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Elderly Collection (page 15)

Background imageElderly Collection: Figure in 16th Century Costume, c1823-1870. Artist: Prosper Merimee

Figure in 16th Century Costume, c1823-1870. Artist: Prosper Merimee
Figure in 16th Century Costume, c1823-1870. Prosper Merimee was a French dramatist, historian, archaeologist, and short story writer, Private collection

Background imageElderly Collection: The Adoration of the Magi, 1526. Artist: Quentin Metsys I

The Adoration of the Magi, 1526. Artist: Quentin Metsys I
The Adoration of the Magi, 1526. Located in the collection at, Metropolitan Museum of Art, New York

Background imageElderly Collection: The Couple, c1870-1893. Artist: Guy de Maupassant

The Couple, c1870-1893. Artist: Guy de Maupassant
The Couple, c1870-1893. Private collection

Background imageElderly Collection: Self Portrait, c1550-1566. Artist: Lambert Lombard

Self Portrait, c1550-1566. Artist: Lambert Lombard
Self Portrait, c1550-1566

Background imageElderly Collection: St Francis receiving the Stigmata, c1430-1451. Artist: Stephan Lochner

St Francis receiving the Stigmata, c1430-1451. Artist: Stephan Lochner
St Francis receiving the Stigmata, c1430-1451

Background imageElderly Collection: The Hatch Family, 1870-1871. Artist: Eastman Johnson

The Hatch Family, 1870-1871. Artist: Eastman Johnson
The Hatch Family, 1870-1871. Found in the collection of the The Metropolitan Museum of Art, New York

Background imageElderly Collection: Good History, 1871. Artist: Oluf Simony Jensen

Good History, 1871. Artist: Oluf Simony Jensen
Good History, 1871

Background imageElderly Collection: Archangel Gabriel, c1826-1858. Artist: Aleksandr Ivanov

Archangel Gabriel, c1826-1858. Artist: Aleksandr Ivanov
Archangel Gabriel, c1826-1858

Background imageElderly Collection: Prophet, c1600. Artist: Hendrik Goltzius

Prophet, c1600. Artist: Hendrik Goltzius
Prophet, c1600. Located in the collection at, Musee De Beaux Arts, Budapest

Background imageElderly Collection: Scene from the Life of St John, c1320-1366. Artist: Taddeo Gaddi

Scene from the Life of St John, c1320-1366. Artist: Taddeo Gaddi
Scene from the Life of St John, c1320-1366. Found in the collection of the Loredan Palace, Venice, Italy

Background imageElderly Collection: The Descent, 16th century. Artist: Michel Damaskinos

The Descent, 16th century. Artist: Michel Damaskinos
The Descent, 16th century

Background imageElderly Collection: The Third Class Carriage, c1863-1865. Artist: Honore Daumier

The Third Class Carriage, c1863-1865. Artist: Honore Daumier
The Third Class Carriage, c1863-1865. Found in the collection of the The Metropolitan Museum of Art, New York

Background imageElderly Collection: Indoor Scene, c1815-1865. Artist: Eugene Deveria

Indoor Scene, c1815-1865. Artist: Eugene Deveria
Indoor Scene, c1815-1857

Background imageElderly Collection: The Transfiguration, 1311. Artist: Duccio di Buoninsegna

The Transfiguration, 1311. Artist: Duccio di Buoninsegna
The Transfiguration, 1311. Found in the collection of the National Gallery, London

Background imageElderly Collection: Old Woman, c1725-1778. Artist: Francois Duparc

Old Woman, c1725-1778. Artist: Francois Duparc
Old Woman, c1725-1778. Found in the collection of the Musee de Longchamps, Marseilles

Background imageElderly Collection: The Cairo Old Man, Egypt, 1880. Artist: G Heuer

The Cairo Old Man, Egypt, 1880. Artist: G Heuer
The Cairo Old Man, Egypt, 1880. Published in L Egypt, 1880

Background imageElderly Collection: Merchant of Antiquites, Louqsor, Karnack, Egypt, 1871. Artist: G Werner

Merchant of Antiquites, Louqsor, Karnack, Egypt, 1871. Artist: G Werner
Merchant of Antiquites, Louqsor, Karnack, Egypt, 1871. Egypt is famous for its ancient civilization

Background imageElderly Collection: Many Happy Returns of the Day, 1856. Artist: William Powell Frith

Many Happy Returns of the Day, 1856. Artist: William Powell Frith
Many Happy Returns of the Day, 1856. Found in the collection of the Harrogate Museums and Art Gallery, North Yorkshire

Background imageElderly Collection: Interior Scene, late 18th century. Artist: Jean-Honore Fragonard

Interior Scene, late 18th century. Artist: Jean-Honore Fragonard
Interior Scene, late 18th century. Found in the collection of the National Gallery, London

Background imageElderly Collection: Isaac Blessing Jacob, 1638. Artist: Govaert Flinck

Isaac Blessing Jacob, 1638. Artist: Govaert Flinck
Isaac Blessing Jacob, 1638. Found in the collection of the Rijksmuseum, Amsterdam

Background imageElderly Collection: The Last Communion of St Jerome, c1495. Artist: Sandro Botticelli

The Last Communion of St Jerome, c1495. Artist: Sandro Botticelli
The Last Communion of St Jerome, c1495. From the collection of the The Metropolitan Museum of Art, New York

Background imageElderly Collection: Wonderful advice, 1799. Artist: Francisco Goya

Wonderful advice, 1799. Artist: Francisco Goya
Wonderful advice, 1799. Plate 15 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageElderly Collection: Wait till you ve been anointed, 1799. Artist: Francisco Goya

Wait till you ve been anointed, 1799. Artist: Francisco Goya
Wait till you ve been anointed, 1799. Plate 67 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageElderly Collection: Be quick, they are waking up, 1799. Artist: Francisco Goya

Be quick, they are waking up, 1799. Artist: Francisco Goya
Be quick, they are waking up, 1799. Plate 79 Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageElderly Collection: They are hot, 1799. Artist: Francisco Goya

They are hot, 1799. Artist: Francisco Goya
They are hot, 1799. Plate 13 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageElderly Collection: When day breaks we will be off!, 1799. Artist: Francisco Goya

When day breaks we will be off!, 1799. Artist: Francisco Goya
When day breaks we will be off!, 1799. Plate 71 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageElderly Collection: Why hide them!, 1799. Artist: Francisco Goya

Why hide them!, 1799. Artist: Francisco Goya
Why hide them!, 1799. Plate 30 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

Background imageElderly Collection: That certainly is being able to read, 1799. Artist: Francisco Goya

That certainly is being able to read, 1799. Artist: Francisco Goya
That certainly is being able to read, 1799. Plate 29 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageElderly Collection: Who would have thought it!, 1799. Artist: Francisco Goya

Who would have thought it!, 1799. Artist: Francisco Goya
Who would have thought it!, 1799. Plate 62 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageElderly Collection: Portrait of an Old Man, 1485. Artist: Filippino Lippi

Portrait of an Old Man, 1485. Artist: Filippino Lippi
Portrait of an Old Man, 1485. From the collection of the Galleria degli Uffizi, Florence, Italy

Background imageElderly Collection: The spin finely, 1799. Artist: Francisco Goya

The spin finely, 1799. Artist: Francisco Goya
The spin finely, 1799. Plate 44 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

Background imageElderly Collection: Correction, 1799. Artist: Francisco Goya

Correction, 1799. Artist: Francisco Goya
Correction, 1799. Plate 46 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

Background imageElderly Collection: There is plenty to suck, 1799. Artist: Francisco Goya

There is plenty to suck, 1799. Artist: Francisco Goya
There is plenty to suck, 1799. Plate 45 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageElderly Collection: The Shepherd, c1760-1820. Artist: Francisco Goya

The Shepherd, c1760-1820. Artist: Francisco Goya
The Shepherd, c1760-1820. Private collection

Background imageElderly Collection: Loyalty, 1819-1823. Artist: Francisco Goya

Loyalty, 1819-1823. Artist: Francisco Goya
Loyalty, 1819-1823. Plate 17 of Proverbs, published in 1864.The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Background imageElderly Collection: The Meditation on the Passion, c1510. Artist: Vittore Carpaccio

The Meditation on the Passion, c1510. Artist: Vittore Carpaccio
The Meditation on the Passion, c1510. The Gulbenkian Foundation, Lisbon

Background imageElderly Collection: The Cobbler, 1918. Artist: Boris Mikhajlovich Kustodiev

The Cobbler, 1918. Artist: Boris Mikhajlovich Kustodiev
The Cobbler, study for the decoration of the Ruzheinaya (Rifle) Square in Petrograd, 1918

Background imageElderly Collection: Help, 1921. Artist: Dmitriy Stakhievich Moor

Help, 1921. Artist: Dmitriy Stakhievich Moor
Help, 1921

Background imageElderly Collection: The Smoker, 1866. Artist: Edouard Manet

The Smoker, 1866. Artist: Edouard Manet
The Smoker, 1866. The painting reflects a comfortable and friendly relationship between Manet the artist, and the unknown smoking man

Background imageElderly Collection: Portrait of Hilaire de Gas, grandfather of the artist, 1857. Artist: Edgar Degas

Portrait of Hilaire de Gas, grandfather of the artist, 1857. Artist: Edgar Degas
Portrait of Hilaire de Gas, grandfather of the artist, 1857. From the Musee d Orsay, Paris

Background imageElderly Collection: The capuchin monks of Malata taken prisoner, 1895

The capuchin monks of Malata taken prisoner, 1895. Scene from the Massacres of Armenia card series produced by the chocolate factory at the Monastery of Aiguebelle

Background imageElderly Collection: Abbess Jeronima de la Fuente, 1620. Artist: Diego Velazquez

Abbess Jeronima de la Fuente, 1620. Artist: Diego Velazquez
Abbess Jeronima de la Fuente, 1620. The elderly nuns gaze is keen and slightly melancholic, as if prepared for any sacrifice. She holds a large crucifix in her right hand and a book in her left hand

Background imageElderly Collection: Landscape with the Apostle Philip Baptizing the Eunuch, (1590-1632?). Artist: David Vinckboons

Landscape with the Apostle Philip Baptizing the Eunuch, (1590-1632?). Artist: David Vinckboons
Landscape with the Apostle Philip Baptizing the Eunuch, (1590-1632?)

Background imageElderly Collection: Ecstasy of Saint Francis of Paula, 18th century. Artist: Giovanni Battista Tiepolo

Ecstasy of Saint Francis of Paula, 18th century. Artist: Giovanni Battista Tiepolo
Ecstasy of Saint Francis of Paula, 18th century. St Francis of Paula (1416-1507) was the founder of the Order of Minims. From the Church San Benedetto, Venice, Italy

Background imageElderly Collection: Susanna and the Elders, 1555. Artist: Jacopo Tintoretto

Susanna and the Elders, 1555. Artist: Jacopo Tintoretto
Susanna and the Elders, 1555. From the Museo del Prado, Madrid, Spain

Background imageElderly Collection: St Jerome, 1521. Artist: Albrecht Durer

St Jerome, 1521. Artist: Albrecht Durer
St Jerome, 1521. From the Museu Nacional de Arte Antiga, Lisbon, Portugal

Background imageElderly Collection: The Three Ages of Man, allegory, late 16th century. Artist: Jacob de Backer

The Three Ages of Man, allegory, late 16th century. Artist: Jacob de Backer
The Three Ages of Man, allegory, late 16th century. From the Hermitage Museum, Saint Petersburg, Russia

Background imageElderly Collection: Scene from the life of Hannibal, 18th century. Artist: Claudio Francesco Beaumont

Scene from the life of Hannibal, 18th century. Artist: Claudio Francesco Beaumont
Scene from the life of Hannibal, 18th century. From a private collection



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