 1854-56, printed 1862
Figure 50: Affected weeping and face in repose, 1854-56, printed 1862
Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862
Figure 20: Profound suffering, with resignation, 1854-56, printed 1862
Electro-Physiologie, Figure 64, 1854-56, printed 1862. Creator: Adrien Alban TournachonElectro-Physiologie, Figure 64, 1854-56, printed 1862
Henry V is hit by lightning in the imperial house at Goslar, (1936). Creator: UnknownHenry V is hit by lightning in the imperial house at Goslar, (1936). Heinrich V, (1081-1125) Wird In Der Kaiserpfalz Zu Goslar Vom Blitz Getroffen. Henry V was King of Germany and Holy Roman Emperor
Leyden jar and Pieter van Musschenbroecks electrical experiment of 1746 (1765). Van Musschenbroeck (1692-1761) attempted to electrify water in bottle as had been done by his pupil Cuneus
Hair-Dressing by Electricity, 1866. At the top a man is having a bowl cut in order to achieve the medieval look. A scruffy, hairy artist is depicted in the top left corner